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vogue italia october 2001 / photographed by mikael janssonÂ

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Givenchy 2015/2016

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Miu Miu Fall 2025 Ready-to-Wear PFW
Solomon Eagle by Paul Falconer Poole, 1843
Laura Gemser
The Coronation of the Virgin 1641
Diego Velazquez

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detail at Balmain, Fall 2012
A Soviet funeral monument in the Roman style encased in glass, Novodevichiy Cemetery, Moscow
Françoise Dorléac, 1965.
Françoise Dorléac, 1961.

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Convent Thoughts
Artist: Charles Allston Collins (British, 1828-1873) Date: ca. 1850-1851 Medium: Oil on canvas Collection: Ashmolean Museum Oxford, England
Description
A nun looks at a Passion flower, symbolizing the crucifixion of Christ. In her left hand, she holds a religious book open at an image of the Virgin Mary.
The flowers in the painting symbolize various traits of a nun including remembrance (Forget-me-nots), purity (Madonna liliesn), constancy (Evergreen trumpet honeysuckle) and most of all passion for Christ (the Passion flower she holds in her hand).
Collins painted the background while staying in Oxford; the flowers were painted in the garden of the Clarendon Press, where he was a guest of the Combes. The painting is executed in the minutely detailed style of the early Pre-Raphaelites, though Collins was never a member of the Brotherhood. It was exhibited at the Royal Academy in 1851 and was one of the works which inspired Ruskin's defense of young artists.