My friend @simply-written-96 made an aesthetic mood board for me and it is so spot-on that I just had to share it❤️

#extradirty
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"I'm Dorothy Gale from Kansas"
art blog(derogatory)
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I'd rather be in outer space 🛸
occasionally subtle
Cosmic Funnies


roma★
cherry valley forever
$LAYYYTER
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Love Begins
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The Bowery Presents
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@mitsurugi28
My friend @simply-written-96 made an aesthetic mood board for me and it is so spot-on that I just had to share it❤️

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I recently watched Lars and the Real Girl and I think I discovered a new comfort character <3
𖡼.𖤣𖥧𖡼.𖤣𖥧
𖡼.𖤣𖥧𖡼.𖤣𖥧
DISCLAIMER: This artwork is not authorised for use in generative AI training or image generation.
Every glasses wearer's problem
Day 2 of Phoenix being a total loser/affectionate
Uhhhh..I think I just wanted an excuse to make the Eridian baby trebuchet

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Narumitsu in the courtroom is a given
Lalala
I love every frame of this film, but there's one still image I love the most out of all them; this image. Now I have not yet read the book, but there's some interesting things readers pointed out that the film did differently. One big detail is how much more clumsy and oblivious Grace is in the movie. In the movie Grace never went through the trainings for the space crews, but in the book he was; was great at it too apparently. Some readers also told me how much more horrible Grace's sense of self-worth was in the books. Now the way I see it, the movie seems to be basically how Grace sees himself, unworthy, clumsy, a background dude, just a cog in the wheel; he's an unreliable narrator. He's such an amazing, highly qualified professional, and everyone in the Petrova Task Force sees that in him, everyone but himself. Which is why I love this frame so much. The cracked lines over his face, on his eyes, like his broken perspective of himself. If he wasn't forced to face his fear head on, he truly wouldn't have been able to see the real him for what he's worth.
I actually felt that Book-Grace didn't necessarily have a worse sense of self-worth, but I think that the book made him feel more isolated and lonelier than Movie-Grace. The first-person perspective makes it very obvious how frustrated and terrified from the start, and we see him like that for several chapters. It took him DAYS (sleep-cycles or whatever lol) to even remember his name and Weir walked us through ALL OF THAT.
What he remembers of himself through the flashbacks definitely paints a picture of an introvert who would kind of drift off by himself rather than be any center of attention. While he does like being the "smart one in the room," around his peers he struggles to feel that way. He's likely carrying that insecurity from being ostracized in his profession because of The Whole UNESCO Incident™. Stratt points out that he'd rather be with kids than peers becuase he likes being looked up to.
In the book, Grace was definitely still thought of in the scientific community as a powerhouse. Stratt seeks him out becuase others still thought he was still the best in his field. They kind of allude to this in the movie:
Stratt: Back at the school you said there were thousands of other people more qualified than you, so... Grace: I was being modest. Stratt: I don't need modest, I need people who think they're right when everyone else thinks they're wrong. I need people who piss other people off. Grace: That's me.
They didn't mention in the movie, but he was the first person that Stratt recruited to do research on Astrophage. He came up with the name "Astrophage." He headed up the group that did Astrophage research and he's a department head doing his job, and Default Ryland Grace Mode means he's doing it very very very well.
One trait that I think Movie-Grace leaned into a lot more was making him the Fun Middle School Teacher type. I didn't quite interpret him as oblivious or scatterbrained, but saw that his style of teaching students and interacting with them is to entertain and be weird and fun and match their energy. And he uses that to try to disarm people (even adults) he's intimidated by.
In the book, I felt his "teacher" trait was well-covered, though a bit differently, by the style of narration itself. I thought it felt at times like it's a teacher talking and explaining out loud to students (which would be us, the readers).
I love what you say about the image representing a "broken perspective" of Grace. He certainly has an internalized image of himself that doesn't agree with how other people view him. I also thought one of the wonderful things in this story is how we get to know Grace as he gets to know himself again, and also as Rocky gets to know him. Rocky only knows post-coma Grace, and whatever Grace makes himself into from this point forward.
And in the end, he was able to reconcile the fragments of who he was (a really good scientist who was also a coward and a bit of a loner), with the person he knew he was at the moment (a really good scientist sent to do an impossible job), and the person he became through his journey with Rocky (a really good scientist who accomplished the impossible and had someone in his life that he would actually die for).
Gosh thank you for this, now I REALLY want to read the book! There's just so much I really wanna explore more, the science and technicality, their characters (especially Stratt, I heard she's so much more different). About the "oblivious" description, totally agree, I should've worded that part better my bad (─.─||)
(reply to last two parts)→ This is why I loved the part in the film where Carl said "You know who you are. You're going to do great". It's the line that made me cry the most. He needed that. And he did great! Impressively, fucking great because despite the fears he still did it; For the people he cared for, for his beloved children, humanity, his new found home Erid, his best friend Rocky, and most importantly he did it for himself.
guy who definitely doesn't blame himself for anything or has self-destructive tendencies
One must imagine Sisyphus happy

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thinking about how it would be very reasonable to have driver involved with the petrova task force as a civilian driver for stratt, because she needs things and people moved fast and doesn’t care about the law, just that it’s done efficiently and without casualty. in her investigations she learned that this boy is the best, a stunt driver and alleged criminal getaway driver, so she had him granted immunity for any crimes and brought him in — for once without protest. he doesn’t seem to care what happens to him. he’s obedient and very quiet. and he’s very, very good at what he does.
grace feels like he’s the only one on the planet concerned about this kid. he tries to look after him — all while balancing the world ending and all the work that entails for him — and maybe when the project is moved onto the vat, driver is brought along as a civilian mechanic.
(and then, months later, he feels like he’s the only one on the planet concerned when grace disappears.)
I loved the world because of you.
Under Her Spell
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Second piece in my Supernatural × Norwegian Folklore series!
This one is inspired by the Huldra, a beautiful yet dangerous figure from Norwegian folklore, said to lure unsuspecting people away with her charm. Depending on the story, meeting her can lead to fortune… or to never finding your way home.
I’m honestly really proud of this one. It’s only my second fully painted illustration, and I think Castiel’s face is the best face I’ve painted so far. 🥹 Painting still feels a little intimidating to me, so every piece is a learning experience, and this one feels like a genuine step forward.
I hope you enjoy this little folklore series as much as I’ve been enjoying making it. 🩵

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Destiel as Spleen et ideal, based on this post by @universalcas 💙
art process on my Patreon :3