Mithi

HOWEVER, the manga cuts off at this point, keeping strictly in Maomao’s perspective, and cuts straight to when she regains consciousness in bed after being treated for her injuries. The manga doesn’t show how she got back. They SAY how, and she briefly mentions, “wow that must have been embarrassing; he carried me back,” but we don’t SEE it. We don’t get to feel the true impact of what that means. But the anime DID show us, and holy shit.

They SHOW us how taboo this is. They show Jinshi carrying her out of the temple, after a public attempt on his life.

They show us the shock and horror on Lakan’s face as Jinshi silently walks past him. Horror at the state his daughter is in, horror at another man—a man with a status he could never dare to question—staking such a public claim over his child, horror at the fact that he could never have this level of closeness with her (as Maomao would never allow it).

Everyone hides their gazes, as is their custom when someone of his rank passes by, but the air is different this time. Jinshi is furious, he’s terrified, and he could not give a single shit about how inappropriate it looks to these palace officials.

The shot that slowly follows her trail of blood—even though it’s a small detail—that in particular leaves such a intense impression of how poignant this is for him.

Maomao talked about this scene in the manga like it was nothing to her. She did what she set out to do: she saved the person who was targeted by the attack. She didn’t even know the target would be someone she knew. But she has no idea that this happened afterwards as a result of her bravery. To her, it likely wasn’t even an act of bravery at all. She acted on impulse; she did what she knew was the right thing to do.

Aki

some wha stickers!!

🌟✒️🩸

And the alternative versions

It’s the way that Qifrey’s magic is water based even though he’s afraid of water, because Olruggio once told him that he can conquer his fears by understanding them better, and he uses this magic to chase the brimhats—his greatest fear—and defeat them by learning more about them. All his brilliance is twisted toward a dark obsession with the things that hurt him. But at the same time there’s whimsy too in the pretty water flowers and animals he sculpts for the children, for his mentor. Because maybe if he can find joy in such things, it’ll hurt a little bit less.