roxie

The Viscount Who Loved Me

Draco is down BAD in this fic.

Jonathan Bailey as Anthony Bridgerton in “Oceans Apart” (Bridgerton - 1x07)

The first time Anthony meets her, she’s riding astride. The first time they talk, she outright argues with him. He recognises it, Anthony himself says, “the rules are meaningless [to her]”. She calls him out when he assumes she won’t be able to manage a gun. She plays pall mall just like he does, with equal intensity, just as competitive. And that’s who he falls in love with.

Throughout the course of the story, she never has to change herself, dull her sharp wit, or chip away anything of her personality, for him to notice her and be attracted to her, for him to fall in love with her.

There’s no grand makeover, for him to finally notice her, because he’s always seen her for who she is, from the very first time they met and he began falling for her from that very moment. Her personality is not portrayed as a flaw that he loves her in inspite of, but rather the very core of the reason he is in love with her.

And in season 3, we see that marriage doesn’t change that either. She still banters with him, and he’s still going around telling everyone who will listen that his marriage is perfect.

While Glinda is the epitome of privilege and the “rich girl” archetype, Fiyero AND Elphaba arguably start the show with more power and influence than Glinda does. Fiyero, of course, is the prince of the Vinkus—but Elphaba is notably the daughter of the governor of Munchkinland, which puts them nearer in terms of political/royal/class standing (and yes…the arranged marriage AUs DO go hard).

Now, the reason this is all so interesting is because it situates Glinda as someone with a huge outset motivation to social climb. Because while Elphaba clearly doesn’t have actual power, she and Fiyero share one thing that Glinda doesn’t have—a position that has them primed for disillusionment. Although Elphaba clearly still believes that it gets better at the top (a.k.a. the Wizard), she already has a lifetime of experiencing how hypocritical and loveless life in the "aristocracy" can be. Meanwhile, Fiyero’s very introduction is one of a depressed nihilist (all wrapped up in a flashy dance number); he’s transgressive from the start, which is perhaps the privilege one has when you’re already born at the top of the food chain—all the while also indicative of a genuine dislike of the system he’s in (and this is where I have MORE thoughts on gender and queerness, but I think that’ll deserve its own post). So although their actions are unequivocally brave, there's a lot less disillusionment E&F need to unpack before they break out—and, one could argue, an inherent privilege in their already being closer to the "truth."

Where I’m going with this is that I think Glinda represents something fascinating about the psyche of the bourgeoisie/upper-middle class—something that has real-world implications today. Because there’s something about her specific rung of power—the one that is just powerful enough to remain perpetually aspirational, like the peak of a bell-curve of ignorance—that taps into an important facet of “how wickedness happens.” It’s the story of the people who vote against their own interests because they think of themselves as "future billionaires;" the people who arguably lack the privilege of knowing that their race to the top is meaningless. It's the mindset that leaves you abandoning your morals and deepest loves for a system that forever dupes you into thinking your heart's desire is still just behind the curtain.