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â  Flowers and Plants  â
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CATCHING FIRE, CHAPTER 11
Negative & racist depictions, tropes, and Stereotypes regarding Native Americans in Road to El Dorado.
Mayaincatec: The film homogenizes multiple Indigenous cultures cultures into one, specifically and mainly Maya and Nahua cultures, with the story being based on a mythical place set in Colombia.
Mighty Whitey: the basis of the film comes from the Spanish lie and myth that the Indigenous Aztec population worshipped them as gods, with the city of El Dorado doing the same with Miguel and Tulio, who use this to trick Native people to steal gold from them.
Oversexualized Native Woman: Chelâs character has overemphasis on her sex appeal and sexuality, with her character design being very revealing and exageratted on her chest, hips, and thighs. There is little to no exploration of her character outside of her sexuality and servitude towards the White characters. She does not pass the Aila Test and is a near opposite. Chel is a perfect example of how many Native female characters are sexualized
Evil Shaman: The Native religious leader Tzekel-Kan is demonized as evil & plays a heavier role as the main antagonist instead of the famed genocidal colonizer Hernan Cortez. Tzekel-Kan being enslaved by Cortez at the end is depicted as a âgood endingâ.
Demonized Spiritualiity: connected to the above, all scenes depicting traditional Mesoamerican spirituality/religion or practices are shown as evil, barbaric, savage, scary, and associated with the main antagonist.
White Saviors: El Dorado is saved by the main White protagonists, the idea to destroy the gates to the city is Tulioâs idea, the warriors of El Dorado are portrayed as helpless and no match for the Spanish conquistadors despite Indigenous Mexican warriors going toe to toe with them, and winning against them in various battles in real life.
Whitewashed Colonialism: Cortez, despite being one of the worst colonizers in history, serves as a minor, secondary antagonist & his evilness is only vaguely implied, and never explained why it (his actions) is bad. Cortez has the same goal as Miguel and Tulio (to steal gold from Indigenous people), but the protagonists arenât shown as bad for doing it. Colonization is essentially excused (& is never explicitly named as harmful) as long as the colonizers are âniceâ about it.
Thereâs likely some other stuff Iâm missing but these are some of the big ones that are shown in this film, & its depictions of Indigenous Peoples are extremely harmful. I also donât wanna see anybody trying to defend any of these with somehow implying âWell itâs not ACTUALLY racist or harmful because-â etc etc save it for a vague post and take our inability to see criticism of racism within a movie you like elsewhere.
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GIUSEPPE PENONE, ContinuerĂ a crescere tranne che in quel punto, 1968-2003