Who Cares About Your Lonely Soul

Me: 

Act 1: 😀

• The key change in Champaign when Usnavi says “Vacation? Vanessa, you’re leaving too!” • “I hope that you…burn” • The hidden little line in The Duel, the little “Ah, yes, show me what you’ve got!” • How low Jeremy Jordans voice is in the beginning of This World Will Remember Us • The entirety of Guns and Ships • “she got friendly, DOWN IN THE SAyAhANnd!!” • The wounded way Gabriel says “Hi dad” in I Am The One (Reprise) •"WHY IT’S GREASE LIGHTNIN’!!!“ • The beautiful high note in Spooky Mormon Hell Dream in the line “And the horrible vision that I had THAT NIIIIIIGGGGHHT!” • The entirety of Pierre & Natasha • Every single time Mimi says “Oooouuuuutttt tonight” • Andrew Rannells existing • The little gay part in The Bitch of Living • The entirety of Don’t Do Sadness • “WE LOVE YOU MISSES HANNIGAN” • “hiiiss naaame iiss MENDELLLL AAAAaaaHH” •"whIIIIZzzer…WHIIIzzeerr…whIIIIIIzzer…WHIIIZeEeEeERrrrr…“ • the Squip going “BEBOPOBEBOPOBEPO” in The Pitiful Children • The entirety of Green Finch and Linnett Bird • the way Jared says “kinky” in Sincerely Me • The harmonizing in Unlikely Lovers • “I won’t get to heaven…why not raise a little hell?” • the part in For Forever when Ben Platt sings “till the entire sun, SHINES ON MY FAAACEEE” is soul healing tbh • The chaos at the end of Non-Stop • “It’s eggs!” • michaEL MAKES AN ENTRANCE • The entirety of Words Fail • “IT’S FROM JAPAAAAAANNN” • the tap dancing in King of New York • Whizzer Brown • Andrew Rannells • “he ran into my knife. He ran into my knife TEN TIMES” • The end of A Day in Falsettoland • “oh yes oh yes oh yes they both oh yes they both oh yes they both reached for the gun the gun the gun the gun oh yes they both reached for the gun for the gun” • Cabinet Battle #3 • the hippie music that plays behind Michael Mell • The chaos at the end of 96,000 • “no customer would go to you unless she was a hooker” • “well FUCK me GENTLY with a CHAINsaw >:)” • “Joseph Smith took his magical fuck frog and rubbed it on Brigham Youngs clit face” • “lovers live and die fortissimo” • anD PEGGy

So kids listen up I need to rant and I’m putting it here: The reason Musicals such as Great Comet and Bandstand are closing down is because they’re not profitable enough. Despite them being great shows and having a fan base the fan base still isn’t enough to keep them running, they need people who aren’t that big fans of theatre to come see the show too and one of the main ways they do this is to win Tonys but because the awards were so concentrated on a small number of musicals this year a lot of good shows had to try to find other ways to profit (this is why the Great Comet had so much drama with casting) and since these shows can’t profit they have to shutdown.