井上武吉作品集
「全宇宙誌」 杉浦康平
「佐渡島」 富山治夫
「愛書狂」 野中ユリ
「腸炎座」羽良多平吉
「ジョージア オキーフ」成瀬始子
「倫教/香港1980」 大竹伸朗
「夢の佐比」 入沢康夫

shark vs the universe

oozey mess

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

PR's Tumblrdome

pixel skylines
Mike Driver

Jar Jar Binks Fan Club
trying on a metaphor
RMH
d e v o n
Show & Tell

Product Placement
𓃗

roma★
let's talk about Bridgerton tea, my ask is open
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second

seen from Chile
seen from Iraq

seen from Chile
seen from Italy
seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Chile

seen from Singapore
seen from Türkiye
@misakishimizu0113
井上武吉作品集
「全宇宙誌」 杉浦康平
「佐渡島」 富山治夫
「愛書狂」 野中ユリ
「腸炎座」羽良多平吉
「ジョージア オキーフ」成瀬始子
「倫教/香港1980」 大竹伸朗
「夢の佐比」 入沢康夫

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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OUTSKIRTS - Daisuke Yokota
Paper cover : embossed color plain pristine white 175g/m2
Print: lithography: color & books
Gd: Esther Krop
カバーフォント:メタリック カバー紙質、エンボス、白部分に細かい模様があり(プリント)それを助長するように、紙質がエンボス。
ーアンカット
小口の三方を切り落とさないで製本
夏目漱石「四篇」 ー橋口五葉
ー山本有三「女人哀詞」ー川端龍子
桜の日本画の上にディボス加工
会場芸術主義
ー横光利一「時計」ー佐野繁次郎
前衛作家
アルミ板を表紙に縫いつけた
ー谷口江里「草木たちの朝」
くるみ製本
表紙と裏表紙にグレーの厚ボール紙を、背側7mm残して全面接着
最後に三方化粧裁ち
南京本をほうふつ
ー「CODE」 「UNFINISHED」
ーシルクロード torch press
Meeting with Manuel
- Ask awagami for inkjet printer
- Ask “prinpa” to test prints
- Try the OAT binding and the cover
BInding: OAT binding
https://www.google.com/search?q=OTA+binding&sxsrf=ALeKk00XVgWhMC68vuJzujsbQbIqrC_nuw:1620473513141&source=lnms&tbm=isch&sa=X&ved=2ahUKEwiw-_ig_rnwAhXFf94KHSgUCasQ_AUoAXoECAEQAw&biw=885&bih=733
- find this glue with short roller
CXD EVACON R CONSERVATION ADHESIVE 5KG
https://www.cxdinternational.com/equipment-tools/adhesives-pastes-consolidants/cxd-evacon-r-conservation-adhesive-5kg-suevar0003?returnurl=%2fextendedsearch%3fq%3dcxd%2bevacon%2br%2bconservation%2b
- Good inkjet printer in UK
https://digitalarte.co.uk/prices.html
Layout inspirations
Paul Cupido - Mukayu
https://vimeo.com/489350107
]
Cette façon qu’elle avait d’habiter tout son corps – Clarisse Guichard, Martine Dawson, Melissa Boucher
https://vimeo.com/542687433
Ilias Georgiadis – Vialattea
https://c4journal.com/ilias-georgiadis-vialattea/
-ATTRACTION - trade ed.
https://vimeo.com/user106756115
https://vimeo.com/418381975
https://margaretlansink.com/The-Kindness-of-One
https://vimeo.com/400230729
- フラットレイ
- 綴葉装 / 列帖装
http://aplt.cocolog-nifty.com/tsukuru/2011/08/post-f666.html
- Book edge
https://www.youtube.com/watch?v=ertzJYYjgdk
https://www.youtube.com/watch?v=23rj-G8u0rI

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Inspiration
metalic page
- TAMSIN GREEN ARTIST BOOK “BORN OF THE PUREST PARENTS
https://reminders-project.org/rps/bornofthepurestparentssaleen/
- WANG LU’S WORK “NOW HERE, NOW THERE”
https://reminders-project.org/rps/nowherenowthere_saleen/
- joan fontcuberta
Tate modern
“performance as a medium”
Opposite view on ‘performative documents’
‘Performance’s only life is in the present’; that it ‘cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance’ -Peggy Phelan
‘Documentation does not simply generate image/statements that describe an autonomous performance and state that it occurred: it produces an event as a performance’. It is the photograph that creates the performance, and continually creates it every time someone sees the image. Here, whatever is alive in performance is initiated through its mediation. - Philip Auslander
“performance at tate”
In recent years, these works and their documentations have radically challenged practices of curation, exhibition and preservation of art by shifting the focus from the object to the process behind and around it.
Vito Acconci (1940-2017)
an influential American performance, video and installation artist
His foundational performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world.
Blink(1969)
Holding a camera, aimed away from me and ready to shoot, while walking a continuous line down a city street.
A Set of rules : Try not to blink. Each time I blink: snap a photo.
http://www.vitoacconci.org/portfolio_page/blinks-1969/
Following Piece (1969)
He selected random passersby on New York City streets and followed them for as long as he was able
Lynn Hershman (1941)
is an American artist and filmmaker. Her work combines art with social commentary, particularly on the relationship between people and technology.
Roberta’s Body Language Chart (1978)
In Roberta’s Body Language Chart, Roberta is photographed during a psychiatric session with annotations interpreting her body language.
https://www.tate.org.uk/art/artists/lynn-hershman-13108
Ian Breakwell (1943-2005)
‘dematerialisation’ of the art object from its traditional, commercially marketable format
Many artists of this generation used the techniques of the social scientist, documenting their lives or the lives of those around them using photography, recorded notes and journals
Continuous Diary (1965)
The Walking Man Diary records the repeated appearance of an unknown man walking a regular route around the Smithfield area in the City of London, where Breakwell was living at the time. From the window next to his desk, the artist spent much time gazing out at the scene below. He described how one day, he noticed a man.
https://www.tate.org.uk/art/artworks/breakwell-the-walking-man-diary-t07701
Stephen Willats
‘The Lunch Triangle’: Pilot work B. Codes and Parameters (1974)
The Lunch Triangle formalises the way in which perceptions are constructed of complex interpersonal situations from limited coded information. Three scenes are presented in a sequence, each one involving you in constructing part of a perceptual model of the relationships between three depicted persons.’
Living with Practical Realities(1978)
Across three panels, Stephen Willats explores the realities of living in a 1970s British tower block. The work centres on Mrs Moran, an elderly woman who lived at Skeffington Court in Hayes, West London. Willats photographed and interviewed Mrs Moran over the course of six months. The text in the work is based on these interviews. In his composition, Willats highlights the physical, social, and economic constraints that Mrs Moran experienced. Each panel also features a question. These invite the viewer to participate directly in Mrs Moran’s lived experiences.
Richard Long
Untitled(1967)
Although originally untitled, this work has become known as Ben Nevis Hitch-Hike. In April 1967, Richard Long walked and hitch-hiked from London to the summit of Ben Nevis and back. The journey took six days, and at 11am each day he took two photographs. For one photograph he pointed the camera straight up, and for the other he pointed it straight down. The photographs which appear in the work are the only ones taken on the journey.
Production 2
Chemigram
Method 1:
01. Cut out silhouetts from A4 paper
02. Soak the silhouettes onto fixer liquid
03. Place on photo sensitive paper and wait for a while
04. Wash with water
05. Put into the developing liquid
06. Stop, fix, and wash
Method 2 :
1, 2. 3 Same
4. Take off the silhouette and brash deluged developer liquid on top
5. Stop, fix, and wash
Visual research
This is a silhouette printed onto A4 plain paper
Cut out the silhouette, submerge in fixer, remove from fixer, get rid off excess (dripping will bleed over the edge of the face and not give you a sharp outline).
Place silhouette over the photographic paper
Expose photographic paper to UV light until grey (place in windowsill etc.)
Remove silhouette, wash with water, leave to dry
(https://photographyproject.uk/alternative-processes/how-to-make-chemigrams/)
Production 01
Test 1 : Placing round shaped small magnet ( cut from magnetic sheet)
Shape was clear but needed to get rid of extra iron sand
- subject need to distribute the sand all over the surface of the paper and tilt it in the end so the entra sand can be removed.
- did not work when I put sands into plastic container, need to get stronger magnet sheet
Test2: Placing one small magnet ( strong one) and moved the box
- I could see the clear movement of the sand
- need to get more magenta and make a shape like test 1.

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Production Idea
illustlation of recalled memory during daydream
- It only appears for a short time and be gone.
- It form is an abstract form, no researcher have not been able to visualize = it might not resemble the reality.
To illustrate these elements, I want to use some material that is not usually used for photography because recollection of memories involves “senses” we feel about the memory rather than the descriptive scene.
Idea 1 : using Iron sand and magnet to create a momental presence of the memory
I get this idea from the magnetic erase board. In the product, there is an iron sand in the white liquid on the top and magnet on the bottom, which can be covered with a sheet to distract the magnetism. The pen is magnetic so iron sand react to it and draw an image. When that happens the magnet on the bottom needs to be covered. To erase, the magnet on the bottom need to be uncovered. I was interested in this mechanism of being able to erase the image instantly.
As I looked into the properties of iron sand, I found a product called magnetic sand timer. The bottom wooden part has a magnet, so when iron sand falls, it react to magnet and form a unique shape. What is interesting is the shape is never the same ever time. I though this properties of iron sand corresponds to the reconstruction of memory because the memory created are always altered or erased.
Concept research 05
After the interim presentation, I realized I was trying too hard to figure out the full mechanism of mental imagery, which requires an enormous research. This was not necessary because I am not a scientist who needs to find an “answer” to the topic.
So instead, I decided to explore the possibility to express the mental imagery through photography and book.
First, I needed to narrow down the topic because “mental imagery” is a big topic. I asked myself “what am I interested in daydream in specific, then I found I was interested in the memory recollection that occurs during the daydream.
What is interesting is, this recollection of memories are not illustrated in the same way. I realized the way I recollect one event in the past is different every time. Some day, I described it as a “best accomplishment in my life”, but other times, I recall it with pain.
It is influenced by so many elements such as my feeling, location, people around me, and so on. This is what is called false memory created through the process of memory reconstruction. We unintentionally omit or alter details of the memory if it is relevant to what we believe it to be. I want to show this confusion of memory that happens during daydreaming.
Eileen Perrier
catherine loveday
17:32
en.wikipedia.org/wiki/Spirit_photography
17:33
Aura photography? Is also worth looking at!
17:44
There is no right or wrong!
Contexual Research 04
- Dr Jonathan Smallwood, a researcher at the University of York who specialises in the neuroscience of internal thought, says he believes ”daydreaming is an attempt to make sense of life and so it is often increased if lots of change is taking place. Viewed like this, daydreaming is basically not a bad thing but high levels could be an indicator that you are worried about something.”
-Using neuroimaging techniques, a study conducted last year by the University of York found that different types of daydreams – for example, those which are fantastical, autobiographical, future orientated or past oriented – were built up of different neuronal activation patterns, and by virtue could not be considered a single psychological construct.
-This is called the Default Network Mode, DMN, and consists of, among other parts of the brain, the medial prefrontal cortex and the medial and lateral parietal cortex (all of which are in the top half of the brain). This network is most active when we aren’t particularly focused on anything and, intriguingly, also in what is called the theory of mind (when we are thinking about ourselves, or others).
- According to Smallwood, researchers believe daydreams are “generated from representations that are based on information from memory. A study published last month highlighted how significant memory is to our ability to daydream, and specifically to how we do so, by looking at six patients who had bilateral lesions on their hippocampus – the most important structure in our brains for memory. While the participants were filling in forms, the researcher would ask them “what were you thinking about just before I asked you?” The subject would be encouraged to describe the thought in a sentence or two. The researcher would then note whether the thought had been a visual image or a verbal thought.The study found that while patients with hippocampal damage could continue to mind-wander and not be present in the moment (at a similar frequency to healthy adults), the nature of their daydreams would take a fascinating turn. These patients would not be able to daydream visually – instead only daydreaming in words. The study was the first of its kind to show a causal relationship between a specific part of the brain and the ability to daydream, and that visual daydreaming is absolutely reliant on our memories. Smallwood suggests this may also be why we daydream less as we get older, but also suggests it could be due to older people having fewer “current concerns” to daydream about.
- An enchanting study published last year tried to uncover how sad and happy music affected our daydreams. The study found that when listening to faster tempo happy music, we focused on the music itself, whereas slower tempo, sad music led to more mentally rich daydreaming.
- What about art?
https://www.newstatesman.com/politics/health/2018/04/how-neuroscience-illuminating-importance-daydreaming
Written by Jason Murugesu is a postgraduate student in science communication at Imperial College London, and a former Wellcome Scholar at the New Statesman. - maybe contact him
Screen Printing Workshop
Setting image
Uncheck resample and set the resolution to 300
width and height need to be higher than A4 size
Create another page, A4 and move the layer of the image to this
Set it to Grayscale, flatten
Bitmap
maximam 45 for the workshop
lower the number, more abstract
1-65 above 45 is hard to print
last step

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Visual Research
https://www.instagram.com/tv/CBz4LBrjd2Y/?igshid=toffb3r8hw1d
Antony Cairns, E.I. LDN5_051, 2018. E-ink screen, 12.9 x 10.1 cm, unique
Since realising he could freeze the display on his kindle book reader by disconnecting its power, Cairns has acquired over 500 second hand e-readers, mostly from eBay. By hacking into the e-readers he’s is able to upload his photographs, suspend them within the screen, and then remove the screen from the device’s casing.
https://www.bjp-online.com/2018/05/cairnstateshape/
No.2 You Say Volvo I say Potato by Michael Marriott
Printed on Evercolour 80gsm using, Black, Aqua Blue, Yellow and Fluro Pink.
Printed and Published by Hato Press, London.
Contextual Research
What is going on when a person is in between reality and imagination?
- That is the moment when consciousness gets lost
- The person exists at the place but the brain is not
- The person does not recognize (or half recognize) objects or scenery in front of them
Research has shown that even under the unconscious mind, the eyes still pay attention to the”movement”, “brightness”, and “colors”.
脳の中には目(網膜)からの視覚情報が脳に無意識に送り込まれています。
見えないはずの視野の中でも、「動き」「明るさ」「色」で目立つ部分には目を向けることが出来ることを明らかにしました。つまり、目の動きをみるだけで、見えないながらも、無意識にどこに注意をむけているのか分かることがわかりました。
https://www.nips.ac.jp/release/2012/06/post_217.html
- As you are daydreaming, your eyes are widely open and focus on two different things at the same time. During this process, a message is sent by eyes to the brain, which in turn send messages to the eyes. The message sent by the eyes contains the images they see while the messages sent by the brain is what it believes the eyes are focusing on.Although we are not aware of what is happening, clear vision habits do not include focusing on multiple, non-related images at the same time
Example:
An officer worker is sitting before a computer with eyes staring at the data on the computer screen while his mind is all about the beautiful landscape yesterday when he was riding his bike on the way to the countryside. At this time, the office worker is straining his eye muscle to focus on both images
(https://ezinearticles.com/?Can-You-Believe-That?-Daydreaming-Affects-Vision-Correction&id=3872736)
- Daydreams are without limits, and because they are entirely private, no one can judge you for the content of your dreams
There are too many people who find ways to improve eyesight, but there are few who spend time on how to prevent themselves from eyesight pro
The type of daydream also affects how much you forget, according to Delaney and colleagues' research
- When people working on a task were asked to daydream about their childhood home, the older subjects forgot more of the interrupted task than the younger subjects did. That means that the further back in time the daydream reaches, the bigger the forgetting effect.
- Flashes of inspiration seemingly pop out of nowhere. This can also occur in the shower or even while shaving or brushing your hair. In his book The New Psycho-Cybernetics (updated by Dan Kennedy), author Maxwell Maltz explains the phenomenon like this
(https://www.neurotrackerx.com/post/visualization-is-like-daydreaming-on-purpose)
Blog - Visualization is Like Daydreaming on Purpose
- ‘Paradoxical though it sounds, daydreaming is what makes us organised,’says Eric Klinger, professor of psychology at the University of Minnesota. ‘We think of daydreams as scatterbrained and unfocused, but one of the functions of daydreaming is to keep your life’s agenda in front of you; it reminds you of what’s coming up, it rehearses new situations, plans the future and scans past experiences so you can learn from them.’