mirror and pocket

Eggcellent!

Hieronymus Bosch

Quiet reminiscent of Francisco Goya’s Black Paintings (1819 and 1823)

#Bosch #BoschBabe #Detail #Art #ArtDetail

Detail from Jheronimus Bosch’s The Temptation of Saint Anthony  

Oil on Oak

Museu Nacional de Arte Antiga, Lisbon

Shaker ‘gift drawings’ created by Shaker women in the mid-1800’s, a period known as the Era of Manifestations.

The Shaker faith, properly named The United Society of Believers in Christ's Second Appearing, are a Christian sect that was founded around 1747 in the North-West of England by James and Jane Wardley. They were initially known as the ‘Shaking Quakers’ because of their ecstatic behaviour during worship services. In 1758, Ann Lee (1736-1784) or ‘Mother Ann’ as her followers later called her, joined the Shakers and became leader of the small community. On May 19th, 1774, having supposedly received a revelation, Ann Lee along with eight of her followers, sailed to America to establish the Shaker faith there. She was considered to be the second coming of Christ, giving form to the Shaker belief that Christ lives in every person and that every person, no matter their gender, colour or nationality- has the potential for a connection with God. This was their basis for racial and gender equality, among other progressive ideals before the American Revolution.

By the 1830’s, memories of Mother Ann were fading and new converts needed a way to connect with the late leader. The Era of Manifestations (1837-1860), when these drawings were produced, was a time of spiritual revival in Shaker communities across America. Certain Shaker women, started receiving messages, which they translated into songs, poems and drawings, believed to be coming from Mother Ann and other leaders, including non-Shakers. These drawings were not shared outside of shaker communities for fear that the spiritual messages they conveyed would scare off potential converts. They were never meant to be displayed, the spiritual messages in the drawings were directed toward a single believer who would interpret them. Once that believer died, no one else could translate the message. Most of these drawings ended up being disposed off, often used as kindling for fires.

1. A Type of Mother Hanna’s Pocket Handkerchief, 1851, Polly Jane Reed.

2. From Holy Mother Wisdom to Hannah Ann Treadway, 1845, Sarah Bates.

3. Untitled, c.1840-1860, Sarah Bates.

4. The Tree of Life, 1854, Hannah Cohoon.

Eyes on the table, 1938, Remedios Varo

An artist, 1967, Pablo Picasso

Medium: oil,canvas

Totem of Blessed Subjectivity II, 1948, Victor Brauner

Battle scene from the comic fantastic opera ‘The Seafarer’, 1923, Paul Klee