Judice, Edward (photographer)
Secretary and mimeograph machine, ca. August 1974
Secretary operating a mimeograph machine, Rodney Hunt Company.
Special Collections, UMass, Amherst
Misplaced Lens Cap
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Noah Kahan

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@mimeographrevolution
Judice, Edward (photographer)
Secretary and mimeograph machine, ca. August 1974
Secretary operating a mimeograph machine, Rodney Hunt Company.
Special Collections, UMass, Amherst

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PCC Library Digital Collections.
“Office worker using a mimeograph.”
Date unknown.
Mimeograph Duplicator Machine PRINT AD - 1943 // Buy It Now: $10.99
There’s just something so beautiful about an old school trade. #keepitalive #paperprinter #mimeograph #hongkong #paper #print
The artist group Alt Går Bra introduces their new book, The Mimeograph, A Tool for Radical Art and Political Contestation, in which they reprint my “Crowded Air” essay from nonsite.org.

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Otra máquina obsoleta recuperada antes que vaya a parar al bauserero se suma al taller de Barba de Abejas: un mimeógrafo Gestetner modelo 66 de 1929 (Inglaterra). / Another obsolete machine recovered before it goes to the junkyard joins Barba de Abejas workshop: Gestetner mimeograph model 66 from 1929 (UK). . Thanks @blokerwin for all the data! . Hay aún otra potencia que señalar en lo obsoleto, y es esta: la de aquello que fue descartado por el sistema pero volverá para encontrar una vida nueva. Y no mañana, sino hoy. Ahora mismo. / There is yet another power to point out in the obsolete, and it is this: that of what was discarded by the system but will return to find a new life. And not tomorrow, but today. Right now. (De Lo obsoleto, Eric Schierloh, Barba de Abejas #66) . #barbadeabejas #edicionartesanal #mimeografia #gestetner #mimeo #mimeograph #printordie #diy #publicaresamplificar https://www.instagram.com/p/Cpc_zT9uydg/?igshid=NGJjMDIxMWI=
1939 Roneo Duplicator Ad.
1942 A.B. Dick. Mimeograph Machine ad.
Drawing by Norman Price
1951 Ditto Machine Ad

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The Haunting of the Spirit Duplicator
Daily, archivists who deal with Twentieth Century collections come into contact with the remains of duplicating processes past: carbon copies, thermofax, early xeriographic copies, and a personal favorite of our director, the mimeograph, or “Ditto.”
People of a certain age will remember the delicious smell of the copy room at their school that came courtesy of the Ditto machine (a distinct combination of methanol and isopropanol). The Ditto, unlike the carbon copy - typed document, could quickly transmit hand-drawings onto worksheets and school flyers. A fabulous example of this process was found in the records of the Principal of Schools for the Fort Apache Indian Agency, George E. Eubank. His portrait was drawn and mimeographed by a representative of the Ditto Company, presumably at the 1932 National Education Association (NEA) conference in Atlantic City, New Jersey.
Three years later, he was encouraging one of the teachers who worked for him to take a look. “If you should go to Phoenix this week-end and have any spare time, you would probably be interested in seeing a demonstration of the DITTO machines,” he encouraged Miss Anne Raymond, “so that when we can afford to buy a duplicating machine we will all be familiar with [them].” Who wouldn’t want to travel 225 miles to explore the mysteries of mimeograph?
For those of you who are not of a certain age, or would like to wax poetic about a foregone era, the Internet Archive has a great informational film from 1960s shared by the Periscope Film archive showing how the mimeograph or “Spirit Duplicator.” works. Enjoy!
Series: Correspondence of the Principal of Schools (unprocessed). Record Group 75: Records of the Bureau of Indian Affairs, 1793-1989.
Before printers, copiers, and cloud computing came to define the way we share information with others, we copied pages using two types of similar, but not identical, drum-based machines.
From September 28, 2020.
Patents for mimeograph stencils frequently describe the paper used and the qualities that made it ideal for the duplicating process: it had to be strong enough to handle repetitive stresses, have fibers that allowed an even coating of an ink-proof material to be applied, and tolerate precise perforations or disruptions in that coating for the […]
Incredible new post from the Mimeograph Revival blog on the composition of stencil paper. Definitely go take a look!
https://youtu.be/-vfkJ00BdHw
Held over two days at the University of Westminster, the Art of the Mimeograph conference explored the impact of the mimeograph machine in the 20th century and what we can learn from this printing technology today.
Patents for mimeograph stencils frequently describe the paper used and the qualities that made it ideal for the duplicating process: it had
"The latest post on Mimeograph Revival is about what went into making the (now) elusive mimeograph stencil. Researched and posted in the hopes that should somebody, someday, wish to recreate such a thing, they'll have the resources and know-how."
By Wendy S. Yu.

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Join Olson Graduate Rich Dana and Curator of Science Fiction and Popular Culture Collections Peter Balestrieri as they explore the techniques created by Dale...
One of my favorite tales found in an early SF fanzine (1940s) about how to DIY pull off printing the darned thing. Peter Balestrieri and Rich Dana talk about the technique created by Dale and Anita Tarr back in the 1940s of printing SF fanzines with stencils and a paint can.
Zine and video from @uispeccoll.
#VoicesfromtheStacks
Tigrina
Edythe DeVinney Eyde, best known as Tigrina, also known as Lisa Ben, was born in California in 1921. She is known today for her work as creator of Vice Versa, the first lesbian magazine in the United States, but she also was active writing for science fiction fanzines in the 1940s.
She declared herself a Satanist, stood up to many of the men in fandom circles, and excited and offended many. As Tigrina, she pushed and broke boundaries. As Lisa Ben, she published the first lesbian journal. An excellent introduction to Tigrina is Special Collections Summer Seminar video featuring Rich Dana, Olson Graduate Assistant, entitled: Who is Tigrina? Exploring Identity in Early SF Fandom.
A page from Voice of the Imagination (VOM) fanzine, 1941, that appears in University of Iowa Libraries Rusty Hevelin Science Fiction Collection shows an introduction to Tigrina. It features “The Devil Doll,” about a “mysterious miss who shakes a mean spear!” and appeared as a regular feature with Tales of Tigrina.
Tigrina was a trailblazer, a lesbian writer brazenly publishing at a time when it could have landed her in jail. It’s time to learn more about her by exploring her works that frequently appear in the Hevelin collection at Special Collections & Archives.
–Rachel M-H, Special Collections Olson Graduate Assistant
Sources: Photo of Tigrina dressed in leopard print: ONE Archives at USC Libraries
Photo of VOM fanzine: DIY History
Photo of Tigrina signature: University of Iowa Hevelin Collection