grau

Julia Rommel

Joe Bradley

Jean-Marie Appriou

david ostrowski f (boyz ll men) . 2021

Big girl lI, 2024, collage: pigment print on acid-free cotton paper, mounting tape, split pins, mounted on aluminium, 260 x 127 cm

Justin Matherly It'ok to limp, 2016 concrete, modified gypsom, modified ambulatory equipment, votive tooth (partial) 229,5 x 52,5 x 46,5 cm

Using advanced production techniques, finely-crafted materials and unique displays, Camille Blatrix endows his works —half art, half machine— with a very unusual existence. For the 2015 Biennale de Lyon the artist created La liberté, l’amour, la vitesse, a mournful cash machine with no money but full of emotions. It shares its thoughts with users about the inability to satisfy their desires, the disillusionment, and the sadness of the world. “Despite my love for them, cash machines have rarely been able to satisfy my needs”, says the artist, who, to alleviate his distress, created a machine endowed with feelings— a piece of technology that suddenly takes a real interest in the people who use it.

Phantoms, 2023

House of Cards, 2015

Liz Deschenes - Bracket 6 Silver toned silver gelatin print mounted to aluminium, 147.3 × 101.6 cm, 2013

Iran Do Espírito Santo. Dropping Bottle, 2013

Aluminium, 50 × 25 × 25 cm, 2015

Justin Matherly

Alex Wissel

Katharina Fritsch, Riese / Giant, 2016