A chilling display of ice huts, that will warm your visual senses!
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A chilling display of ice huts, that will warm your visual senses!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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First Light over Manteo The tops of some distant thunderheads caught the first rays of the sun. These lingering clouds from an overnight thunderstorm helped create a really fantastic sunrise over the Manteo Lighthouse.
The incredible images taken by photographer Tanto Yensen from Jakarta, Indonesia shows a wild Javan Gliding Tree frog in a tank of water
The Wild Effect of Centrifugal Force on Toys Soaked with Paint by Peter Schafrick
A Dark Water Recreation of Van Gogh’s ‘Starry Night’ Using Paper Marbling Techniques...Visually intriguing!.....ENJOY!
In this brief video, artist Garip Ay creates an interpretation of Van Gogh’s ‘Starry Night’ painting using a paper marbling technique—or more specifically the Turkish method called ebru. Marbling involves the careful process of floating colors on the surface of water or a slightly more viscous solution called size, before transferring the design or pattern to a special sheet of paper in a dramatic flourish.
(via https://www.youtube.com/watch?v=4dKy7HNU4vk)

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Spatial Bodies from AUJIK. Footage of Osaka’s Skyline Transformed into a World Where Architecture Grows Organically!
In this fantastic short titled Spatial Bodies, actual footage of the Osaka skyline is morphed into a physics-defying world of architecture where apartment buildings twist and curve like vines, suspended in the sky without regard for gravity. The film was created by AUJIK, a collaborative of artists and filmmakers that refers to itself as a “mysterious nature/tech cult.” From their statement about Spatial Bodies:
Spatial Bodies depicts the urban landscape and architectural bodies as an autonomous living and self replicating organism. Domesticated and cultivated only by its own nature. A vast concrete vegetation, oscillating between order and chaos.
Prismatic Paintings
Produced From Refracted Light by Stephen Knap
Stephen Knapp has been making work that is transformed by light for over thirty years, producing vibrant light installations he refers to as paintings. These large-scale works utilize minimal tools, harnessing simply light and dichroic glass to throw a multitude of colors against the walls and room. The installations are not sketched out beforehand or programmed by computer, but rather created during the installation process as Knapp moves intuitively to choreograph his intricate light patterns. “The fun of what I do with light, is that there is nothing in our visual memory that prepares us for what I’m doing,” said Knapp in a short film about his work. “The fact that what I create can just be done with light, that there is no paint on these panels, is absolutely astounding to people. What I am trying to do most of all here is challenge any traditional notion of perception. What is it? Is it real? Is it not real? Does it matter?” These works have been featured in solo exhibitions around the country including the Boise Art Museum, the Chrysler Museum of Art, the Naples Art Museum, the Butler Institute of American Art, and the Flint Institute of Art, among others. Knapp’s solo exhibition Lightpaintings is currently on view through August 27, 2016 at the Pensacola Museum of Art.
Incredible music machine! From inspired design through fabrication and final construction this is a marvel on so many levels! Amazing.
http://www.slate.com/blogs/behold/2013/09/03/sharon_beals_images_of_bird_nests_from_around_the_world_photos.html

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Marvin Lipofsky’s “Australian Landscape 2004 No. 3.”
Marvin Lipofsky, Ceramist / Dies at 77
Artist Elevated Blown Glass to Fine Art
Marvin Lipofsky, a founder of the studio-glass movement, which took blown glass from the realm of interior decoration and functionality and showed its potential as a fine-arts medium, died on Jan. 15 in Oakland, Calif. He was 77.
At the University of Wisconsin in the early 1960s, Mr. Lipofsky was a student of Harvey K. Littleton, a ceramist who created the first glassblowing classes in the United States. “He asked me if I was interested in glass, and I said, well, I’ve never heard of it,” Mr. Lipofsky recalled in an interview at the Oakland Museum of California, describing his first day in Mr. Littleton’s ceramics class.
After experimenting with the medium, Mr. Lipofsky set up glass programs at the University of California, Berkeley, and at the California College of Arts and Crafts in Oakland (now the California College of the Arts).
Marvin Lipofsky in his Berkeley, Calif., studio in 2009. Credit M. Lee Fatherree In his own practice, he worked glass into small-scale biomorphic shapes with a dazzling array of surface textures produced by cutting, grinding, sandblasting, acid-washing or flocking — an idea that came to him when he saw a hot rod with a peach-fuzz exterior at an auto show.
“Marvin was especially important in working with blown glass in a sculptural way,” said Tina Oldknow, the recently retired senior curator of modern and contemporary glass at the Corning Museum of Glass. “He stretched it, he ripped it apart, he hot-worked it — he did whatever he could to make it not a container but at the same time retain the characteristics of blown glass.”
Marvin Bentley Lipofsky was born on Sept. 1, 1938, in Elgin, Ill., and grew up in nearby Barrington, a Chicago suburb where his family owned the local department store. After earning a degree in industrial design from the University of Illinois in 1962, he pursued graduate studies at Wisconsin, concentrating on ceramics and metal sculpture as well as glassblowing.
Marvin Lipofsky’s “California Loop Series No. 28.” Credit M. Lee Fatherree Almost immediately after receiving his master’s degree in fine art in 1964, he was asked to join the decorative arts department at Berkeley and create a glassblowing program. He taught at Berkeley and in 1967 also began teaching part-time at the California College of Arts and Crafts, where he became a full-time teacher in 1972 and remained until 1987.
In 1967 he started the Great California Glass Symposium, an annual event that he organized for the next 19 years. In the 1970s he also helped found the Glass Art Society and the Glass Art Society Journal.
In the late 1960s and early 1970s Mr. Lipofsky explored his new medium restlessly, applying decals to glass, painting the surface and creating opacity with fuming metal salts.
Marvin Lipofsky’s “Russian Group 2006 No. 4.” Credit M. Lee Fatherree In the “California Loop Series,” which he began in 1969, he stretched glass into thin necklike shapes that ended in bulbous pods, often with rayon flocking applied to impart a matte finish. He then turned out hamburgers and hot dogs in his “Great American Food Series” (1973).
Often he traveled to foreign glassworks, working with local artisans to produce an initial form that he completed at his studio in the United States. The brilliant colors used by Gianni Toso at the Venini Glass Factory in Murano, Italy, for example, inspired his “Venini” series (1972-1978), delicate, dimpled doorknob forms with wavy horizontal stripes.
Mr. Lipofsky returned many many times to the Crystalex-Hantich glass factory in Novy Bor, in what is now the Czech Republic, to make the complex seashell forms of his “Crystalex-Hantich” series and his “IGS” series, named after the annual International Glass Symposium held in Novy Bor.
He was the subject of a retrospective exhibition, “Marvin Lipofsky: A Glass Odyssey,” at the Oakland Museum of California in 2003.
Real Flowers Frozen In Ice Resemble Watercolor Paintings
Japanese artist Kenji Shibata has found a rather captivating way to use fresh flowers and ice to create art. The results are stunning, inspirational, and poetically symbolic. Kenji freezes flowers in blocks of ice, preserving their beauty in a frigid frost, before allowing the ice to slowly melt.
The flowers are frozen when they are in full bloom so that they remain trapped in the perfect stage of life, in the prime of their beauty. Kenji then photographs the frozen flowers as they move through different stages of thawing out, creating the beautiful photos you see here.
Kenji calls his collection, “Locked in the Ether.” The perfect title considering the flowers are literally frozen in time. Ice stops the clock, keeps things from showing any signs of aging. This fact alone has always been a source of much curiosity to mankind, which makes Kenji’s work even more compelling to observe and learn about. We are always trying to stop the clock, turn back time, and ice teases us with the possibilities of everlasting youth. The different stages of melting ice give off a vast display of colors and textures at different depths, causing the ice to look like a watercolor painting when photographed. Only this ‘water painting’ is entirely unique because it’s nature’s frozen version.
Kenji plays with the appearance of his artwork by thawing out different portions of the frozen flowers at different times. This allows parts of the flowers to remain preserved, while the thawing petals die out, highlighting the great contrast between life and death, beauty and decay.
The Curious World of Chicken Beauty Pageants
During his pursuit of a different story in Malaysia, award-winning photographer Ernest Goh chanced upon Ayan Seramas. Prized for their build, size, behaviour and showmanship, Ayan Seramas are a breed of ornamental chickens raised for their beauty and entered into Chicken Beauty Pageants. Judged on their stance, temperament and quality of their wing, comb and tail, owners of Seramas proudly regard their chickens as warriors or soldiers, ready for battle.
Goh explains: “As a photographer, I am always interested in photographing the human condition. But this human condition does not exist in a vacuum as we share the natural world with animals. My interest in photographing animals is a natural extension of my interest in the human condition, because we are all inextricably linked to each other. We cannot exist without the other. I hope that “Cocks” and my other animal series can in some way encourage us to reflect upon our relationship with animals.”
HAPPY ICE CREAM DAY....July 17, 2017
My compositions are simple still-life studies with clean backgrounds to make easier for individuals to make a connection. Food triggers memories and emotion, I like that people can bring something of themselves to the artworks. My favourite medium is egg tempera. It is very time consuming as I make the gesso to prepare my boards and grind my own paint to mix, but the results are worth it.
I was born in 1979 in New Zealand were I grew up. After finishing my degree in Graphic Design at Canterbury University's School of Fine Art, I moved to the UK where I have worked as a graphic designer and most recently a freelance designer and artist.
I hope my pictures will make people smile.
Joel Penman
PACKAGE DESIGN
Fucking Strong Coffee Enough of that namby pamby instant crap. This isn't tea time at your nans house. This is the real deal, for proper coffee lovers who are tough, who are hard, who are f*cking strong. F*cking Strong Coffee is exactly what it says on the packet. An extra dark roasted complex blend of Brazilian and Honduran Arabica Coffee, for those who need a powerful pick-me-up in the morning. One cup of this and you'll be alive and on your feet like an absolute beast, ready to take the day by the b****cks and tear it a new a******e. And if you think we're just getting carried away with ourselves, you need a taste of this F*cking Strong Coffee. Full bodied and full of flavour, this coffee features powerful notes of dark treacle, cocoa and liquorice, complemented by a dark, syrupy body. Perfect for lovers of dark, strong coffee and moderate swearing. Technical Details
F*cking Strong Ground Coffee
Made with a blend of Brazilian and Honduran Arabica coffee beans. Roasted and packaged in London.
Suitable for all types of coffee makers.
Net Weight 250g

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PRODUCT DESIGN
Brooklyn Superhero Supply Company
Designed by Sam Potts | Country: United States | Fonts: Hoboken High, Futura
| Brooklyn Superhero Supply Company is your go to brand for all of your crime fighting essentials. Sales of these whimsical products help support the NYC chapter of 826 National. 826 National is a nonprofit tutoring, writing, and publishing organization with locations in seven cities across the country. Their goal is to assist students ages six to eighteen with their writing skills, and to help teachers get their classes excited about writing.
Simón Prades
German designer and illustrator Simón Prades has worked in the last few years for journals, magazines and other companies such as New York Times, Katachimag, NIKE, Serviceplan or Joyce. His work is as detailed as it is impredictible, you can see it all on his web page.
http://simonprades.com