On the one hand, i’m amused at the joke. On the other hand, I’m a librarian and this shelving is horrifying.
Well, no shelving system is without fault.
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shark vs the universe
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EXPECTATIONS

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I'd rather be in outer space 🛸
Sweet Seals For You, Always

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izzy's playlists!
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@midnightsbycandlelight
On the one hand, i’m amused at the joke. On the other hand, I’m a librarian and this shelving is horrifying.
Well, no shelving system is without fault.

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“It is simply this: do not tire, never lose interest, never grow indifferent—lose your invaluable curiosity and you let yourself die. It’s as simple as that.”
— Tove Jansson (b. 9 August 1914)
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
fun fact about character development by the way. you can make them develop worse.
like I mean this very seriously as writing advice. the character should experience events and make decisions that make them different at the end of the story. they should be changed. they do not have to be improved.
they can get worse. they can make decisions of an increasingly terrible nature. they can stop taking risks on kindness. they can discover how much they can get away with. they can find religion, or abandon it, with negative effects on their moral creed. the character has to develop. the character does not have to grow.
found family should be "we come from different backgrounds yet share the same hurt, the same stories, youve become an irreplaceable part of my life. I dont have the words for our connection but we have no one if not eachother and you are my one place I safely call home."
not "ok Im the child and youre the parent and that guys the little sibling"

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“One of the poets, whose name I cannot recall, has a passage, which I am unable at the moment to remember, in one of his works, which for the time being has slipped my mind, which hits off admirably this age-old situation.”
— P.G. Wodehouse
Please can you explain the difference of meaning between hanfu and huafu ? Sorry if you already got the question
Hi, thanks for the question, and sorry for taking ages to reply! (hanfu photo via)
The term “hanfu” (traditional Chinese: 漢服, simplified Chinese: 汉服) literally means “Han clothing”, and refers to the traditional clothing of the Han Chinese people. “Han” (漢/汉) here refers to the Han Chinese ethnic group (not the Han dynasty), and “fu” (服) means “clothing”. As I explained in this post, the modern meaning of “hanfu” is defined by the hanfu revival movement and community. As such, there is a lot of gatekeeping by the community around what is or isn’t hanfu (based on historical circumstances, cultural influences, tailoring & construction, etc). This isn’t a bad thing - in fact, I think gatekeeping to a certain extent is helpful and necessary when it comes to reviving and defining historical/traditional clothing. However, this also led to the need for a similarly short, catchy term that would include all Chinese clothing that didn’t fit the modern definition of hanfu -- enter huafu.
The term “huafu” (traditional Chinese: 華服, simplified Chinese: 华服) as it is used today has a broader definition than hanfu. “Hua” (華/华) refers to the Chinese people (中华民族/zhonghua minzu), and again “fu” (服) means “clothing”. It is an umbrella term for all clothing that is related to Chinese history and/or culture. Thus all hanfu is huafu, but not all huafu is hanfu. Below are examples of Chinese clothing that are generally not considered hanfu by the hanfu community for various reasons, but are considered huafu:
1. Most fashions that originated during the Qing dynasty (1644–1911), especially late Qing, including the Qing aoqun & aoku for women, and the Qing changshan and magua for men. I wrote about whether Qing dynasty clothing can be considered hanfu here. Tangzhuang, which is an updated form of the Qing magua popularized in 2001, can also fit into this category. Below - garments in the style of Han women’s clothing during the Qing dynasty (清汉女装) from 秦綿衣莊 (1, 2).
2. Fashions that originated during the Republican era/minguo (1912-1949), including the minguo aoqun & aoku and qipao/cheongsam for women, and the minguo changshan for men (the male equivalent of the women’s qipao). I wrote about why qipao isn’t considered hanfu here. Below - minguo aoqun (left) & qipao (right) from 嬉姷.
Below - Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). Changshan is also known as changpao and dagua.
3. Qungua/裙褂 and xiuhefu/秀禾服, two types of Chinese wedding garments for brides that are commonly worn today. Qungua originated in the 18th century during the Qing dynasty, and xiuhefu is a modern recreation of Qing wedding dress popularized in 2001 (x). Below - left: qungua (x), right: xiuhefu (x).
4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. Hanfu mixed with sartorial elements of other cultures also fit into this category (e.g. hanfu lolita). From the very start of the hanfu movement, there’s been debate between hanfu “traditionalists” and “reformists”, with most members being somewhere in the middle, and this discussion continues today. Below - hanyuansu outfits from 川黛 (left) and 远山乔 (right).
5. Performance costumes, such as Chinese opera costumes (戏服/xifu) and Chinese dance costumes. These costumes may or may not be considered hanfu depending on the specific style. Dance costumes, in particular, may have non-traditional alterations to make the garment easier to dance in. Dunhuang-style feitian (apsara) costumes, which I wrote about here, can also fit into this category. Below - left: Chinese opera costume (x), right: Chinese dance costume (x).
6. Period drama costumes and fantasy costumes in popular media (live-action & animation, games, etc.), commonly referred to as guzhuang/古装 (lit. “ancient costumes”). Chinese period drama costumes are of course based on hanfu, and may be considered hanfu if they are historically accurate enough. However, as I wrote about here, a lot of the time there are stylistic inaccuracies (some accidental, some intentional) that have become popularized and standardized over time (though this does seem to be improving in recent years). This is especially prevalent in the wuxia and xianxia genres. Similarly, animated shows & games often have characters dressed in “fantasy hanfu” that are essentially hanfu with stylistic modifications. Below - left: Princess Taiping in historical cdrama 大明宫词/Palace of Desire (x), right: Wei Wuxian and Lan Wangji in wuxia/xianxia cdrama 陈情令/The Untamed (x).
7. Any clothing in general that purposefully utilizes Chinese style elements (embroidery, fabrics, patterns, motifs, etc). Chinese fashion brand Heaven Gaia is a well-known example of this. Below - Chinese-inspired designs by Heaven Gaia (x).
8. Technically, the clothing of China’s ethnic minorities also fit under the broad definition of huafu, but it’s rarely ever used in this way.
From personal observation, the term “huafu” is mainly used in the following situations:
1. Some large-scale events to promote Chinese clothing, such as the annual “华服日/Huafu Day”, will use “huafu” in their name for inclusivity.
2. For the same reason as above, Chinese clothing including hanfu will often be referred to as “huafu” on network television programs (ex: variety shows).
3. A few Chinese clothing shops on Taobao use “huafu” in their shop name. Two examples:
明镜华服/Mingjing Huafu - sells hanfu & hanyuansu.
花神妙华服/Huashenmiao Huafu - sells Qing dynasty-style clothing.
With the exception of the above, “huafu” is still very rarely used, especially compared to “hanfu”. It has such a broad definition that it’s just not needed in situations for which a more precise term already exists. However, I do think it’s useful as a short catch-all term for Chinese clothing that isn’t limited to the currently accepted definition of hanfu.
If anyone wants to add on or correct something, please feel free to do so! ^^
Hope this helps!
i think every publisher should have to institute a ban on books that fail what i’m calling the “little life” and “what else?” tests
for reference.
"When I taught creative writing at Princeton, [my students] had been told all of their lives to write what they knew. I always began the course by saying, “Don’t pay any attention to that.” First, because you don’t know anything and second, because I don’t want to hear about your true love and your mama and your papa and your friends. Think of somebody you don’t know. What about a Mexican waitress in the Rio Grande who can barely speak English? Or what about a Grande Madame in Paris? Things way outside their camp. Imagine it, create it. Don’t record and editorialize on some event that you’ve already lived through. I was always amazed at how effective that was. They were always out of the box when they were given license to imagine something wholly outside their existence. I thought it was a good training for them. Even if they ended up just writing an autobiography, at least they could relate to themselves as strangers."
-Toni Morrison in an 2014 interview with NEA Arts Magazine
Yall????? omfg???? If you're a historical artist you NEED to look at what I just found because A BUNCH OF ORIGINAL SOURCES ON CLOTHING RANGING FROM MEDIEVAL TIMES TO THE 20TH CENTURY??? WITH CLEAR PHOTOS AND VERBAL EXPLANATIONS??? AND THEY'RE SORTED IN CHRONOLOGICAL ORDER WITHIN THE CENTURIES TOO????????
https://bloshka.info/
there's also this which also seems good but has less original sources and I haven't looked through as much :)
https://world4.eu/

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I know there's a lot of particularly lady blorbo feelings in the realm of "she wouldn't like kids" as a response to the easy, sometimes lazy tie up of "blorbo has kids and is a great mother" but consider the other options of:
She likes kids! But doesn’t want kids, and so doesn't have them.
She doesn't like kids broadly, but she does like hers.
She's an awful fucking mother who never should have had kids who didn’t like or want them but had them anyway.
She desperately wanted to have children but it didn't work out.
She didn't have kids or particularly want them but she's a good stepmother.
So many options that vary in domesticity but aren't a black and white "loves/wants/has kids vs hates/doesn't want/doesn't have kids".
I know all of these women by the way! The feelings around this can be much more complex! This isn't even me arguing against your blorbo hating kids it's just 'noooooo don't buy into a false binary you're so sexy!"
Gentle reminder that often creativity decides to hibernate for a bit.
It’s okay. You’re not broken, you’re resting, and much like spring, creativity comes back.
I needed to read this today.
at the start of every month everyone reblogs some insane poetry that’s like “august has arrived and again I swallow my bones in the burning sun” and every time I’m like damn that makes no sense. but kind of true.
omg guys happy bone swallowing august
The poet exists in fragments, so does the poetry.

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Fortesa Latifi, from The Truth About Grief.
[Text ID: "All my grief says the same thing--this / isn't how it's supposed to be. And the / world laughs, holds my hope by my / throat, says: but this is how it is." -end ID]
first they came for me and i was all like "hang on, aren't you guys supposed to come for other people first" but they pointed out that they had to come for someone first and we can't all be the guy from the poem and i couldn't really argue with that logic tbh