Sense and Sensibility
[Original Post]
Genre: Drama, Romance Release Year: 1995 Director: Ang Lee Notable Cast: Emma Thompson, Kate Winslet, Alan Rickman, Hugh Grant
Overall Rating: Â 4 / 5 - Exceptional
Sense and Sensibility is among the many film adaptations of Jane Austenâs novels throughout the decades. While some would deem redundant, each retelling contributes something unique to the Austen universe â Colin Firth in a wet, white t-shirt, anyone? â the 1995 version of Sense and Sensibility offers a brilliant star-studded cast that has the right chemistry to pull off this Austen classic.
Emma Thompson and Kate Winslet make the perfect pair of Dashwood sisters, portraying âsenseâ (stoic Thompson as Elinor) and âsensibilityâ (emotive Winslet as Marianne). As the older, and obviously-already-a-spinster sibling, Elinor manifests a cool demeanour, despite her father having just died and his fortune passing to his son Henry from a previous marriage. This means that Elinor, Marianne, their youngest sister, and mother are left destitute and searching for a new home, while Henry and his snob of a wife, Fanny, move into and effectively take over their estate. Marianne, on the other hand, is quick to wear her heart on her sleeve, clearly ignoring Fanny and making her disgust of the whole situation well known.
This unfortunate circumstance might prove valuable when Fannyâs handsome brother arrives for a visit. As with any Austen novel, our protagonistsâ love-interests are vital to the narrative, and Hugh Grantâs acting style works perfectly with Edward Ferrarsâ charming-gentleman demeanour , though itâs hard to tell if heâs hiding something. He and Elinor quickly establish an attachment, much to Fannyâs disapproval.
Now in their new âcottageâ, itâs Marianneâs turn for suitors to woo her. Col. Brandon, portrayed by Alan Rickman, is the unlikely hero in Marianneâs story, as Harry Potter fans know him to be. An older gentleman who falls in love at first sight with the whimsical Marianne really doesnât âinspireâ love from her, at least at first. Instead, she almost literally gets swept off her feet by John Willoughby, played by Greg Wise, after twisting her ankle. The two begin an overtly passionate relationship (at least for the time period), much to the chagrin of Col. Brandon who knows Willoughby as a scoundrel for leaving a girl pregnant with no intention of marrying her. On the day the Dashwoods assume Willoughby will propose⌠he announces that he must head for London at once, leaving Marianne completely heartbroken. With many unsuspecting twists and engrossing drama, this is perhaps Austenâs best story to bring to the screen.
While the romance subplots may be considered the main premise of Sense and Sensibility, itâs really about Elinor and Marianneâs relationship. Always at odds with each other and what real love should look like, both sisters learn that itâs necessary to balance both âsenseâ and âsensibilityâ: Elinor shows signs of emotion when Mr. Ferrars finally confesses his love to her, and Marianne learns that subtle signs of affection can be a great deal more meaningful than superficial, grandiose gestures. It is satisfying to see these changes as Thompson and Winslet do such an amazing job in subtly changing their charactersâ behaviours: Elinor loosens her self-restraint when communicating with those around her, rather than maintaining a rigid, outward attitude, and Marianne becomes less melodramatic with her interactions.
Much like Austenâs book, the film brings to life the harsh realities for women in regency England through exclusion from inheritance and careers and the dependency on finding a suitable husband. This is particularly apparent when Elinor makes the comment to Mr. Ferrars, âYou talk of feeling idle and useless. Imagine how that is compounded when one has no hope and no choice of any occupation whatsoever [âŚ] You will inherit your fortune. We cannot even earn oursâ. The abrupt change in the Dashwoodâs circumstances is immediately evident through the downgrade in their living conditions and wardrobe. The film shows Elinor speaking to the familyâs large group of servants prior to moving into their quaint cottage, and the fabrics that she and other members of the family becomes duller overall.
The complexities of not just the main characters, but also the supporting characters, is seamlessly exhibited through their dialogue and body language, holding the viewerâs complete attention for the duration of the film; otherwise, even looking away for a few seconds means missing key detail. Hugh Laurie, while only in a handful of scenes, perfectly exemplifies this with his portrayal of Mr. Palmer (it might have something to do with him being married to Professor Umbridge, though). The camera often pans to him for a second as he gives sarcastic and scathing looks or comically mutters hilarious lines under his breath, but the viewer later learns he just has a gruff demeanour and a caring soul. It is easy to connect with the protagonists and enjoy the pitfalls of the antagonists due to the brilliant portrayals each actor brings to their respective role. The cast is really what shines through in this adaptation and is further highlighted with appropriate classical music and beautiful cinematography that shows off Englandâs lushness. Each time I re-watch this movie, I know it will be a completely immersing experience.
Itâs no wonder this film is considered a classic. The cast brilliantly brings Austenâs work to life, with each actorâs own charms enhancing their respective characterâs, making this Sense and Sensibility adaptation one of my favourite Austen films.









