I write and sometimes I doodle and sometimes I write poetry now, and I ship fucked up things. I also read fucked up things. And roleplay fucked up things.
Currently into the hot vampires from BG3.
That is all.
we're not kids anymore.
I'd rather be in outer space 🛸
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@merlamps
I write and sometimes I doodle and sometimes I write poetry now, and I ship fucked up things. I also read fucked up things. And roleplay fucked up things.
Currently into the hot vampires from BG3.
That is all.

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Grab a quickie while I still learn how to use this thing
I THINK LOVE IS SOMETHING THAT HAPPENS TO OTHER PEOPLE by Michael Gray Bulla
They say to eat wholesomly, journal and engage in hobbies, but when I, Renfield...
Jonathan Harker today:
I am left alone in the castle with those awful women. To be more specific, I love my girlfriend Mina, and Mina is a woman, thus I do not hate women, but these three vampire ladies absolutely suck. Anyway I’m gonna try and climb down the walls of the castle and down the ravine into the valley below. If I fall and die, then at least I’ll die still a human with my soul intact. Goodbye Mina! And everyone else but mostly Mina!

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So the thing is boobs really do be jiggling. If having breasts has taught me anything it is that the ladies frolic. I don't even have that large of boobs but every time I go down some stairs all I can think about is that stupid quote about boobing breastily down the stairs or whatever it is because God Damn.
But anime and video game boob jiggling is like. The most uncanny valley shit I've ever seen nine times out of ten. You would think people this horny about tits would have actually looked at some but I guess not.
What we really need is some pervert to compile the ultimate visual guide to boob bouncing physics that's just like 500 hours of meticulously organized videos of breasts of different size and shape and under different fabrics bouncing around from a wide variety of physical movements so horny game devs can finally get it right and I don't have to be creeped out by women who appear to have surgically implanted softballs in their chest under skin made of rubber bands.
Did you know that AO3 allows fics with homicide in them? There’s a whole tag for Major Character Death and even more tags so you can find exactly what kind of character death you want to read.
Don’t they know that murder is illegal? You just know there are a bunch of homicidal maniacs out there who love to read those stories. They write them, too, in between killing people.
Anyone can read the stories on AO3! Kids can read them! They’re getting exposed to stabbing, poisoning, even guns! And they’re writing the heroes doing the killing, too! That’s basically telling kids it’s okay to go out and murder their families. It’s promoting violence and encouraging homicide and if we don’t do something about it soon, you’ll be murdered next!
The devil came to my house and tried to burn it down, which is why this post exists in the first place.
Ok gooners HAVE SOME MORE OF HIM 🗣️🗣️🗣️
(feat. mage hand poor guy)
He's such a silly goose 💚
[From the game's datamined dialogues, described as "voice barks for Astarion as the player interacts with the screen"]
This whole series is so goddamn funny
@doberbutts

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I would actually go as far as to say that MOST abuse is unintentional. I think most people will go through their lives without ever experiencing intentional abuse. People are abusive because they're selfish, because they're stressed, because they care more about what society thinks they should do than the impacts of their actions on their children and partners, because they think what they're doing is correct, because they've made it make sense in their own heads, because they think they can fix their victims, they think they can fix their relationships, they think they can stop you from leaving, they think they can make you a better partner to them, they think that means you need to do what they want. We've sort of constructed mental illness in a way that doing this shit to other people counts as a form of mental illness because it is anti social behavior in the literal sense— it is behavior that causes social harm.
I don't say any of this to excuse it. I think everyone needs to be more aware of this because if you think abuse has to be intentional you will never realize you are capable of abusive behavior. You will never realize you are being shitty to the people you love, because YOU know what you mean, YOU know you don't mean any harm. But you're doing harm. You need to pay attention to the impact you have on other people, and you need to do it all the time, Especially when you feel least capable of doing so. Sorry! You live in a society. Get your head out of your ass.
Commission from Ulyana
Mary Oliver, Wild Geese
With all due respect to Bram Stoker's initial vision, I can't imagine the Mina & Lucy Time breaks coming at better places in the story. So far, it's always been after Jonathan comes to some horrific revelation about how well and truly screwed he is, and the contrast just highlights how completely alone he is as he's headed for certain doom. Outside, life goes on. To wit: —
I love the fact that Quincey Morris canonically plays up his Texan accent and mannerisms to woo Lucy (as Lucy correctly deduced).
It is not because "Bram Stoker never met an American", Stoker travelled to the USA with Irving's theater at least eight times, where he became friends or acquaintances with Walt Whitman, Mark Twain, Teddy Roosevelt, William Frederick Cody, William McKinley...

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He explained to me that posts were few and uncertain, and that my writing now would ensure ease of mind to my friends; and he assured me with so much impressiveness that he would countermand the later letters...
It's such a cruel tactic to not only make Jonathan distressed by practically making him write dated letters that mark when he is going to be killed, but also to actively engage the other two people in his life that will look for him. Dracula could simply kill him once is june 29 on the calendear, but the Count seems to enjoy all of the manipulative cruelty he inflicts on Jonathan, it's insidious.
The purpose of writing the dates in a textual context is to amplify the dread that the readers may feel when they see how the gothic protagonist is trapped in an impossible situation with the threat of death. It's the seal of intrigue that makes us ask questions like "How the fuck is Jonathan going to get out of this?" And "is he really going to die in there?!" in order to keep the narrative going.
In the plot context where Jonathan is experiencing all of this, it's a kind of hell that he is never going to forget; the whole dreadful game that Dracula is playing with Jonathan as he manipulates the social conditions that let him both make Jonathan spiral more than he is already, and to send his loved ones into a fruitless chase across the country when Jonathan doesn't go back since Dracula intents to kill him... An excellent scene of silent but knowing terror.
”#It's horrific, #And if Jonathan dies and Mina goes to search for him because he didn't go to her, #She is going to Bistritz, #A fool's errand to find the lost body of her lover while Dracula goes unscathed”
It was so very funny to watch Count Dracula hedge around his reasons for wanting multiple solicitors all unaware of each other ("is this legal?" "are there acceptable reasons to do this?" "would it come off weird?"), only for Jonathan to eventually catch on and go "yeah, that's what you do if you need privacy. This is common practice." At which point the Count visibly relaxes and starts asking him about the mechanics.
As someone who has facilitated the purchase of smutty art, yeah, this is exactly what customers who think they need to hide their reasons for wanting something act like. Down to the part when you go "you want X—yes, it can be arranged", and they finally feel free to enthusiastically get to the point.
But like. What did Bram Stoker do that he and I are familiar with this exact flavor of client interaction? I'll need to get my hands on a biography after I'm done with this book.
He was a queer man who worked in a public facing customer service capacity (amoung other things) at a theater in a time when neither thing was reputable and rich people would often want to "meet the performers" in private back stage in hopes of arranging or even out right purchasing more intimate encounters later.
He knew the dynamic well.