MULTI-MUSE FOR ASOIAF'S DRAGONS. ft. dragons from the elder scrolls.
carrd. prompts. headcanons.
Not today Justin

oozey mess
One Nice Bug Per Day

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Love Begins
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ

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i don't do bad sauce passes
Xuebing Du

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@merakses
MULTI-MUSE FOR ASOIAF'S DRAGONS. ft. dragons from the elder scrolls.
carrd. prompts. headcanons.

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hellow. do people still write with dragons anymore
continuation
Watchful. There are signs: now, time passes, like never before! Skies are blue, not green and twisted. Clouds can be felt along the tips of his wings as he curves up to glide along their backs, and there is a scent of salt in the air wherever he goes. Too Sahrotaar felt it, the desire to feast, and too Sahrotaar felt it, the weariness and the rest. All good things, wanted things, until he had spotted the first of his kin and, later, on a dawn, he had met his own slimy eyes upon an ocean's mirror and he had felt distant, and afraid.
Redemption for a traitor dragon is possible, but Sahrotaar looks like no dragon.
Kopraan dovah. Corpse dragon. Kras slen. Sickly flesh.
Miraak remains. His Thu'um is decoration to a bond wound tightly like souls snaked round and round, Sahrothaar has little need for a call when Miraak is never far from where he swoops and soars. He outpaces the birds and the ships and the leaves strung through by the wind; in seconds, in minutes, he will arrive to his friend's side. The cure to his ailment, if loneliness is to be a disease. Sahrotaar observes him keenly, like one would look upon an ancient tome, with all the wonder beholding a relic. When something is amiss, Sahrotaar knows.
I am fine. Lies!
It is night and the insects sing. They should be grateful for the opportunity to hear it now.
“I do not tire as you do. But rest must not be a...” He trails off, searching for a word. “...a chore. Drem sul. Come to me.”
His great wings part to offer his chest, his closeness, and endeavour not to conceal Miraak from this plane's great sounds but to shield him from its endless, overwhelming freedom for a moment in time.
Princess Rhaenys made no attempt to flee. With a glad cry and a crack of her whip, she turned Meleys toward the foe.
credit: @perzysembar
DRAGONS, DRAGONS & MORE DRAGONS.

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VISERION ( @merakses ) & SANSA STARK.
Have a Hug Nonverbal Starters
Send Give/Receive and a hug for one of my muses or for yours! Don’t specify to leave it up to the ask receiver.
A hug from the front.
A hug from behind.
A hug from the side.
A half shoulder hug.
A wrapping hug around the shoulders.
A hug around the waist.
A sleepy hug.
A hug around the head.
A hug into the chest.
A protective hug.
A comforting hug.
A touch starved hug that gets tighter.
A touch starved hug that gets gentler.
A squeezing hug.
A pulling down to rest hug.
A pulling into their lap hug.
A lifting and spinning hug.
A hug to bring them under their chin.
A hug to nestle them into their neck.
A hug to use them as a pillow.
A hug from behind to rest their head on the other’s.
A hug into their back.
A weak and exhausted hug.
A reunion hug.
A good-bye hug.
threads where a rider’s dragon shows them their clutch of eggs :”)
DRAGONS, DRAGONS & MORE DRAGONS.
how I imagine dragons to speak high valyrian,
is a form of speech that is nigh alien. not spoken like a human. syllables composed of grumbling, whistling and purring; words so intertwined with their animalistic voices that only those truly fluent in the language would stand to try and interpret their words. they speak the rawest form of the language there is & it sounds as god-like as the people believe them to be.
inclusive with speech and their physical language, they communicate with feeling. those who connect with a dragon will be able to feel their desires, hatreds and fears. to share a bond with a dragon is to share a soul, and language soon enough can become secondary to shared thoughts and emotions. their harsh-sounding words can become clear as day through a bond alone. to understand what a dragon speaks is to truly be a dragon yourself.

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Y'all've seen Rhaena Claims Vhagar before, now get ready for Rhaena Claims Balerion who makes it all the way to the Dance.
(How does she get him? I dunno. Maybe Viserys left him on Dragonstone for some reason. Maybe Rhaena was with Rhaenys in KL and claimed him during Aegon's coronation. Maybe she came bursting outta the dragonpit vertical-kool-aid-man style instead of Meleys. )
She's more like her mother than anyone thought.
@merakses
if you could cancel any of the dragons which one would it be
Do you have any thoughts on the dragons from The Elder Scrolls specifically and the ways they differ from ASOIAF?
yes yes yes!
I make a point to write dragons as the living things that they are, able to be wounded & killed, and Skyrim does agree with me considering how common characters can still kill a dragon with enough arrows and combat lines. and while both are referred to as gods, the Skyrim dragons are much closer to gods than men, unlike the ones from ASOIAF.
they can become wounded, even ill, but it takes something severe and persistent. they can go longer stretches without needing to eat or sleep, possess the ability to “freeze” themselves in time should the world be uninhabitable; it is much harder to kill off dragons as a species, Akatosh’s creation, especially since their souls persist strongly after death and all it takes is a certain Shout to bring them back to form, should their souls not be absorbed.
they also are more of an aware species than the ASOIAF dragons, while I do think they are driven further by instinct than man (especially in regards to the use of the Thu’um), they are more rational to speak and reason with, with some having a strong love for debate. Odahviing is notably conversational after you’ve bested him in battle, and even compliments you for doing so. what is viewed as “battle” is part of their culture. they are not bound or bred with genetics like the ASOIAF dragons, and speak a clear and fluent language as opposed to the primal, guttural speech I’ve described as a dragon speaking High Valyrian.
as for the urge to dominate I write that in a way different to Skyrim, as pride is not always violent or ending in outright slavery; I do not believe every dragon wishes for the entire world to be under their feet or that their pride is inherently violent and destructive, it is the personality and life experiences of the dragon you’re dealing with that determines that. but they are of course vain creatures, greatly carried by their pride, and it can get them into unwanted situations as seen with Durnehviir rotting away in the Soul Cairn.
for connections, I will always write any dragon as capable of love & bonding; I hc heavily that Odahviing goes on to become a good companion to the Dragonborn, does truly care for them, & they are a reason that he develops a curiosity about what mortals get up to. they can make friends and keep them, some can be cold but incredibly loyal while others can be very affectionate. an honourable Sahrotaar mention…
they are just like people! individuals! just of a different culture.
What is the connection / relationship like between one bonded dragon & their rider's family? Or the dragon of another rider? Do the dragons form their own opinions or do they lean in on the opinions of their rider? For instance, if Alicent were to visit Sunfyre with Aegon, or Rhaenyra to be present with Daemon & Caraxes?
firstly: thank you so dearly for asking something so insightful, it really brings joy to my heart to be asked questions like these. you are so wonderful.
it depends on the dragon & the strength of the bond; for example, though Caraxes and Daemon are closely bonded, Caraxes’ personality means that he is less inclined towards Daemon’s family than a dragon like Silverwing, who is far more amicable in nature and so would express more towards those bonds. Caraxes would still be loyal when the time arose, but otherwise not pay too much attention unless there was effort put into developing a secondary bond with him.
a dragon tends to have its opinions shaped by its rider. I was going to make a post about this separate, but I will include the topic here instead: I headcanon that the Targaryen dragons have been bred specifically to see their rider above all. dragons are already not overly social creatures, but the Targaryens have bred them specifically to place their rider even ahead of other dragons. for example, though Silverwing and Vermithor have an extremely close bond, with a rider bond strong enough they could be turned against one another. it is in their genes and dragons are far more instinctual than man.
back to the question, overall, it varies greatly but as a general rule, dragons will reflect if they see someone positively or negatively based on their riders’ opinions of them. to how strong they skew in either direction is determined by the closeness of the bond and what they personally prefer in a human.
continuation.
Death has reigned, a smog cloud of which Vhagar prevails, battered and weary but no less fierce than she were before. Aemond hurts. His hand upon her hide shakes, is a cold little thing, cushioned by her great green scales as she soars above what they have reckoned. They must now return; no more bloodshed awaits them here. A fire burns endlessly inside Aemond, and in times of collision she feels his fury overtake her, sharpening her teeth and wielding her flames as readily as she wields her claws with her own strong legs. Not now. There must be peace before they continue.
She affords herself a soft purr, carried up to her riders' ears by speeding winds, and her chest rumbles with the effort. They glide over ocean now, clear and pure of their war, as if in this act of flying away they had caused no carnage at all. They have entered the reign after a death, where she would fly wing-to-wing with Balerion and family held hands and cheered.
You've always known.
She had slumbered. He had woken her. Overbearing! Her mouth had opened to douse him in flame but he, smaller than the tip of her claws, stood steadfast. Calm. Calm. It had been a call to war disguised. Vhagar's kin were distant, bonded, and Vhagar could not fit where they nested. Balerion had passed, and too long had it been since she felt another against her body.
She knew loneliness. In this, she knew Aemond.
Trees stampede below her as she thinks of their first meeting, and then she decides to descend, slowly, curving over like a gentle yet mighty wave rather than an uproar in a coursing river. Aemond must be strong, healthy, when looked upon by his kin. He must be at his best in this world of war! Wood creaks around her and her feet squash down long-lasting ferns, her body twisting with the exertion of guiding her own landing; and yet she controls it still, ensuring Aemond does not fall.
"Ilagon, sir," Down, now. Her voice, as great as a mountain of gravel, is deciphered by nature's winds as she turns her head to glance at her wounded rider. "Kesi sagon isse raqiros hen tēmbi. Iksā ōdrikagon." We will be in company of the leaves. You are hurt.
It pains her to slope her chest to the soil, but she does so for him.
"Lentor daor ūndegon. Mērī īlva." Family will not see. We are alone.

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‘ PATCH. ‘ - [ jace ] starts to heal / bandage [ vermax ]
It is an inescapable thought as his wings, adorned with rips and tears at the edges, glide with the dance of the tide and leaves a swamping trail of blood behind the flow of his ruddered tail. There had been a great many enemies and Vermax had skirted the sea crest with a triumphant roar, pushing himself upwards to— pain! Sting! His fire catches foe unknown, for Vermax cannot see in a blear of it all, and his blood pours down to settle to the depths of the water below them. All determination lost, and he must flee, he must survive, he must live, Vermax banks away from battle with a cacophony of whines and screeches, his wingbeats tense and rigid.
The haze clears. His neck is wrapped by chill, and every breath is a ragged grunt. His survival seems secure though his heart still pounds in his chest, and he then feels remorse; weakness. To turn away from his battle in primal fear! What companion is he to let Jacaerys down?
The shores of home dawn over the horzion and Vermax dips to land roughly on the beach of one of its great cliffs, his head tossing wildly as the awkward movement tears anew open, weeping wounds and lodges about a firm stick embedded into the side of his firm neck. Still, he firstly drops a wing, giving Jacaerys access to the sand. He must be ashamed. He must be defeated. Vermax had not even listened for a command, had not considered if he had wanted to pursue the battle despite his weakness!
As his rider's hand glide up to his bent neck, feeling about where blood drips down, Vermax rumbles softly, "Vaoreznuni." Sorry.
from above pregnant clouds does the beat of great wings echoe ⸻ the emerald mountain descends upon the beach rhaegal rests at / the wound too deep; too fresh, for her beloved brother to take flight. too recent considering their arduous battle against the dead. against dearest viserion. waves created & destroyed with every beat / the wet sand disturbed, a dancing cloud sweeping over the coast. nagini landed before rhaegal with an elk, a bull and two bears held within trenchant maw. dressed to the nines in crimson dripping from rows of sharp fangs. but this kill is not for her.
crowned head lowers before her smaller brother, dropping the dead prey before him into the sand, nudging it closer to him for good measure. the meat was still warm. ❝ ipradagon, jorrāelagon lēkia. ❞ ( you need to eat, dear brother. ) slowly does scaled snout inch closer to the wound a scorpion bolt had caused; the dragon's blood smelled of sulfur & ash. but, much to her relief, the stench of rot was yet far away. her tongue carefully glides over red scales, revealing some of the green she loves to see. cleaning his wounds where rhaegal may not reach. ❝ mirre ōdres, lēkia —– ? ❞ ( how is the pain, brother —– ? )
@meraxest RHAEGAL RECIEVED AN OWL.
Oh, how horrible this place is! The land of the dry offered no such ailments and burning, nor did he scent his own blood on his lips and on his chest, and Mother had been pleased rather than worried, and his brother had been alive. His jaws not clung frost-like round his neck and his claws not cutting deeply into his wing and chest. Rhaegal had fallen with cry after cry, a hatchling wounded and calling dearly for Mother to ebb away a pain not known until then. And it had not been the last!
Again, his chest struck. Again, a pain, but this time he knows it.
Nagini's emergence is a welcome sight as he writhes on the sand, clumped and strangled with his blood, reefed through but his claws, dulled at the ends but thick like solid stone. The smell of fresh meat fills the air, but the pain sat so deeply inside his chest thumps and groans and makes eating seem impossible! How could he enjoy a meal when he feels this way? Nagini glides forwards to him, lapping up blood, and the warm wetness burns like fire to make Rhaegal whimper as his crest ripples in response.
"Zālagon! ōdrikagon!" he says. Burn! Hurt! "Nyke daor raqagon bisa. Jaelan lenton." I cannot like this. I want home.
Though home lies with Mother, and Mother travels often. There is no fixed warmth, no fixed comfort; but Nagini is here, and he bends his neck to nuzzle the side of his snout along her far cleaner chest, seeking out whatever comforts he can draw from her.