The Golden Table from Des aufrichtigen Hermogenes Apocalypsis, Leipzig, 1739
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The Golden Table from Des aufrichtigen Hermogenes Apocalypsis, Leipzig, 1739

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O blessed is the man, the fortunate man who knows the rituals of the gods, who leads a pious life, whose spirit merges with these Bacchic celebrations, frenzied dancing in the mountains, our purifying ritesâ one who reveres these mysteries from Cybele, our great mother, who, waving the thyrsus, forehead crowned with ivy, serves Dionysus.
â Euripides
Apollo Lykeios
Thus, we are confronted with several interpretations of Lykeios. There were three basic ways of understanding the epithet, as deriving from the Lycians, light, or the wolf; among the derivations from wolf, there were again three options: the totemistic interpretation, Apollo as wolf totem; the agricultural one, Apollo as protector of the herds against wolves; and the sociological one, Apollo as leader of adolescent wolf societies. Some theories were more easily refuted than others: the connection with âlightâ is linguistically unsound, the one with Lycia crumbled as soon as it became clear that Leto was no Lycian goddess, and totemism preceded shamanism as a widely over-used concept; neither should be generalized outside the cultures in which it was found. In the end, we are left with the sociological interpretation, and the agricultural one. Both Apollo, the young, and the city resonate with the cult of Apollo: he truely is god of cattle and sheep, and he is the leader of young adolescents; the main question was which of these functions was prior or âoriginal,â and which was secondary and derived. This raises an interesting methodological question. There are other instances in Greek religion where these two interpretations oppose each other. The most conspicuous one is the case of Demeter who presides over the crops, and over the fertility of the married women: here too, the priority was at stake, and the answer used to be the same as in Apolloâs case: âoriginally,â Demeter was a goddess of agriculture (and Apollo a god of cattle), but then this function was metaphorically transferred onto children, the fruit of women, or upon young men, organized in âherdsâ and living outside the polis, as cattle and herdsmen did. The only reason for this choice was the assumption that agricultural (or pastoral) concerns were at the core of religion because man was first an agriculturalist and pastoralist and only later turned into a city-dweller. This frame of reference was challenged by EĚmile Durkheim, the founder of French sociology. For Durkheim, religion and ritual was not connected with fertility, but with social cohesion and identity: rituals created social unity and established social order, and religion was the main force that shaped early men into a functioning group. Thus, the interpretation depends solely on the frame of reference for the data that we have from antiquity. For the agricultural/pastoral frame, social concerns develop out of agricultural ones and are metaphors of them; for the sociological frame, agriculture/pastoral life is a metaphor for social concerns. The development of prehistory has made it possible to decide between the two frames of interpretation. Prehistoric research has shown that agriculture and husbandry developed rather late, in about 8000/ 7000 BCE, in what has been called the Neolithic Revolution. Society preceded agriculture and husbandry for many millennia, already when homo sapiens (and even his predecessors) existed in the African savannahs, there were social groups, bands of hunters and gatherers, and they must have developed ritual instruments to hold these groups together. The agricultural interpretation of ritual is secondary, and relatively young.
- Apollo by Fritz Graf
Breaking a Spell
From Horaceâs Epodes, this is a recitation which begs the curse-caster to relent and take it back. This is to be used if you are truly at your witâs end or if you have been cursed because you had it coming.Â
Perhaps someone has placed some kind of hex or curse upon you and now, you wish to break it. If you find physical evidence of this hex or curseâsuch as a sigil, a charm bag, or some other physical markerâthen great! You can burn that alongside an offering as you say the following petition. If not, simply burn a generous offering to the gods while stating the following:
iam iam efficaci do manus scientiae, supplex et oro regna per Proserpinae, per et Dianae non movenda numina, per atque libros carminum valentium refixa caelo devocare sidera, parce vocibus tandem sacris citumque retro solve, solve turbinem. dedi satis superque poenarum tibi: fugit iuventas et verecundus color reliquit ossa pelle amicta lurida, tuis capillus albus est odoribus. nullum a labore me reclinat otium, urget diem nox et dies noctem neque est levare tenta spritu praecordia. ergo negatum vincor ut credam miser, Sabella pectus increpare carmina caputque Marsa dissilire nenia. quid amplius vis? o mare et terra, ardeo, quantum neque atro delibutus Hercules Nessi cruore nec Sicana fervida virens in Aetna flamma: tu, donec cinis iniutiosis aridus ventis ferar, cales venenis officina Colchicis? quae finis aut quod me manet stipendium? effare: iussas cum fide poenas luam, paratus expiare, seu poposceris centum iuvencos, sive mendaci lyra voles sonare: âtu pudica, tu proba perambulabis astra sidus aureum.â infamis Helenae Castor offensus vice fraterque Castoris victi prece adempta vati reddidere lumina: et tuâpotes namâsolve me dementia, o nec in sepulcris pauperum prudens anus novendalis dissipare pulveres; tibi hospitale pectus et purae manus.
(Already I surrender to your potent knowledge, and as a suppliant I implore you, by the kingdom of Proserpina, by the immovable powers of Diana and by those books of spells that can call down the starts that are fixed in the sky, please stop those sacral words, turn back that swift spinner, turn it back! I have paid the penalty to you enough and more than enough: my youth has fled, the healthy flush has left the sallow flesh that clings to my bones, and your unguents have turned by hair white. No respite releases me from my labour, night follows day follows night and it is impossble for me to breathe deeply and ease my strained heart. And so in my misery I am compelled to believe in that which I denied: that Samnite charms rattle my chest and Marsian chants split my skull. What more do you want? Earth and sea I burn! Hercules smeared in the black gore of Nessus did not burn this hotly, nor do the Sicilian flames that flourish in boiling Etna! Will you keep scorching me like a factory of Colchian poisons until I am but dry ash, swept away by the harmful winds? What end awaits me and what price? Tell me: I shall gladly pay what penalty you demand! I am ready to atone, whether you require one hundred cattle, or if you want my deceitful lyre to sound out, âyou chaste woman, you upright lady, you will walk through the heavens a golden star yourself.â Castor incensed at the wrath of infamous Helen and Castorâs brother were both won over by prayer and returned to the bard the sight they had stolen from him. Youâfor you have the abilityâfree me from this madness, you who are not some old woman who knows how to scatter the ninth-day ashes at paupersâ graves; yours is a kind heart, and pure hands.)
Scatter the ashes of your curse and your offering outside where you do not often go. Make right what you have done wrong.Â
Hieros Gamos diagram (frontispiece from âThe Angel and the Abyssâ by J. Daniel Gunther).
âSol est masculus, Luna foemina, & Mercurius spermaâ Hortulanus, Artis Aviferae, Quam Chemiam Vocant (c.f. âRosarium Philosophorumâ, The âRosary of the Philosophersâ).

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Minerva Britanna, or, A garden of heroical devices, 1612
Saturn by Dean Ellis (1994)
"All things are concealed in all. One of them all is the concealer of the rest - their corporeal vessel, external, visible, and movable. All liquefactions are manifested in that vessel."
â Coelum philosophorum by Paracelsus
Art: Albertus Magnus, De lapidibus, c. 1522-1566
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"From one root, therefore, arise the two principles of the world: Light and Darkness. From darkness, matter; from light, the form of the world was bornâwithout which there is nothing in the world, and the world itself is nothing. Thus, two [principles] constitute all things in the world; and all things are one: for the two are nothing but one, from which, through which, and in which are all things. That, however, is outside and before all things, being the root of all.
From the One, therefore, comes Darkness, from which comes matter, which is the existence of the world, extending from the finite to the divine. From the same One also comes Light, which is the form and essence of the world. Thus, the world is subjected to both darkness and the errors of darkness, as well as to the clear truth and perception of light. It is subject to the passions of death, endowed with both evil and good, sometimes filling with the anguish and miseries of mortality, and at other times bringing joy and happiness to the same.
In this way, it is clear that God, or the Monad as the root, in both its propertiesânamely, contracting itself within itself and thereby assigning dominion to darkness, or expanding itself and thereby offering its goodness to the world and its creatures."
â Medicina Catholica, Seu Mysticvm Artis Medicandi Sacrarivm, c. 1629 by Roberto Fludd; Alias De Fluctibvs
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âThe Prophetessâ or âThe Rising Moonâ, from Andrea Zanatelliâs embroidery series

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Venus and Cupid, c. 1506 by Lucas Cranach the Elder German
This is just a personal thought, and you can take it or leave it. But I think there is sometimes not enough consideration for the fact that, where folklore that depicts witches as non-human and thus other overlaps with bodies of folklore that depict witches as the embodiment of historical Christian-European beliefs about "outsiders" to their communities, the whole "non-human" portrayal might actually be an expression of that xenophobia and not an exemption from the deconstruction of it. Saying "no the otherness refers to nonhuman-ness" is not a rebuttal to the long-standing scholarly understanding of the witch motif of European folklore. If anything, it reinforces the academically excepted idea that the witch motif (and many others in folklore) are codifications of the attitudes that the Church (and churched society) held about those perceived as outsiders.
I think this is, in part, due to non-humanity being romanticized in a way.
I do think it's a thing that plays into some folks' practices, I'd be a hypocrite if I said otherwise, but I don't think things are how they are most often described in modern contexts. Folks are really quick to ignore the xenophobic, and often specifically antisemitic, as well as ableist traits that are given to witches or other semi-human, supernatural folkloric beings. Idk, something something disabled and socially othered people can find comfort in connecting with these depictions but it shouldn't come at the expense of understanding the broader social contexts of what was happening at the time.
I agree with that assessment. And I take no issue with people who are socially othered currently finding a connection there. I absolutely have met many people who related to that otherness because of also being queer or disabled or neurodivergent. And I think that's valid. The only time I take issue with that is when the non-human depiction of witches in folkloric is romanticized and used to gloss over the xenophobia and antisemitism that remain at the heart of those depictions.
I do feel that the concept that we have of social otherness is much broader now, because the social constructs that define them have changed and evolved to define more and more people as outsiders and enemies to "right society". And so it makes sense for more and more people to relate to that otherness, even where they may not have been explicitly characterized historically. But where that connection comes at the price of mental gymnastics to erase those origins, I do think it can become and issue.
Yepp, absolutely agree. It's definitely a significant chunk of the much larger issue of "if I identify with a non-dominant religion or spiritual practice, I can automatically circumvent any critical thought about privilege or historic bigotry", which has done SO many people a disservice when it comes to honestly engaging with. literally anything folkloric. Too many people seem to be under the impression that just because these stories are from ye olden days that they don't require context
Johann Daniel Mylius - The Four Classical Elements, âPhilosophia Reformataâ, 1622. The spherical fundaments display the Alchemical Symbols of the Four Elements: Earth, Water, Air and Fire (from left-to-right), while the flaming flasks atop represent so-supported stages of the Work: Blackening, Whitening, Yellowing and Reddening; which color changes describe successive objectives of the various Alchemical Operations: Calcination, Sublimation, Fusion, Crystallization, Distillation, and Putrefaction, among other processes.
Tombs of Agnolo Cesi and his wife, Francesca Carduli. 16th century Santa Maria della Pace, Rome Feb. 2024
âWhy Weâre Drawn into Darknessâ: Robert MacFarlane, interviewed by Steve Paulson for Natil.us

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Hekatean Witchcraft Master List
Hekate Posts
Informational Posts
Recommended Reading List
Common Misconceptions of Hekate
What is Hekatean Witchcraft?
Hekate as the Cosmic World Soul
Crowned with Snakes and Branches of Oak: Hekate Brimo
Hekate as a Witch Goddess
Hekateâs Plants/Herbs
Offerings for Hekate
Signs From Hekate
Crossroads and Hekate
Hekate Oil Recipe
Small Ways to Incorporate Hekate Worship/Devotion into Your Everyday Life
Zeus and Hekate
Hekatean Home Protection
Hekate Prayers
Prayer to the Many Faces of Hekate
Hymn to Hekate Pharmakeia
Prayer of Devotion to Hekate
Prayer to Hekate on the Dark Moon
Prayer to Hekate for Vengeance and Justice
Medeaâs Invocation of Hekate
Prayer to Hekate for Guidance
Nightly Prayer to Hekate
Prayer to Hekate Soteira
Prayer to Hekate of the Foxes for Guidance
Prayer to Hekate When Crossing Thresholds
Prayer to Hekate to Avert Evil Spirits
Spells and Rituals
Hekatean Circle Casting
Full Moon Ritual
Hekateâs Deipnon and Dark Moon Ritual
Rite of Dedication to Hekate
Invocation of Hekate for Rites of the Dead
Invocation of Hekate and Helios for Aid in Witchcraft
To Prevent an Enemyâs Progress and Success
Hekateâs Open Pathways Spell
Hekatean Witchcraft Curse
Ritual to Banish a Malignant Spirit
Medeia Posts
Introduction to Worshipping Medeia
Medeia Epithets
Prayer to Medeia for Womenâs Empowerment
Prayer to Medeia for Aid in Witchcraft
Prayer to Medeia for Vengeance
Prayer to Medeia for Guidance
Pan Posts
Offerings for Pan
Invocation of Pan for Aid in Witchcraft
To Pan in the Fall
To Pan in the Winter
Prayer to Pan for Easing Depression
Panâs Love and Sex Charm
General Posts
Shrines: A Moderately In-Depth Look
Witchcraft History Book Recommendations
Deities, Worship, and Magic
Prayer Candle Divination
On Substitutions
A Note on Priesthood
Witchcraft and Hellenic Polytheism
A Cunning Man Who Liked Men: A Bit About James Thomas
Spells and Rituals
Kirkeâs True Colors Spell
Rite of Blood
To Curse a Bigot
Halloween Ritual
To Strengthen a Distant Relationship
Stop Gossip Spell
For Protection Against Witchcraft
Gay Love Spell: To Conjure Love from Another Man
(To be continuously updated)
March 30th â Venus Enters Taurus
As Venus returns home to Taurus, life begins to slow downâand deepen. Beauty feels more tangible. Love feels more real. Thereâs a natural pull toward stability, comfort, and connections that truly last.
This is not about fleeting ŃПОtions or surface-level attraction. This is about choosing what is steady, what is nourishing, what is built to endure.
You may find yourself craving simplicityâquiet moments, meaningful touch, environments that feel safe and abundant. Pay attention to what brings you genuine peace. Thatâs where your alignment is.
If there are relationships in your life that feel distant or brokenâespecially the one you have with yourselfâthis is the moment to soften, to repair, to rebuild with intention.
Not everything needs to be rushed. What is meant for you will grow stronger when itâs given time, care, and presence.
Let love become something you can truly feel, hold, and trust.