Hitching a ride.

@theartofmadeline

bliss lane

titsay
Not today Justin
The Stonewall Inn

roma★
noise dept.
"I'm Dorothy Gale from Kansas"
Interview Vampire Daily
YOU ARE THE REASON
occasionally subtle
RMH
TMBGareOK. The Official They Might Be Giants tumblr
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
almost home
Noah Kahan

tannertan36

Product Placement
seen from United States

seen from Türkiye
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seen from United States
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seen from United States
seen from Paraguay
seen from United States
seen from United States
seen from Chile

seen from Türkiye
seen from Ukraine

seen from Singapore
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seen from South Korea

seen from United States
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@astarininazu
Hitching a ride.

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The Early Diary of Anaïs Nin, 1923–1927
Kay Nielsen
Lydia Pettit

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karina refrynn
Casey Weldon (US-American, 1979) - Curtains (2026)
What people often call the "skeleton tribe" isn't a separate tribe at all, but a visual tradition practiced by groups in the highlands of Papua New Guinea, especially the Chimbu people (also known as Simbu).
These communities live in mountainous regions of the country's interior and have a long history of body painting as part of ritual, performance, and identity. Among the most recognizable forms is their skeleton body paint, where men cover themselves in black and white clay to resemble human bones.
The skeletal imagery was used as a form of psychological warfare, designed to intimidate enemies by making warriors appear less human and more like spirits or supernatural beings.
There are also origin stories tied to the tradition. One widely shared legend describes a group of villagers who entered a cave filled with human remains and a dangerous spirit. To survive, they painted their bodies like skeletons to blend in and escape unnoticed.
Spirit of the Renegade Monk, a woodblock print by Katsukawa Shunsho, 1783.
Buy as a print here on our online shop: https://publicdomainreview.org/product/spirit-of-the-renegade-monk
Have some more tea? I haven't had any yet, so I can't take more. You mean you can't take less. It is very easy to take more than nothing.
ALICE IN WONDERLAND 1933, dir. Norman Z. McLeod

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“To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget.”
― Arundhati Roy, The Cost of Living
As an art historian I love this joke!
"A Faun and a Mermaid" by Ferdinand Leeke, 1909.
Walkers on an Avenue (Hubert Robert, 1733 - 1808)
Eye see you

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Posy ring with inscription "Loyalte ne peur" ("Loyalty not fear"), engraved with a hare, a hound, a hind, a fly, and plants.
England or France, 17th century.
V&A
A Rainy Day (1912/Postcard) - Piotr Stachiewicz