Campbell Bain, Bane of Your Life!

there's nothing progressive or subversive about making the marauders gay and trans. congrats on your unpaid labour. you're part of the reason why jkr is able to fund anti trans laws in the uk.

Dont be very woried about me since i deserve all of this

pjack’s corpse being reinstated is a pride month miracle

please join itll be super fun!!!!

its called house of leaves because you leaves the house

As a person 👱 who has had multiple experiences ‼️ I have found 🔎 that the biggest block of cheese 🧀 is usually the one ☝️ that has the largest size 📈

So the thing you have to understand about doctor who the movie 1996 is that it isn't good. But it is the best film ever made. It has little to no outstanding qualities as a narrative and is such a wild read of doctor who that if you replaced a few proper nouns throughout it would just be a regular bad sci-fi movie. The fact the series survived it is the reason i'm not worried about canon or the shows future in the slightest. The pitch for it consists of some of the most insane lore retcons i've ever seen in my life, and the only major one to make it into the movie is generally considered so out of left field that people refuse to acknowledge it to this day. Literally nothing matters. The master is goo and also a lizard, seven gets gunned down in the street, paul mcgann is the first doctor to canonically get bitches. There's a motorcycle chase. Bad 90s cgi. the regeneration is a frankenstein reference. its camp. eight has his dogs out. it is somehow more american than you would expect. it features by far the best rendition of the main theme in the shows history. Who fucking cares man. 11/10

finding an online community is the most beautiful thing in the world

@mechanical-boy type post

House of Leaves is a fucking dense-as-hell read because of just how fucking incompatable the multiple narrative “levels” are with each other.  The Navidson Record (film) is, of course, incompatible with reality for the basic science-fiction reasons - the House is impossible, and much of the horror comes from its incomprehensibility and incompatibility with human experience. The Navidson Record (book) is, in turn, totally incompatible with both “our” reality and the reality of Johnny Truant. Most immediately apparent is how flagrantly Zampano fabricates and alters events in his description of the film, imagining publicity and celebrity where none exists or ever existed.. Digging deeper, you’ll notice how the synopsis and description of the film is impossible - it would have to be at least ten hours long! The film, like the house, transcends dimensions. And Johnny Truant’s additions reveal the most massive impossibility of all - that The Navidson Record (book) could ever exist, even as a work of fiction. It’s a book about a fictional film, written by a completely blind man on hundreds of unsorted scraps of paper, and we’re supposed to believe that Johnny managed to compose a relatively-coherent book out of it? Even before considering the numerous instances Johnny describes of parts of the manuscript becoming damaged or lost, it strains belief. House of Leaves is a labyrinth of narrative and paradox. It tells more stories than its pages - its leaves - actually contain. And while it also manages to contain and support something comprehensible and human - a literary Navidson Expedition, a core story surviving in the darkness - it is also haunted by the monstrous, the uncanny, the impossible and inconsistent - a metafictional minotaur. And that’s all before we even touch on the competing iconographies. Norse mythology sets its roots in while Greceo-Roman legends haunt the proceedings, viewed through documentarian, academic, and bildungsromian lenses both apart and in varied combination. Goddammit I love House of Leaves.