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PUT YOUR BEARD IN MY MOUTH
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@mathtoast
Average colors, Erin Davis

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i donât know why but iâm really amused by the winner of some ânew kanjiâ contest:
compare with the real kanji
ĺş§ (seat/gathering), but the two 人 (person) radicals have been moved from next to each other within the ĺ (earth) radical to diagonally from each other, making this âsocial distance(d seating/gathering)â
This is hilarious, but to further the hilarity, Iâd like to point to the fact that half of the âA rankâ (runners up) for this contest also are related to 2020 epidemic jokes
First up we have:
Compare with 太
The original kanji means âto gain weightâ. But it adds the ăł âkoâ and ă âroâ katakana symbols at the top to represent the weight you gain while staying home due to the corona virus.
Then we have:
Compare with äźÂ
The original kanjij means âmeetingâ, but the lower radical is changed to look more like a âZâ to represent Zoom meetings. Thus, the new kanji means âweb meetingsâ or âzoom callsâ
And of course another social distancing one:
Compare with 芹Â
This means âto talkâ or âchatâ, but itâs changed simply to show the two radicals social distancing from one another as we should also while holding conversations nowadays.
At least we can have some fun language humor despite all of this!
Thereâs a theory that early Europeans started saying âbrown oneâ or âhoney-eaterâ instead of âbearâ to avoid summoning them, and similarly my friend has started calling Alexa âthe faceless womanâ because saying her true name awakens her from her slumber
English has an avoidance register used in the presence of certain respected animals, which sounds fancy until you realize itâs spelling out w-a-l-k and t-r-e-a-t in front of the dog.
Mx. Leah Velleman on twitter
US states with toes in their flags.
The topologistâs map of the world - a map showing international borders, and nothing else

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Shearerâs geometry puzzles
On his blog MathWithBadDrawings, Ben Orlin reposted a couple of geometrical sangaku-like puzzles by math teacher Catriona Shearer. These are eleven of her personal favorites. If you dare, definitely give them a try!
Transit Across a Purple Sun. Whatâs the total shaded area?
Shearerâs Emerald. Four squares. Whatâs the shaded area?
The Pyramid with Two Tombs. Two squares inside an equilateral triangle. Whatâs the angle?
Setting Sun, Rising Moon. What fraction of the rectangle is shaded?
Hex Hex Six. Both hexagons are regular. How long is the pink line?
Four, Three, Two. Whatâs the area of this triangle?
The Trinity Quartet. All four triangles are equilateral. What fraction of the rectangle do they cover?
The Falling Domino. This design is made of three 2Ă1 rectangles. What fraction of it is shaded?
Slices in a Sector. The three colored sections here have the same area. Whatâs the total area of the square?
Disorientation. The right-angled triangle covers Âź of the square. What fraction does the isosceles triangle cover?
Sunny Smile Up. What fraction of the circle is shaded?
She shares one every day on Twitter. They are frequently amazing. The community of respondents are so clever. See https://twitter.com/Cshearer41
All possible ways a game of Sprouts with two initial dots can evolve.
(image 1) Sol LeWitt, Page Drawings, (instructions for the reader to draw directly on the magazine), ÂŤAvalancheÂť, No. 4, Kineticism Press, New York, NY, Spring 1972. (images 2-3) Matt DesLauriers
I was cleaning out my old photos folder, and this gem popped up. I laughed.
I tried to track down the source -- google convinces me the earliest posting was by user kdusie1 on Imgur (https://imgur.com/gallery/DY8Ydbs) back on pi day, 2014. That got 37k views. It made its appearance on Tumblr a month later (blog has since been hidden), where it picked up 700k notes. I must have seen one of those two sources and immediately downloaded, but I donât think Iâve seen it in the five and a half years since. Too good not to share.
Irene Rice Pereirab, Black and White, 1940
Ink and gouache on scratchboard
Really like this.

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2015.7.31_17.55.20_frame_0002 Made with code / Processing
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Art Prints
âś thedotisblack on YouTube
Ănglisc áźĎĎ ÎźÎżÎťÎżÎłÎšÎşal Speling RĂŠforme
SÄ Ănglisc dingua is notuÄbil for habbing Än terribil wrÄŤting ĎĎĎĎΡΟ. Än hlot af popul lÄŤc tĹ punct ĹŤt âhĹŤ inconsistÄns hit is, ond đđšđ tĹ cum upp wiĂž Än nÄŤwe ĎĎĎĎΡΟ βΏĎode on hĹŤ wordas son. HĹŤÇŁfre, Ănglisc speling is actulÄŤc βΏĎode on áźĎĎ ÎźÎżÎťÎżÎłÎŻ, nÄht son. ĂÇŁrfor, sÄ ideal wrÄŤting ĎĎĎĎΡΟ for Ănglisc wyllode bÄ Än hwÇŁr ÇŁfrÇŁlc singul word is spelode exactlÄŤc alls hit wĂŚs âorigolÄŤcâ spelode (alls feor bĂŚc alls wrÄŤten recordas gÄ, af currĹ).
Än af sÄ Ăžingas ÞÌt ÄŤow mĂŚht Ăženc is xtraneus ĂŚt fyrst is ÞÌt sÄ nÄŤwe ĎĎĎĎΡΟ miscas sÄparÄl áźÎťĎΏβΡĎas tĹgĂŚdere. MÇŁst af sÄ tÄŤma, ÄŤowâr iĹŤst using Graec δΚĎθÎĎas wiĂžin mÇŁstlÄŤc LatÄŤn text. OccasionallÄŤc, ĂžÄah, ÄŤow mĂŚht sÄ wordas lÄŤc âŠhorde⪠bÄing respelode alls âĐžŃдаâ, oÞÞe âŠkaraoke⪠bÄing respelode alls â犺á˝ĎĎÎŽâ. SumtÄŤmas, ÄŤow mĂŚht efen rinn intĹ bidÄŤrÄctiÄl text, alls in âاŮŘŽŮاعز٠icâ. ĂĂŚtâs sÄ megn rationem hwČł Än simplifode vertiĹ sceolde eallswÄ exist.
I canât decide if Iâm angry.
The English language is notable for having a terrible writing system. A lot of people like to punch some inconsistencies it has, and try to come up with a new system based on how words sound. However, English spelling is actually based on etymology, not sound. Therefore, the ideal writing system for English would be a way each single word is spelled exactly as it was originally spelled (as far back as written records go, of course).
A few things you might see is extraneous at first is that the new system merges(?) separate alphabets together. Most of the time, youâre just using Greek letters within mostly Latin text. Occasionally, though, you might see words like âhordeâ being respelled as <ĐžŃда>, or âkaraokeâ being spelled as < 犺á˝ĎĎÎŽ>. Sometimes, you might even run into direct text, as in < اŮŘŽŮاعز٠ic>. Thatâs the main reason why a simplified version should always exist.
Contribute to MATH-104-----Introduction-to-Analysis development by creating an account on GitHub.
Jonathan Gleason was my friend who committed suicide just over a month ago⌠and I just found out that he wrote this 800+ page analysis textbook. By himself. Because he was teaching analysis and he was dissatisfied with the textbook he was assigned so he justâŚ. wrote his own.
Even if you havenât done any math⌠please just take a look at this. Scroll through it as fast as you like. Itâs incredible that he put so much work and so much free time into this⌠Iâm still in awe and I really want everyone to see it. In particular, if you want a good laugh, look at chapter 5 of the analysis textbook. The opening paragraph is SO Johnny.
He also wrote a linear algebra textbook, here.Â
I really want to thank everyone who has reblogged/liked this, and even anyone who just clicked on the link to check it out. I wasnât expecting more than a handful of notes on this, so knowing that his hard work gets shared and even appreciated by a few strangers really means a lot.
Iâve taken some of the best/easiest to follow snippets and provide them here, I hope you enjoy them as much as I have:
âDa fuqâ.
Oh thank god.
At least he admits when heâs being sloppy.
God, I wish more math textbooks read like this.
And last but not least, my absolute favorite part, the opening to the chapter on integration.
There are so many more tidbits like this and I wish literally all of my textbooks could be written like this.
Jonothan Gleason died Jan 16th, 2018 and it means so much to me that so many people got a kick out of the little pieces of him that are in this book. Thanks for all of the rbâs and likes, Iâm so happy that even just a few hundred people got to enjoy his writing and hard work.
S_|{e,s,t,i,n,a}|
By Caleb Emmons
Definition 1 To achieve the poetry form Celebrated for its symmetries And known far and wide as the sestina The concluding words of the first six Lines must comprise a distinguished group, Ending subsequent lines in prescribed permutations.
Definition 2: What precisely is meant by permutations? The set of rearrangements of n objects form S_n, the so-called symmetric group Which captures all finite symmetries. (Previously we chose n = 6 When we defined the sestina.)
Question: If we distill from a sestina The sestesâ corresponding permutations (Of which there are six) And out of these form A subgroup of symmetries Have we recovered the whole group?
Theorem: Working in the symmetric group If we reduce a sestina To its bare symmetries And gather those permutations The subgroup they form Is cyclic of order six.
Proof: Let đ be the cycle (1 2 4 5 3 6). By mapping integer k to group Element đ^{k-1} itâs easy to check that we form A bijection from the sestets of the sestina To their corresponding permutations. (The work can be reduced by noticing symmetries.)
Corollary: Because of these symmetries If youâve written only two sestets of six, WIth their rigidly fixed permutations, Nonetheless, you may shift this group To elsewhere in your sestina And retain their form.
Erratum: In all our discussion of permutation and poetic symmetries We neglected to mention that the form has, in addition to the six Sestets, another group of lines: a final tercet to complete the sestina.
What is Group Theory?
In math, a group is a particular collection of elements. That might be a set of integers, the face of a Rubikâs cubeâwhich weâll simplify to a 2x2 square for nowâ or anything, so long as they follow 4 specific rules, or axioms.
Axiom 1: All group operations must be closed, or restricted, to only group elements. So in our square, for any operation you doâlike turn it one way or the otherâyouâll still wind up with an element of the group. Or for integers, if we add 3 and 2, that gives us 1â4 and 5 arenât members of the group, so we roll around back to 0, similar to how 2 hours past 11 is 1 oâclock.
Axiom 2: If we regroup the order of the elements in an operation, we get the same result. In other words, if we turn our square right two times, then right once, thatâs the same as once, then twice. Or for numbers, 1+(1+1) is the same as (1+1)+1.
Axiom 3: For every operation, thereâs an element of our ground called the identity. When we apply it to any other element in our group, we still get that element. So for both turning the square and adding integers, our identity here is 0. Not very exciting.
Axiom 4: Â Every group element has an element called its inverse, also in the group. When the two are brought together using groupâs addition operation, they result in the identity element, 0. So they can be thought of as cancelling each other out. Here 3 and 1 are each otherâs inverses, while 2 and 0 are their own worst enemies.
So thatâs all well and good, but whatâs the point of any of it? Well, when we get beyond these basic rules, some interesting properties emerge. For example, letâs expand our square back into a full-fledged Rubikâs cube. This is still a group that satisfies all of our axioms, though now with considerably more elements, and more operationsâwe can turn each row and column of each face.
Each position is called a permutation, and the more elements a group has, the more possible permutations there are. A Rubikâs cube has more than 43 quintillion permutations, so trying to solve it randomly isnât going to work so well. However, using group theory we can analyze the cube and determine a sequence of permutations that will result in a solution. And, in fact, thatâs exactly what most solvers do, even using a group theory notation indicating turns.
From the TED-Ed Lesson Group theory 101: How to play a Rubikâs Cube like a piano - Michael Staff
Animation by Shixie

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Clayton Shonkwiler:Â Math Professor, Artist
Clayton Shonkwiler is a Math Professor at Colorado State University. He has no art training, but his mom was an Art History major and his dad was an Architect, so he said that âthere were always lots of art and architecture books and prints aroundâ. He started making gifs as a way to illustrate something in a research talk, became hooked on the possibilities and now, several years later, he has built a body of elegant and mesmerizing gif work. He is part of a trend that I have been noticing of coder artists that I have written about more at length hereÂ
Read a short interview with Clayton Shonkwiler here
Posted by David
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