Also, bonjour.
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Also, bonjour.

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I truly love your quotes compilation of ladies describing the looks of Fouché and Murat 😂 it's amazing how well-researched your blog is! Do you have similar compilations for any other Napoleonic figures? Maybe not just the French side, but English side too? Have a good one!
Thank you so much for your kind words ! 🤍
Given the unexpected success of my "dudes described by women" collection, I indeed have made a new compilation (not yet about English gentlemen, unfortunately), after @ic-napology asked for it back in May :
And it was so fun and interesting ! So :
Napoléon described by women, a compilation
“At that stage of his life, Napoleon was ugly. Since then, he has undergone a complete transformation. I am not referring to the prestigious aura of his glory; I am speaking solely of the physical change that took place gradually over the course of seven years. Thus, everything about him that used to be bony, sallow, even sickly, has become rounder, lighter, and more handsome. His features, which were almost all angular and sharp, have taken on a rounder appearance, as they have filled out with flesh, which had been almost entirely absent. His gaze and his smile remained as admirable as ever; his entire appearance also underwent a transformation. His hairstyle, which seems so peculiar to us today in the engravings of his crossing of the Arcole Bridge, was quite simple back then, as those very muscadins he raved so much about had even longer hair; but his complexion was so sallow at that time, and he took such poor care of himself, that his unkempt, poorly powdered hair gave him an unpleasant appearance. His small hands, too, had been transformed; back then, they were thin, long, and dark. It is well known just how vain he had become, and quite rightly so, since that time. Finally, when I picture Napoleon entering the courtyard of the Hôtel de la Tranquillité in 1795, crossing it with a rather awkward and uncertain gait, wearing a shabby round hat pulled down over his eyes, his two poorly powdered oreilles de chien peeking out, and the collar of that iron-gray frock coat—which has since become a glorious banner, no less so than Henry IV’s white plume—hanging down; without gloves, because, as he said, “it was a useless expense,” wearing boots that were poorly lined and poorly polished, and then that whole sickly appearance resulting from his thinness and his sallow complexion—in short, when I recall his memory from that time and see him again later, I cannot see the same man in these two portraits.”
– Mémoires de Madame la duchesse d’Abrantès, t. 1, Garnier Frères, Paris, 1893, pp. 195-196
“It was between Bonaparte's return and his departure for Egypt—that is, toward the end of 1797—that I saw him several times in Paris, and the difficulty I felt breathing in his presence never subsided. [...] I studied Bonaparte’s face intently; but whenever he caught me looking at him, he seemed to strip his eyes of all expression, as if they had turned to marble. His face would then become motionless, except for a vague smile that he would occasionally let appear on his lips to throw off anyone who might be trying to read the outward signs of his thoughts.”
– Madame de Staël, Considérations sur la Révolution française, v. I, Charpentier, Paris, 1862, p. 495
“Buonaparte himself, as I have already said, was in his undress consular uniform, but with silk stockings and small buckles. His hair is very dark, and cropped much shorter than it appears on any of his busts, and it does not lay well or smoothly upon his head. He, by no means, struck me as so little as I had heard him represented, and as, indeed, he appeared on horseback. His shoulders are broad, which gives his figure importance. His complexion, though pale and yellow, has not the appearance of ill health. His teeth are good, and his mouth, when speaking, as I saw him in good humour, has a remarkable and uncommon expression of sweetness. Indeed, his whole countenance, as I saw him in this circle, was more that of complacence and quiet intelligence than of any decided penetration and strong expression whatsoever. [...] His eyes are light grey, and he looks full in the face of the person to whom he speaks. To me always a good sign. Yet, after all I have said of the sweetness of his countenance, I can readily believe what is said that it is terrible and firedarting when angry, or greatly moved by any cause.”
– Mary Berry, Journals and Correspondence, v. II, Longmans, Green and Co, Londres, 1865, p. 189
“During dinner, I found myself seated between my mother and a general who, whenever he spoke to her, would lean in with such vigor and persistence that it annoyed me and forced me to lean back. Thus, despite myself, I found myself observing his face, which was handsome and very expressive, though remarkably pale. He spoke passionately and seemed entirely absorbed in my mother. It was General Bonaparte.”
– Mémoires de la Reine Hortense, v. I, Plon, Paris, 1930, pp. 41-42
“I cannot express how happy I was to see the Emperor from such a close distance, or how eagerly I studied him and took in his every word. It was the first time I had been able to see and hear him so at ease, for he usually came to the queen’s residence only in the evening, when she was hosting a grand ball. There, lost in the crowd, it would have been very difficult for me to even attempt to approach him. [...] I absorbed the tone of his voice and the expression in his eyes—so precious to study in a man as great and extraordinary as he was. Seen from so close up, he commanded respect mixed with admiration from everyone; but at the same time, he touched people's hearts with a great air of good nature, which one was surprised to find in him, given the shyness he inspired in everyone. Soon I was able to see how much those who accused him of insensitivity were mistaken about this strong soul, which was nonetheless open to all the emotions of genuine feelings.”
– Louise Cochelet, Mémoires sur la Reine Hortense et la famille impériale, Méline, Cans et Compagnie, Bruxelles, 1838, pp. 36-37
Reading the Bailly biography and I didn't expect the most comforting quote a struggling 24 yo needs to read
"It is very difficult to suceed before 30 years old in a genre that demands the knowledge of the human world and heart."
Salut et fraternité!!
Welcome to my little corner of the internet dedicated entirely to Augustin Robespierre (Bonbon).
If you've somehow wandered in here by accident: Haallloooo! I'm Abel!!! This blog exists as an archive for my historical writing, source analysis, translations, and ongoing research surrounding one of the French Revolution's most overlooked and underrated figures.
Everything posted here is arranged as is for relatively easy navigation (i'm. still work shopping it). Rather than digging through years of personal posts, memes, and sudden emotional breakdowns because I remembered something from 1794, you'll (hopefully) find a growing collection of organized research in one place!
This is, above all, an attempt to understand Augustin as a historical person rather than a historical footnote.
I try to distinguish clearly between documented history, historiographical interpretation, and my own speculation whenever possible. If I discover that I've misunderstood a source or overstated a claim, I will happily correct it! History deserves that much.
This blog also serves as a home for some translation projects intended to make material more accessible to English readers. I don't believe knowledge should remain inaccessible simply because a source happens to exist only in a select European language.
Above all else.. This is Augustin's space!
You can contact me on Discord, @ 9thermidor
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OCifying my fave historical figures… so peak… I am cringe but free.
every day, I have more n more evidence to personally hc bpd bonbon
the case for bpd bonbon (a deeply unserious but textually supported exercise)/j
the favorite person situation
we'll start with the obvious. "I aspire to no other glory than to share the same tomb as him." "I swear to avenge your death and to deserve it like you." "I am as guilty as my brother: I share his virtues; I want to share his fate."
imo it goes beyond normal sibling loyalty: a man who has organized his entire sense of self around one person to the point where the idea of existing independently of that person's fate doesn't compute. Maximilien isn't just his brother, but the axis around which Augustin's identity rotates. when people try to tell him he's better than Maximilien, he doesn't feel complimented: he feels threatened. you cannot separate him from his FP because he has not maintained enough of a separate self for there to be a "him" to separate.
and then the January 5 rebuke happens. Maximilien stands up at the Jacobins and publicly corrects him in front of everyone. and Augustin simply goes silent and stops making speeches. goes out into society. hangs around with Monvoison. someone whose entire emotional regulation system just got knocked sideways by the one person whose approval structures everything, anyone??
the splitting
the charlotte letter: "my sister does not have a single drop of blood that resembles ours."
not a slow deterioration but a switch being flipped. one moment Charlotte is someone he loves, someone he's writing letters to, someone he traveled with for months — and then suddenly she is "our greatest enemy" and "a woman who causes our common despair." no gradations and nothing in between*. the same move happens with Lebon: close ally and helpful friend, then "suspicious to me for a long time" (retroactively), then effectively a monster: Bernard de Saintes gets the full treatment in a single speech after having wronged Bonbon — Nodier records Augustin mocking his physical existence with "a terrifying calm" that suggests a very controlled fury that had nowhere else to go.
the pattern isn't that Augustin slowly came to view people differently, BUT it's that his assessments came in two temperatures: trusted completely or identified as a threat. warm or cold. there's not much lukewarm in the record.
Category A
Maximilien
sacred
inseparable
irreplaceable
Category B
allies
trusted
valued
defended
Category C
threats
traitors
enemies
Augustin can tolerate pain from Maximilien because Maximilien is indispensable: Charlotte, however, is not indispensable: So once she becomes associated with danger, she becomes expendable.*
the identity disturbance
"I am somewhat ashamed to be speaking to you, because the brother of Robespierre should be calumniated, and he is not."
Mary Young reads unconscious envy here. and she's probably right. but put alongside the FP stuff it reads a little differently: if your entire sense of significance is organized around being the devoted companion of someone important, then the moment that person is in danger and you're not, you're not just envious. you're experiencing a version of identity threat. the danger is supposed to happen to both of you, because you're supposed to be the same. "I share his virtues. I want to share his fate." when that symmetry breaks, it's not all chillsville
and then on the other side of it: "since Saturday I am almost a great man." "I am astonished to be a hero." the self-image oscillates wildly between "I am nothing, I am just my brother's shadow, I am ashamed not to be targeted" and "actually I'm doing something remarkable here, the incense risks suffocating me." those don't resolve into a stable sense of self but melt into uncomfortable coexistence
the impulsivity
leaving Toulon within hours of entering the city, without telling Barras and Fréron, in the direction of Paris, without being recalled. the Convention declaration — demanding to share Maximilien's arrest warrant without being asked, within minutes of the vote, while everyone else was scrambling. the alleged Barère confrontation: walking into the Committee of Public Safety under pretense of a mission report and instead making direct threats. the charge toward the people he thought were plotting to kill Maximilien at the Convention, requiring his friends to physically restrain him: As well as the same physical restraint being required after Maximilien was shot.
these are a man who, under emotional pressure, acts before he has thought the action through, and then the action tends to be dramatic.
not even mentioning the gambling or drinking or general life style
the emotional dysregulation
the Besançon speech is the most interesting piece of evidence for this. Nodier says the Bernard mockery was delivered with "a terrifying calm — I was about to say a cruel one." that phrasing is doing a lot of work. because that kind of preternatural calm in the middle of what was clearly a situation of intense anger and humiliation — La Saudraye had just been expelled, Bernard had been trying to get him guillotined — isn't the absence of emotional dysregulation. it's dysregulation that has found a very specific, very controlled outlet in the form of devastating wit aimed at one person's physical existence. the affect doesn't match the situation because the feeling and its expression have become unmoored from each other.
compare to the Foutue bête incident on the stairs — "bloody animal, we should only talk about Carnot" — which is the same rage but without the audience and without the performance, and which comes out sideways at someone who just failed to follow a script. two modes of the same underlying thing.
the Charlotte situation (again)
we already established that the rupture probably had less to do with Marguerite Ricord and more to do with a political threat assessment. but the way he handled it is worth looking at through this lens.
he identified Charlotte as a threat. he did not speak to her about it: he routed the problem through Maximilien. he got her removed from his vicinity. he then, when she wrote him a long and emotionally devastating letter explicitly asking him to explain himself, did not respond.
this is a man who:
could not tolerate the situation as it was (she was too close, too visible, too risky)
could not confront it directly (no conversation, no explanation, no face-to-face)
resolved it by having the threat physically removed from his environment
and then maintained total emotional silence in the face of explicit pain from someone he had previously loved
that's not cruelty exactly, it's something more like: the situation became unbearable, the only tool available was escalation and removal, and once the threat was contained there was nothing left to say because there was no script for what came after.
the deathbed
two o'clock in the morning, July 28, 1794. shattered pelvis and a brain bleed as well as a bayonet wound and multiple organ failure in progress.
he tells the doctors his name. he says he never stopped doing his duty, like his brother. he names Panis as a conspirator. he names Carnot as a conspirator: he is not processing what is happening to him. he is processing whether the record is correct. whether the people who need to be held accountable are being held accountable. whether Maximilien is still being defended. his actual physical situation barely registers in his account of himself.
which is perhaps the most telling detail in the entire file. even at the end, the self that shows up is the self-in-relation-to: to Maximilien, to the duty, to the enemies. the independent self, if there was one, doesn't make it into the medical deposition.
The life of Augustin Robespierre: An Extreme TLDR Timeline
I must've made this some time for my reference in the last few months.. I can't even remember, but i also figured it would be more helpful to people if it didn't just sit in my google docs
CHILDHOOD & EDUCATION
Jan 21, 1763 — Born in Arras, rue des Jésuites (now rue du Collège), 2pm.
Jan 22, 1763 — Christened Augustin Bon Joseph; godfather Augustin Carraut (maternal uncle).
Jul 16, 1764 — Mother dies (Augustin is 18 months old); a newborn sibling dies the same day.
Shortly after — Father abandons the children. Boys sent to maternal grandparents, girls to paternal aunts.
Oct 13, 1769 — Maximilien leaves for Collège Louis-le-Grand, Paris.
~1769–1781 — Augustin studies at the college of Douai.
Oct 11, 1781 — Augustin takes over Maximilien's scholarship at Louis-le-Grand (Maximilien had graduated May 15).
1787 — Augustin finishes at Louis-le-Grand, joins Maximilien and Charlotte in Arras.
ARRAS & EARLY REVOLUTION (1789–1792)
1789 — Beaumetz's pamphlet campaign against Maximilien during Estates-General elections.
May 1789 — Maximilien elected to the Estates-General, departs for Versailles.
Sep 3–10~, 1789 — Augustin visits Maximilien in Paris; brief quarrel and reconciliation.
1789–91~ — Augustin shuttles between Arras and Paris repeatedly; chronic financial difficulty for all three siblings.
Jun 6, 1790 — Augustin urges Maximilien to publish his response to Beaumetz.
1791 — Maximilien moves into the Duplay household after the Champs de Mars massacre (Jul 17).
Sep 1791~ — Death of Mme Deshorties, Augustin's aunt/godmother; Augustin signs burial certificate.
Sep 30, 1791 — National Constituent Assembly dissolves.
Oct 1791 — Maximilien briefly returns to Arras.
Nov 1791 — Maximilien leaves for Paris; never returns to Arras again.
1792 — Augustin serves as administrator of Pas-de-Calais, then procureur-syndic of Arras.
Sep 16, 1792 — Augustin elected to the National Convention for Paris.
Sep 1792 — Augustin and Charlotte move to Paris, lodge with the Duplay family, rue Saint-Honoré 366.
THE CONVENTION & THE GIRONDIN PURGE (1792–1793)
Oct 29, 1792 — Louvet publicly accuses Maximilien; Augustin's agitated Jacobins speech ("ashamed... to be calumniated").
Dec 31, 1792 — Augustin complains at the Jacobins about Vergniaud's attacks on Maximilien.
Feb 2–3, 1793 — Dinner with Rosalie Jullien; her letter describing the three siblings.
Apr 20, 1793 — Augustin's speech favoring the Paris Municipality; writes to Buissart about feeling "almost a great man."
May 31–Jun 2, 1793 — Purge of the Girondins; Augustin reportedly points a pistol at Lanjuinais.
FIRST MISSION: ARMY OF ITALY (Jul–Dec 1793)
Jul 19, 1793 — Convention appoints Augustin Representative on Mission to the Army of Italy, paired with Ricord.
Late Jul 1793 — Departs for Nice with Ricord, Marguerite Ricord, and Charlotte.
Aug 1793 — Manosque incident: flee federalist forces, abandon carriage at Manosque.
Early Sep 1793 — Arrives in Nice.
Sep 25 – Nov 7, 1793 — Series of supply/logistics decrees in Nice (grain monopoly, soap prices, bread rationing, etc.)
Mid-Nov 1793 — Arrest of officer Escudier in Nice.
Dec 16, 1793 — Fort Balaguier falls to French forces.
Dec 18, 1793 — Letter to Maximilien: "I am astonished to be a hero."
Dec 19, 1793 — Convention troops enter Toulon.
Dec 20, 1793 — Five representatives' dispatch on mass executions at Toulon.
Dec 24, 1793 — Convention renames Toulon "Port-la-Montagne."
Dec 25, 1793 — Augustin abruptly departs Toulon for Paris.
INTERLUDE IN PARIS (Dec 1793–Jan 1794)
Late Dec 1793 – mid-Jan 1794 — Stays with the Ricords rather than the Duplay household; refuses to see Charlotte.
Jan 5, 1794 — Jacobin Club speech during the Hébert–Desmoulins conflict; publicly rebuked by Maximilien ("rendered great services at Toulon, but...").
Jan 1794 — Associates with Monvoison and other "questionable" Parisian company.
SECOND MISSION: FRANCHE-COMTÉ (Jan–Mar 1794)
Mid-Jan 1794 — Committee of Public Safety sends Augustin to the Haute-Saône via Vesoul, alongside Viennot, Sauli, and La Saudraye; lodges at Humbert's house.
Jan 25 – Feb 17, 1794 — Wave of release decrees across Vesoul, Gray, Faverney, Menoux, Luxeuil (the "Day of Compassion" on Jan 31/12 Pluviôse is the peak).
Feb 1794 — Besançon incident as recounted by 12 y/o Nordier: La Saudraye expelled from the Jacobin Club; Augustin's confrontation with Bernard de Saintes.
Feb 24, 1794 — Letter to the Committee of Public Safety from Lyon, defending his conduct.
Feb 25, 1794 — Personal letter to Maximilien asking him to receive La Saudraye.
~Early Mar 1794 — Sauli departs for Genoa; Augustin and La Saudraye travel on to Nice via Lyon.
THIRD MISSION: RETURN TO THE ALPES-MARITIMES (Mar–Jun 1794)
Mar 5–13, 1794 — Series of administrative decrees in Nice: gendarmerie reorganization, Tobacco Factory corruption annulment, émigré property protections.
Apr 5, 1794 — Letter to Maximilien first mentioning "citizen Buonaparte."
Apr 22, 1794 — Appoints Philippe Buonarroti commissioner for Oneille/Loano.
May 1794 — Undated letter to Maximilien denouncing Charlotte as the siblings' "greatest enemy."
May 14, 1794 — Maximilien recalls Joseph Lebon to Paris.
May 17–19, 1794 — Charlotte escorted back to Arras by Lebon.
Jun 10, 1794 — Law of 22 Prairial passed in Paris.
Jun 19, 1794 — Last dated decree of the mission (judicial salaries).
RETURN TO PARIS & THERMIDOR (Jun–Jul 1794)
Late Jun – early Jul 1794 — Augustin returns to Paris for the final time.
~Jul 1, 1794 — Charlotte also returns to Paris.
Jul 5, 1794 — Buissart writes: "When will the much-desired Bonbon come?"
Jul 6, 1794 — Charlotte's letter to Augustin (18 Messidor); goes unanswered.
~Jul 10, 1794 (22 Messidor) — Committee of Public Safety orders Lebon's definitive recall, reportedly after Augustin's pressure.
Jul 11, 1794 — Augustin's Jacobins speech: "I aspire to no other glory than to share the same tomb as him."
Jul 22–23, 1794 — Augustin brings Leblond to meet Maximilien re: Carnot; the "Foutue bête" incident on the stairs afterward.
Jul 27, 1794 (9 Thermidor) — Augustin demands inclusion in the arrest decree against Maximilien; both brothers arrested, taken to separate prisons, reunited that night at the Hôtel de Ville.
Jul 28, 1794, ~2am (10 Thermidor) — Augustin jumps from a window of the Hôtel de Ville; medical deposition taken at the civil committee.
Jul 28, 1794, evening — Executed at the Place de la Révolution alongside Maximilien, Saint-Just, Couthon, and others.
Also see : Decree Timeline
FOUCHÉ JUMPSCARE
British women served at the same guns with their husbands, and during a contest of many hours, never shrank from danger, but animated all around them.
—Admiral Edward Pellew, Viscount Exmouth, reporting on the Battle of Algiers
"Not all women living in naval vessels disembarked when the crowds of prostitutes were sent ashore shortly before the ships sailed. From the late seventeenth century until the middle of the nineteenth, it was customary for wives of warrant officers to go to sea. A warrant officer was assigned to a particular ship “in constant employ,” unlike both commissioned officers and seamen, who were signed onto a vessel only for a single commission, and who were often transferred to another ship before the commission was completed. A warrant officer and his wife might continue to live in a ship even when she was taken out of commission.
The wives of the ancient triumvirate of warrant officers—the boatswain, the gunner, and the carpenter—went to sea as a matter of course. So did wives of the purser and the master, who associated with the commissioned officers on the quarterdeck, as well as those of lower rank: the cooper, the sailmaker, and the cook. Petty officers—men who were selected from among the able seamen to direct the less skilled—and a few seamen, usually experienced men who made the navy their career, also sometimes brought their wives to sea.

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I wasted ten years of my life fighting for something greater than myself. I have forgotten the contours of my wife’s face, and my son has never seen mine. I myself no longer know who I am. My hometown was annihilated by an Austrian division; my pay isn’t enough to make ends meet; I’m marching toward Moscow without any food or water or hope for glory, my feet in the snow, unable to see the path, not even sure if I’m still following it.
And then, I fall through the ground.
[Art credit : r/backrooms, LeonardoInk2’s post. It inspired me to write the text]
Abel Gance - Napoleon (1927)
which French revolutionary are you
This was actually better than I remembered…it just gets weirder as it goes on idk what I was thinking 😂. No one but @anotherhumaninthisworld is getting all the references
i mean yeah, my superiors indeed are imbeciles and ive contemplated staging a coup in my workplace
Napoleon's alleged admiration for his mother and his relationship with women
Note: this is the finished version of a previous post I've accidentally published before it was finished.
Finally your long-awaited rant about Letizia! Italics are used for parts meant to be digressions, because I am a woman of many gifts, but conciseness isn't among them.
So, have you ever found weird that Napoleon put his "headstrong", "man-like" mother on a pedestal, but despised all women with a similar personality? While his treatment towards Luise of Prussia may be partially explained by political reasons, his animosity towards people like Madame de Stael felt much more personal.
Usual disclaimer: the following is my own personal interpretation of mostly psychological dynamics around these characters, something almost impossible to extract from sources, hence why it's rather based mostly on emotional intuition.
I want to break down many things here: Letizia's image, Napoleon's relationship with her and how it influenced his views on assertive women.
First, obvious reason why mom was okay if she was tough while the rest of the women weren't: Napoleon was painfully partial to his family. It was a fatal and crystal-clear weakness of him, so everything was more forgivable if it came from his family. But that would be too simple for an answer for an overthinker like me, so let's elaborate.
No matter how everyone believes he did, I don't think Napoleon sincerely liked her, despite openly praising her as a tough woman and mother. Doesn't mean he didn't love her, but he didn't genuinely like the way she was.
But why would he lie about his mother's opinion? Because he mostly declared things based on what was required by the situation and/or his own public image's needs, especially as an Emperor.
That was his attitude in general: since he was a child, I believe he had learned to rationalise very painful situations as useful for the greater good (= the sake of his family), like enduring several years in military college abroad, or his renounciation of a life and career back in Corsica. He wasn't used to see what he genuinely wished for as valuable, even less realistic; so he dealt with it by embracing rationality and pragmatism and dismissing his sincere feelings about things, losing much connection with his more spontaneous, emotional side through the years.
Doesn't help that he faced deep failures as a young man, like his dreams of building a political career - and moreover a life - back home in Corsica. And then the fall of Robespierre whom his military career was tied right after Toulon. I genuinely believe that young Napoleon had been naive and idealist, and that behind his obsession for rationality he hided a deep disappointment.
(Even if Napoleon's the epitome of ego, that's what makes his so called ambition much more complex than a simple Dr. Eggman-style thirst of power in my interpretation; I've already talked about it several times, not sure id I ever did a proper post about it, let me know if you're interested).
Family was a fundamental value of the bourgeois society he was in; praising your mother who had struggled and made sacrifices to raise you was a good thing, as it made him appear as a devoted and grateful son. Despite all the stuff he did in order to be comparable to nobility, Napoleon always made a show of taking pride in his humble origins, and displaying his mother's tough character was functional to that intent. Her toughness was justifiable by their past's struggles.
This brings me to a debunking of Letizia's image.
Napoleonic historians and biographers have been conditioned by Napoleon's words about her and have always tended to idealise her as well. She's usually depicted as this pious, frugal, tough, prideful yet honourable matriarch who did and was nothing but the best for her successful son. So loyal, so supportive.
Mmm.
NO.
Much of her hardened attitude wasn't rooted in honour and pride, it was something much less romantic. Michel Vergé-Franceschi is the best Corsican historian and he proved several times that Letizia had once been the reasonably rich daughter of an officer and that she had been a very normal girl, used to shopping and pampering herself. Had she always been so modest, I doubt she would have been seen as the most beautiful girl in Corsica.
I'm surprised by how many serious Napoleon biographies still believe to the legend of her joining the guerrilla against the French while pregnant. Even I fell for it and made it the prologue of my graduation comic😭
After enduring a marriage with a financially irresponsible husband and a life as a widow and refugee, Letizia must likely had suffered from poverty trauma. She likely couldn't feel safe anymore, no matter how successful her children became, because she just couldn't see accomplishments, but only bigger cliffs to fall from. Anything could be taken from them in any moment, as it had already happened once. So she never enjoyed anything.
Sadly she was right in the end.
One of the reasons she didn't come to Napoleon's coronation was probably because of this, other than his feud with Lucien and the humiliation of the Pope. It was a slap in the face of all lessons poverty had taught them.
I do feel some degree of sympathy towards her for these reasons. Since she was 14 she gave birth to 12 children, lost four (the fact that it was normal back then doesn't erase the individual trauma of any case) and raised them basically alone and under a precarious financial situation. Her husband was often absent and financially irresponsible. No wonder she was harsh, severe, demanding and prone to anger.
Letizia also was the figure who mostly trained Napoleon in seeing his own emotional needs as expendable in front of reality, as his value in the family depended on his ability to bring money as an officer as soon as possible.
She doesn't come off as particularly nurturing and unconditionally loving to me, I'm sorry.
First, everyone know about that apalling episode where child (?) Napoleon mocked his grandma's walk, thus Letizia lied him about an incoming event in order to send him to change his clothes, so that she could beat him. God that's traumatizing, coming from a parent (AKA the main source of your safety for the animal brain). You learn you can't trust your mother. And infact I know he was upset about her lying to him.
Doesn't mean she didn't care for Napoleon per se, but I don't think she ever expressed a strong concern for his safety and personal happiness over his ability to do the duty who made him bring money home.
I remember reading a letter from her to Napoleon written during a period while he was involved in a dangerous situation, where all she wrote was something in the lines of "you must profit as much as possible for this situation!". Like girl, I get you trust your son and want to motivate him, but aren't you going to show you care about his safety at least a little? Especially given his line of work!
And even if she did express concern over his safety, given how they all depended on Napoleon's salary and social standing, it makes you really think it wasn't just about motherly concern. It was quite about her own survival as well. I can't help but see her affection for Napoleon as quite transactional.
Not to mention her opinion on Napoleon's first wedding.
You may think she was angry because Josephine was allegedly a slut older than Napoleon, or because she was a jealous petty possessive boy mom like those who ruin their daughter-in-law's baby showers.
Hell no. A woman like Letizia was much more pragmatic than that. She hated Josephine because Napoleon was his family's main breadwinner and a strong, socially powerful woman like her wouldn't likely bend against the Bonaparte's needs. Letizia - and her children- hated Josephine because they would have to share Napoleon's money with a woman (and TWO children! Who weren't even his own!). Joséphine's reputation was just an excuse to make Bonaparte's greed look less crystal-clear.
But he was happy with Josephine. Didn't it matter? Have you ever heard of Letizia expressing anything about Napoleon's happiness? No. Clearly she didn't particularly care.
Later in life, Napoleon often lamented how his siblings shamelessly profited from him without being reliable in the slightest in turn. He must have felt used all the time, expected to give and give without receiving much in return. A textbook parentified brother and golden child.
But as he said himself, "A child's future entirely depends on their mother". Who educated those little siblings who never had to go through the same expectations and trials as their elder brother to see him as the breadwinner? Their mother.
Napoleon must have been conscious about this. He must have been somewhat conscious of being seen first and foremost as a resource, whose individual and emotional needs were irrelevant or even in the way.
Can't help but think he inwardly resented his mother for having allowed him to go through all that hell, even supporting all of that, instead of protecting him.
OF COURSE it was another era, OF COURSE mothers were expected to be severe and demanding and OF COURSE children were expected to be useful as soon as possible. Napoleon's instruction was normal per se and many other children went to Brienne then Paris too. But the added toll of being on a scholarship among rich kids, a stranger from a "defeated" faraway country, with no chance to travel back home instead of everyone else, struggling with the language and no help... that's something that made Napoleon's condition far worse and singular.
Napoleon also knew his mother and the whole situation he loathed were like this because they were poor, and because his father wasn't always reliable. He probably aknowledged her pain and her hardships, deslite hating the consequences of it.
My theory is that he learned to associate a woman with a strong character with those bad conditions. In his mind, a woman with a strong character was like that because a man in her life providing security was missing, and he hated that as it reminded of his family situation.
So he projected his childhood over every strong woman he met. Which is totally wrong, I know. Also because Napoleon was used to see himself - a male, a soldier - as the one who had to provide for everything, especially as his father had not been good enough for that. So a woman who did "a man's work" was likely a fastidious reminder of a neglectful man to him, whom he hated.
That is very wrong and irrational to do, of course.
Uff, I just shared the wildest among my takes on Napoleon! If you feel to dismiss every I've said as bullshit, I wouldn't be surprised. That's why I used the terms theory and opinion.
Not that Napoleonic historians/biographers have never projected wild things on his character, like conquering everything because he was frustrated with Josephine and women.
Please share your thoughts as well on this, I'll be glad to chat about this topic and learn more! I know many waited for this and I'm so glad you trust me, but remember, I'm not a historian so dialogue, fact-checking confrontation is always important!
Frev Friendships — Robespierre and Danton
@misscalming I guess this one can be for you… 😉
The first known meeting between Robespierre and Danton is one we know about through the notes the former prepared against the latter, meant to serve as groundwork for the indictment Saint-Just was to write against him and his alleged faction:
I remember an anecdote to which I attached too little importance at that time: In the first months of the Revolution, finding myself at dinner with Danton, Danton reproached me for spoiling the good cause, by digressing from the line where Barnave and the Lameths marched, who then began to deviate from the popular principles
These notes, which were published for the first time in 1843, provide a lot of insight regarding all the things Robespierre felt about Danton’s personality, actions and political views during the five years that followed. It is however hard to tell just how much of them are to be interpreted as what he truly felt as things we’re going down, and how much of them are afterthoughts he came up with once arrived at the conclusion Danton has in fact been a conspirator for a considerable amount of time.
The next connection I’ve found between the two is from June 20 1790, when both are recorded to have been present for yet another dinner, this one held on the anniversary and in commemoration of the Tennis Court Oath, together with among others Romme, Desmoulins, Charles de Lameth and Barnave. On December 25 the very same year Danton and Robespierre also both signed the wedding contract of their mutual friend Desmoulins, alongside twelve others. Only Robespierre was however present for the actual wedding ceremony held two days later.

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Napoleon and Maria Walewska
This is how I would write Napoleon and Maria Walewska's relationship for a fictional telling (but also some serious debunking about the topic).
But first some premises.
I know I already expressed my dislike for such couple and I still do in some measure. First of all, there's a great gap in their ages, experience and social power which I don't find great; but I especially dislike how this couple came as an obstacle for my favourite couple and even contributed to end it.
Whom I really despise is not Naps and M themselves though, it's the historians and biographers who put Maria on a pedestal like she was a saint, the same ones who tend to demonise Joséphine as a frivolous, unfaithful slut. Yet while Joséphine's affairs are alleged, this "saint" committed adultery knowingly destroying two families for her own interest (and lust).
That's not what I actually think of her, but it should be the opinion these biographers should have of her according to this mentality. I'm quite convinced that if she had never given him a much needed son, Maria wouldn't be held in such high regard among Napoleon's lovers.
Lately I became curious about Maria as her portrayal is very stereotyped and flat, because of the Memoirs people attribute to her. I wanted to find more nuance in her figure.
I also have an issue with the narrative behind Napoleon's "love" stories. Because of the way they are told, you don't really get why people like Josephine or Maria received love from him more than the rest of his lovers. It's just and intense lust. But I need to find something deeper between them in order to see these relationships as loves.
That's the purpose of this post.
Usual disclaimer: Now since I'm a creative and not a historian, this has to be seen as the concept behind a hypothetical fictionalised version of their love story. It's very hard to extract from sources aspects like a character's feelings, their state of mind or the full extent of their intentions behind any action; so what I'm writing has no pretense of being accurate, it's more of a creative exercise and character exploration.
So I like to think that Napoleon and Maria mostly bonded a lot over patriotism as a way to project your own feeling of oppression.
I am all for giving a woman something more than sex appeal as a valuable trait in the eyes of a man. She can't be reduced to a sexual object.
Hard to believe, but there was a time where Napoleon was an idealist, fueled by a sense of isolation. I'm quite convinced that, as a young boy, he projected his own wish to be free from all his responsabilities in the obsession for Corsica's independence. The fact that the island was de facto annexed to France by the time he was born must have enforced his connection to it. Both were tied to and have been oppressed by France. He even wrote fanfiction about Corsican freedom fighters and wanted to write a history of his island.
(I know this because Napoleon's youth and Corsican shenaningans are MY obsession in turn. And I also projected my own experience with bullying and feeling different in his early life. I know what it means to pour all your feelings in creative projects. He was always featured in mine)
Then he had to grow up and the very brutal end of his experiences in Corsica must have contributed building his trademark pragmatism and cynicism.
By the time he met Maria, he was weighted down by several years of political intrigue and not to mention wars. Even his closest relationships have been conditioned by his political role and he had become quite distant and formal with most of his relatives. For example, @thiswaycomessomethingwicked made this excellent post about his brother Joseph and him where they quote a meaning letter exchange from 1806 about "still recognizing the Nabulio in the Emperor". His relationship with Josephine had also been compromised by his several (and most of all PROVEN) affairs and the issue of children, which was a private and a State matter at once. There was almost no clear line between his private and public sphere.
As we said, the main source about Maria as a person is her alleged Memoirs, which @suburbanbeatnik demonstrated me they are most likely 1) not hers and 2) very fictionalised in this post.
She's a very Victorian heroine, no mild feeling, just pure, unadulterated passion, enthusiasm, or suffering for anything. Her patriotism is downright extreme but inconsistent.
But as I said, I'd still like to see it as an important aspect of her true personality. She might have expressed it by managing the Count's household and lands, or giving shelter to Polish soldiers. It might have been a way to bond with an otherwise very old husband who may have seen a portion of Polish history she might have just heard about.
Since she was young and sheltered, her idealism and patriotism were likely very strong and pure; she shared a great deal of it to Napoleon and that might have reminded him of himself as a young man. He might have empathised with her, no matter how pragmatic he always wanted to be about everything.
She's said to have been devoted to Count Walewski before meeting Napoleon; of course she's portrayed as obedient and pious. But given how much older he was, it's impossible not to assume that a late teen wasn't in love with him. At least in the most physical sense. He may have treated her well and respectfully, but those unfamous "unhappy bride" paintings from the XIX century still come to mind. Considering how he was her first and only partner, she might have been sexually unaccomplished, no matter how mature and rational she was about the whole deal.
Even Napoleon must have looked like a boy compared to her husband, not to mention how energetic and headstrong he was. So I like to think his true appeal to Maria's eyes was the promise of a free life where passion and dreams could be a driving force. To her, Napoleon represented all of that, whom a part of her must have craved all her life instead of settling down in a forced marriage with an old man. Again, projecting.
I'd like to remind everyone she was a late teen when she met Napoleon, not to mention she had a sheltered life until then; she was immature, and that's not an insult, but an explanation behind her behaviour. It could explain how she might have seen her own feelings for Napoleon as true love, instead of rather a wish to feel free and relevant by proxy projected in a man.
I'm not undermining her feelings by the way. And I sympathise with her, in the same way I sympathise with young Napoleon. She's also a woman, albeit a countess.
I recognize her courage in abandoning her original support system and living as a lover in such an era, despite how her class privilege still has likely allowed her not to completely fall from grace, Lydia Bennet-style.
And of course I don't believe that Maria intentionally wrecked Napoleon's and Josephine's marriage by keeping up with the former as a lover. I don't think she wished for Josephine's fall. She likely didn't think much about that and only focused on her happiness with Napoleon and their incoming baby, always because she was still a little immature and unexperienced relationship-wise.
Else Josephine would have never offered her friendship later, nor Maria would have accepted it. Josephine could be a very sympathetic (albeit selectively) and forgiving person; she had already financed the education of her first husband's illegitimate children, and now she would support a foreign young and naive mother whose lover had abandoned her.
When it comes to affairs though, I'd argue that Maria wasn't naive. I don't remember who noted that, but by the time she visited Napoleon at Elba, she also held some business on her own and certainly didn't rely only on Napoleon for money. That proves you can be naive and intelligent at the same time, and money and love are separate matters.
Les liaisons dangereuses illustrated by George Barbier.