I am not made for public life. I take a secret joy in my independence, in my solitude, in the true value of my mind's work.
Anaïs Nin, in a diary entry dated 20 December 1930 featured in Linotte: The Early Diary of Anaïs Nin Vol. IV: 1927-1931
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay

@theartofmadeline
Show & Tell
Three Goblin Art

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cherry valley forever
hello vonnie
Stranger Things
Cosimo Galluzzi
we're not kids anymore.
h
RMH
"I'm Dorothy Gale from Kansas"

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I am not made for public life. I take a secret joy in my independence, in my solitude, in the true value of my mind's work.
Anaïs Nin, in a diary entry dated 20 December 1930 featured in Linotte: The Early Diary of Anaïs Nin Vol. IV: 1927-1931

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when hands touch
and there lies your hand feeling the warmth of their hand, begging you to not put an end on this warmth even if something important comes up.
Ada Limón, from “Sometimes I Think My Body Leaves a Shape in the Air”, The Carrying: Poems

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you're lucky if you have my attention cause i ignore everyone
Details from Jane Birkin's home in Jane B. par Agnès V. (1988)
Será que llevarse el mundo por delante es cosa de los dieciséis, no lo sé, mucho no lo experimenté. En lugar de construir escaleras techaba con concreto la casa que a duras penas lograba por las mañanas dejar, para retornar de noche y odiarla por no ser como todas las demás. Ponía frasquitos en las goteras, parches y curitas para disimular, le huía al destacar y al hablar por hablar.
El tiempo corría a otra velocidad, los días sonaban años y no le escapa mucho a sentir todo una eternidad. Transité mil vidas, morí unas cuantas y volví a resucitar. Tantas veces que ya perdí las cuentas, habrán quedado en algún múltiplo de tres.
Será que llevarse el mundo por delante hay que volver a hacerlo más de una vez, chocar con ese paredón una, dos o tres veces, hasta aprender. Armar de una casa un hogar, mimarla y ponerla coqueta más para uno que para los demás. Intentar echar unas cuántas raíces no muchas para que no te lleve puesta la primera marea.
Lo natural seria que con el tiempo las cosas me importen menos o que me vuelva más indiferente, pero como a veces vivo al revés, siento que con el tiempo me pongo más sensible.
who you are with while you wonder with whom you belong

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Ocean jasper sphere PNGs, part 6
Pansy by Fabergé, 1900. Rock crystal, gold, enamel, nephrite, brilliant diamond. Royal Collection.
The Grim Reaper and the Star Catcher
I’ll never be one thing. I’m a billion things good and bad. I can be sweet and soft, I can be harsh and cold. I promise to stop letting other people define who I am. That box is too small. I’ve outgrown it.

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https://www.instagram.com/elliegggggggg/
By Ellie Graham
Hannibal 2.13 Mizumono / Symptoms dir. José Ramón Larraz (1974)