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@masksonmasks

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They got carried away againĀ š
A speedpaint video of this will be available at my Patreon on july 1st!
What if Madeleine actually sewed a mask on Erikās face
How I imagine the phantom having his mental breakdown went down after kidnapping Christine:
āThe Phantom of the Opera (pg. 96)
The Phantomās inbox in 1881

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THIS IMAGE. MY GOD HES IN GREAT SHAPE. HIS HIPS AND WAIST AND THIGHS AND THAT SLUTTY LITTLE BIT OF WRIST FUCKKK. AND HANDS. HANDS
In his other films you can see he's obviously jacked and hot as hell, but for 1925 it's a rare treat bc of the cloak of it all... But this still is so wonderfully clear, perhaps too clear bc I'm currently LOSING IT
i think whatās so important to me about Erik as a character is that all he wants in this world is to be normal.
to be just like everyone else
he doesnāt want power or fancy stuff or anything other characters usually want.
he just wants to be normal.Ā
itās heartbreaking
Yes. :ā( One of the saddest quotes in the novel is this one:
āMoi, il māest impossible de continuer Ć vivre comme Ƨa, au fond de la terre, dans un trou, comme une taupe!Ā Don Juan triomphant est terminĆ©, maintenant je veux vivre comme tout le monde. Je veux avoir une femme comme tout le monde et nous irons nous promener le dimanche. Jāai inventĆ© un masque qui me fait la figure de nāimporte qui. On ne se retournera mĆŖme pas. [ā¦] Je veux avoir un appartement tranquille, avec des portes et des fenĆŖtres ordinaires et une honnĆŖte femme dedans, comme tout le monde!ā¦ā
Translation:
āItās impossible for me to continue living like this, in the depths of the earth, in a hole, like a mole! Don Juan Triumphant is finished; now I want to live like everybody. I want to have a wife like everyone and we shall go for walks on Sundays.Ā I have invented a mask that makes me look like anybody. No one will even turn around. [ā¦] I want to have a quiet apartment, with ordinary doors and windows, and a devoted wife inside, just like everyone!ā¦ā
And the sad thing is that he - he who can accomplish anything, be it music or magic or architecture - cannot have the one thing he wants. His face is always there, and he canāt make it go away; he can hide it, but he still knows itās there and it will never stop tormenting him. And even if his face was somehow healed, the hatred and bitterness he has developed throughout his life will never leave his heart.
Itās been said before, but Iāll just repeat it here: This is what makes Christineās kiss so powerful and special - she accepts him as a man, a human being. In that moment, he really is no ghost or angel or genie, but really just Erik.
My attempt on this trend (photobashing)
can we PLEASE talk about the google scorpion emoji
UwU the gwasshopper hops bwoody high, but pwease fwip the scorpion Chwistine ā¤š„ŗšµā°

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Phantom of the Opera where everything is the same except the theater shenanigans get youtube coverage
I just donāt feel like people appreciate book phantom enough. Like sorry but I have a fat crush on that no nosed gaunt looking wimp that literally dies after getting a kiss on the cheek and I feel like more people should too
Erik the opera ghost be like āIām tired of living in a home with a torture chamberā my brother in Christ you built the torture chamber
ā¦probably I should stopā¦

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Broadway Cares presents Broadway Bears (1997-2012):
Belle in BEAUTY AND THE BEAST (1994) / Amalia Balash in SHE LOVES ME (1963) / Javert in LES MISERABLES (1987) / Lola in DAMN YANKEES (1955)
Billy Bigelow in CAROUSEL (1945) / Lancelot in CAMELOT (1960) / Annie Oakley in ANNIE GET YOUR GUN (1999 Revival) / Percy in THE SCARLET PIMPERNEL (1997)
Anna Leonowens in THE KING AND I (1951) / Old Deuteronomy in CATS (1982) / Norma Desmond in SUNSET BOULEVARD (1994) / Mimi Marquez in RENT (1996)
Fanny Brice in FUNNY GIRL (1964) / Kate in KISS ME, KATE (1948) / Sally Bowles in CABARET (1998 revival) / The Witch in INTO THE WOODS (1987)
Tom Collins in RENT (1996) / Rosie in BYE BYE BIRDIE (1960) / Sally in YOU'RE A GOOD MAN CHARLIE BROWN (1999 Revival) / Che in EVITA (1979)
Mrs. Dolly Gallagher Levi in HELLO, DOLLY! (1995) / Danny Zuko in GREASE (1972) / Rum-Tum-Tugger in CATS (1982) / The Phantom of The Opera in PHANTOM OF THE OPERA (1988)
Dorothy Brock in 42ND STREET (2001 Revival) / Miss Hannigan in ANNIE (1977) / Emcee in CABARET (1998 Revival) / Bombalurina in CATS (1982)
Loveland Showgirl in FOLLIES (1971) / Policeman in THE FULL MONTY (2000) / Donna Sheridan in MAMMA MIA (2000) / Marion Paroo in THE MUSIC MAN (2000 Revival)
Fosca in PASSION (1994) / Evelyn Nesbit in RAGTIME (1998) / Dinah in STARLIGHT EXPRESS (1987) / Sweeney in SWEENEY TODD (1979)
Roger DeBris in THE PRODUCERS (2001) / Lorelle Robinson in DREAMGIRLS (1981) / Sarah Brown in GUYS AND DOLLS (1950) / Edna Turnblad in HAIRSPRAY (2002)
Little Sally in URINETOWN (2001) / Eponine in LES MISĆRABLES (1987) / Scar in THE LION KING (1997) / Puppeteer Stephanie D'Abruzzo with Kate Monster in AVENUE Q (2003)
Seymour Krelbourn in LITTLE SHOP OF HORRORS (2003) / Dot in SUNDAY IN THE PARK WITH GEORGE (1984) / The Lion in THE WIZ (1975) / Millie Dillmount in THOROUGHLY MODERN MILLIE (2002)
Elphaba in WICKED (2004) / Reno Sweeney in ANYTHING GOES (1987) / Lutiebell in PURLIE (1970) / Rose in GYPSY (2003)
Amneris in AIDA (2000) / Margaret Johnson in THE LIGHT IN THE PIAZZA (2005) / William Barfee in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (2005) / Frankie Valli in JERSEY BOYS (2006)
Celie in THE COLOR PURPLE (2005) / Elle Woods in LEGALLY BLONDE (2007) / Louise in GYPSY (2008 Revival) / The Drowsy Chaperone in THE DROWSY CHAPERONE (2006)
St. Jimmy in AMERICAN IDIOT (2010) / A Scottsboro Boy (Finale) in THE SCOTTSBORO BOYS (2010) / Jerry Lee Lewis in MILLION DOLLAR QUARTET (2010) / Albin in LA CAGE AUX FOLLES (2010 Revival)
Elder Cunningham & Elder Price in THE BOOK OF MORMON (2011) / Billy Elliot's in BILLY ELLIOT (2008)