It’s not money I need but a friend.
Anne Wiazemsky as Marie AU HASARD BALTHAZAR (1966), dir. Robert Bresson
hello vonnie
d e v o n
TVSTRANGERTHINGS

Product Placement
"I'm Dorothy Gale from Kansas"

roma★

@theartofmadeline
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JBB: An Artblog!
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祝日 / Permanent Vacation
Cosimo Galluzzi
Today's Document
DEAR READER
Peter Solarz
$LAYYYTER

★
Lint Roller? I Barely Know Her
macklin celebrini has autism
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@mary-philbin
It’s not money I need but a friend.
Anne Wiazemsky as Marie AU HASARD BALTHAZAR (1966), dir. Robert Bresson

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Wojciech Jerzy Has - Farewells (1958)
LITTLE WOMEN 2019 | dir. Greta Gerwig
CARA DELEVINGNE 📹 2026 Billboard Women In Music
GET OUT
2017, dir. Jordan Peele

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Abbott Elementary S5 + Gregory's looks to the camera
Class of 1946: Vintage portraits from a St. Louis high school.
ZENDAYA "Spider-Man: Brand New Day" fan event in Paris (June 24, 2026)
CARRIE (1976) dir. Brian De Palma

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Sabrina Carpenter
The 2026 Met Gala Celebrating "Costume Art" | May 4 2026
ZENDAYA attends the world premiere of The Odyssey — July 6, 2026
Lili Reinhart stuns in newly shared photo
TOM HOLLAND photographed by Matt Healy for Esquire (2026)
Barbie (2023) dir. Greta Gerwig

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not everything in a story has to or should be "realistic" but in my opinion there's a level of illusion that should be maintained, and I think that's the actual problem that many people try to pinpoint with the "unrealistic" criticism. Dialogue shouldn't be written like an actual transcript of human speech, but should contribute to the illusion of a real person speaking. A character is a tool of the story, not a narrative, but we're trying to maintain the illusion that they are a person. Worldbuilding should exist to serve the story, not to be a perfect simulacrum of how every aspect of nature/society etc. would actually play out for real. But there should be the illusion that it could be real, that organizations and systems would operate in such a way, that people might behave in such a way.
in conclusion: "Is this realistic?" <<wrong question. "Does this serve the illusion or disrupt it?" <<now we're talking
"Ashamed of his monstrous form, the Beast concealed himself inside his castle with a magic mirror as his only window to the outside world. The rose she had offered was truly an enchanted rose, which would bloom until his twenty-first year. If he could learn to love another and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair and lost all hope. For who could ever learn to love a beast?" BEAUTY AND THE BEAST (1991)