Itâs not money I need but a friend.
Anne Wiazemsky as Marie AU HASARD BALTHAZAR (1966), dir. Robert Bresson

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@mary-philbin
Itâs not money I need but a friend.
Anne Wiazemsky as Marie AU HASARD BALTHAZAR (1966), dir. Robert Bresson

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ZENDAYA & TOM HOLLAND "Spider-Man: Brand New Day" photocall in Rome (June 23, 2026)
âtigerâ
Some internet language things I really like:
Phrases like âthatâs certainly a thingâ, âitâs so shapedâ, or âone of the most animalsâ (is there a name for this?)
when people write with little to no punctuation like they are just so done
More specifically, asking questions without punctuation i.e. âwhatâ or âwhyâ. Itâs like, you want to know but also you are resigned to the answer?
When people capitalise The Thing for emphasis - particularly if they add a trademark symbol to really drive The Pointâĸ home
How we use both bold and italic text for emphasis, but they convey it in different ways and I canât quite explain how
Responding to things exclusively with punctuation, because sometimes words fail you and all you can say is !!!
I know you, I walked with you once upon a dream. I know you, the gleam in your eyes is so familiar a gleam.
SLEEPING BEAUTY 1959, dir. Clyde Geronimi, Eric Larson, Wolfgang Reitherman, Les Clark

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Conclave (2024) dir. Edward Berger
Trees and Undergrowth (1887) by Vincent van Gogh
listen i love latinoamÊrica and this isnât about argentina as a nation, but fifa is biased toward argentina because of messi, and winning like this? itâs dirty. i know corruption runs deep, iâm not naive, but this isnât the beautiful sport i fell in love with. iâm sick of all the corruption
EVIL HAS WON. TELL YOUR CHILDREN NOT TO HAVE HOPE. THE WORLD SUCKS. JUSTICE DOES NOT EXIST.
the way they genuinely only made it this far bc the ref didnât give messi the red card he deserved in the first match
#neverforget

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you really have to be lame as fuck to root for argentina even if it's just for Messi like you are pathetic im sorry
"LEGALLY BLONDE" 2001, Robert Luketic
READY OR NOT 2: HERE I COME 2026 | dir. Tyler Gillett, Matt Bettinelli-Olpin
OLIVIA RODRIGO photographed by Collier Schorr for Pitchfork
SHREK 2 (2004)

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Dracula (1931) Dir. Tod Browning & Karl Freund
Scooby Doo 2: Monsters Unleashed (2004) dir. Raja Gosnell