petals and tears. @mary-philbin - Tumblr Blog

It’s not money I need but a friend.

Anne Wiazemsky as Marie AU HASARD BALTHAZAR (1966), dir. Robert Bresson

#au hasard balthazar #dailyworldcinema #worldcinemaedit #classicfilmsource #classicfilmblr #classicfilmedit #uservintage #filmedit #filmgifs #moviegifs #cinemaspam #cinemapix #uservienna #userjamie #usersugar #*mygifs

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daisywords

not everything in a story has to or should be "realistic" but in my opinion there's a level of illusion that should be maintained, and I think that's the actual problem that many people try to pinpoint with the "unrealistic" criticism. Dialogue shouldn't be written like an actual transcript of human speech, but should contribute to the illusion of a real person speaking. A character is a tool of the story, not a narrative, but we're trying to maintain the illusion that they are a person. Worldbuilding should exist to serve the story, not to be a perfect simulacrum of how every aspect of nature/society etc. would actually play out for real. But there should be the illusion that it could be real, that organizations and systems would operate in such a way, that people might behave in such a way.

in conclusion: "Is this realistic?" <<wrong question. "Does this serve the illusion or disrupt it?" <<now we're talking

#text

lokihiddleston

"Ashamed of his monstrous form, the Beast concealed himself inside his castle with a magic mirror as his only window to the outside world. The rose she had offered was truly an enchanted rose, which would bloom until his twenty-first year. If he could learn to love another and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair and lost all hope. For who could ever learn to love a beast?" BEAUTY AND THE BEAST (1991)

#disney #beauty and the beast

innerchildabortionclinic

your ex is a narcissist? so he must struggle with close friendships, right--oh, he's respectful to his male friends? he only acts this way around women? that's crazy, they should invent a word for such a phenomenon

#text

keyfili

TITANIC / faceless 1997 • dir. James Cameron

#titanic

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stillnaomi

using violence to liberate people from sweatshops, unsafe mines, and grinding poverty isn't the same as using violence to impose those things on people. the idea that violence is morally repugnant regardless of context is a belief that every oppressor throughout history would love for the oppressed to hold

#text #violence #oppression

experienceandobservation

Nicholas Galitzine | VMAN | June 2026 | 📷 Luigi & Iango

#nicholas galitzine

bebs-art-gallery

Still Life with Oranges (1863)

— by Rafael Romero Barros

#art

lovrito

luis guillermo back at it!

#louis tomlinson

kino-ani

Possessed (1931) Dir. Clarence Brown

#possessed

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redstonedust

was reading about birth control methods and saw one that said "dont worry, this wont stop your periods!" which was fascinating wording to me. like dont worry? whos the sick fuck thats like "yeah i dont want to get pregnant but i ABSOLUTELY want to continue bleeding once a month thats very important to me."

#text #womanhood

plumebeat

💕were you good💕

#good omens fanart #crowley

chandlebing

F.R.I.E.N.D.S (1994–2004) S02E22 | The One With The Two Parties

#friends #rachel green #chandler bing

tolackcolour

#nature

havanaberry

Havana Rose Liu Photographed by Rob Tennent for HERO Magazine

#havana rose liu

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optional

PRIDE & PREJUDICE dir. Joe Wright | 2005

#pride and prejudice

orlaite

For the attention of the spectator: this film presents an experiment in the cinematic transmission of visible phenomena. Without the aid of intertitles (a film without intertitles)—without the aid of a script (a film without a script)—without the aid of theatre (a film without sets, actors, etc.) This experimental work aims at creating a truly international absolute language of cinema based on its total separation from the language of theatre and literature. ЧЕЛОВЕК С КИНОАППАРАТОМ (Man With A Movie Camera) —1929, dir. Dziga Vertov

#man with a movie camera

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