French designer Gérard Paris-Clavel’s work combines social conscience with graphic impact.
I like how this piece (‘Piéton de la ville’, 2001) is created using lines running in opposite directions - simple yet effective.
Found via Humaginaire.

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French designer Gérard Paris-Clavel’s work combines social conscience with graphic impact.
I like how this piece (‘Piéton de la ville’, 2001) is created using lines running in opposite directions - simple yet effective.
Found via Humaginaire.

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Marjorie Cameron (1922-1995) — "Holy Guardian Angel According To Aleister Crowley" [casein and gold lacquer, on board, 1966]
Calsidyrose
by Auguste Herbin, 1940
By Arete Nani

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'Grand Rosicrucian Alchemical Formula' from 'The Secret Teachings of All Ages' by Manly P. Hall, 1928 (John Augustus Knapp)
Andy Goldsworthy: Balance (1977)
Simon Bailly (French, b. 1993, Gien, France) - Missing Cat, Paintings: Digital Art
by David Hockney

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Dancing figures fresco, Pompeii, 1st century AD, National Archaeological Museum, Naples.
Morishita Asako (Japanese, born 1986) “A Drop” 2020
Moebius

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🪱 Icones vermium Hafniae: sumptibus Christiani Steen, 1835. Original source Image description: Historical black and white illustration from 1835 showing a rock embedded with several tube-dwelling marine worms. The worms have segmented, flexible bodies extending from the rock, each ending in elaborate, circular, fan-like crowns composed of radiating, feathered tentacles used for filter feeding. The detailed linework highlights texture on both the rocky surface and the worms’ delicate tentacles. The scene is scientific and naturalistic, emphasizing anatomical features and habitat placement. The title “Icones vermium Hafniae” and plate number “Pl. XII” are noted in the upper left corner.
Mary Fedden (British, 1915-2012), Tabby by Lamplight, 1990. Oil on canvas, 59 x 49 cm.