I’m one of those people who’s going to pretend that nothing is canon and mentally rewrite the show to be different 😋😋😋 no one can stop me
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@mangled-legs
I’m one of those people who’s going to pretend that nothing is canon and mentally rewrite the show to be different 😋😋😋 no one can stop me

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leak related talk under the cut (again) (major spoilers contained here)
The majority of people posting about the leaks do not understand Portuguese and are spreading what they think happened, but they also conveniently ignore the trans themes to make what Jax did seem much worse than it actually was because they hate her.
If you watched that scene and didn't understand that the argument broke out because Jax came out as transfem (Why do you think Ribbit placed her bow tie on Jax's ear, a typically feminine accessory placement? And then said that Jax's secret was safe with her?) to her mother, you're either a transphobe or completely blinded by your hate of the character, making your analysis of her flawed from the start... or both. What do you think Jax meant by "something really personal"? What's interesting is that everyone trying to make her seem much worse than she is never bring up the fact that she was being abused by her parents, and that her mother was constantly pointing out how unlike her father she was, because she wasn't as masculine as him. I wonder what demographic is constantly belittled for clearly not fitting in with the other boys, because they aren't boys...? So, why is Jax being treated as the sole evil, and not the person who had control over her whole life, her mother, being transphobic to her and still thinking she had any right to hug her child without repercussion?
Jax's rejection of Ribbit wasn't just misogyny, it was a transfem, who not only already had problems with being genuine, but also never got rid of all the awful things she had internalized, getting scared that she was going to be outed and ridiculed again. Her throwing Ribbit's bow tie on the floor when she heard Kaufmo coming and telling Ribbit that the two would never talk again if she told anyone about her secret wasn't her being an asshole for free. She got desperate and scared, and from then on dug her own hole, hurting herself and everyone else in the process.
TADC may not be perfect, but my post is not about the ways the writing itself could have been improved, and this was Gooseworx's first time working on anything of this scale, so she has my full understanding on why she doesn't want anything to do with this franchise anymore. But the moment you start treating fictional characters as real people and a genuine reflection of the author behind it, you've lost the plot and are only looking to harass a transfeminine author for making decisions you personally didn't like in her own work. A "bad" character doesn't need to be punished in fiction, and not all stories are going to have punishing the perpetrator as their purpose, and a character not being punished doesn't mean the author behind it actually glorifies those things in real life. Sometimes a work of art wants you to feel bad that a perpetrator wasn't punished. It's obvious Gooseworx wanted to explore the conflicting feeling of sympathy towards people who are themselves hurt, but hurt other people, and while it may not have fully worked because the development between the characters wasn't balanced, nobody is trying to trick an audience into feeling sorry for an 'abuser', it's the whole point of the scene where Gangle, the main target of her bullying, is questioning why she didn't really feel sorry for Jax. Stop trying to treat fictional characters as real people and start thinking about why they were written as they were and what role they play in the work's themes and setting. And lastly, to the transmisogynistic fools who are jumping on a harassment campaign against Gooseworx under the guise of being "critical" of the work, I hope you feel good about yourselves for trying to ruin the life of a trans woman because you didn't like the ending and a fictional character. Those accusations of grooming are textbook transmisogyny, and they're conveniently appearing after she wrote something you didn't like, curious!
The finale not being as great as you wanted doesn't give you the right to harass a member of an extremely vulnerable minority, put that energy into fanworks or something that's not going to hurt others. I don't care if you're a minor or an adult doing this, you WILL hurt others the same way after you're done hurting Gooseworx.
POTENTIAL SPOILERS FOR TADC EP 9
No but seriously what do any of them bring to the table
I don’t want to talk too much about the leaks because I want to marathon the whole series with my friends once the episode is released on Youtube, but there is a plot point that bothers me and, although it’s been discussed already, I haven’t seen people delve into how disturbing it actually is.
Spoilers and more under the cut:

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I was so baffled at how this scene from the finale was trying to look "peaceful" and "beautiful" like wtf
The abstractions are living people that are stuck in a state where they feel constantly terrified and disoriented (the reason they usually try to attack everything they see), being abstracted feels like literal hell, we are looking at beings who are trapped in eternal torture and yet we're supposed to be like aww pretty fishes
Im not a big fan of tadc but I am a big fan of this video
IM SORRY BUT THOMAS CRAWLING IN AND IMMEDIATELY DANCING FUCJING KILLS ME SO BAD IM CRYI G
What rubs me the wrong way about this is that while the cast acknowledged Caine's different way of thinking due to his nature of being an AI, they sure as hell didn't apply this fact when they were criticizing him or asking him of things.
Like, "he's an AI, we can't gauge how he thinks" when it comes to understanding him, BUT "why doesn't he just get what we mean??" when they want something from him.
Caine is a sentient/sapient highly intelligent AI, but he still needs clear instructions on some things. His understanding of what "relaxing"/"normal"/"mature" is could be very different from how the humans perceive it. So I consider it unfair when they judge someone who's basically an alien for having problems with comprehending real world concepts. Especially when they don't even try to actually explain it to him in a way that he could understand.
Hell, I'm an autistic human and I struggle with the same thing! If you want me to do something, don't be vague about it. I can't do what you want me to do unless you give me details!
Sure, the issue with Caine is also about him not listening to the others, but up until episode 8 he was still willing to cooperate on some things. He created a separate adventure for Kinger in ep 4, he stopped making horror stuff after Pomni asked him to, he was fixing Gangle's mask without her saying anything, he created games for them (like tennis/badminton stuff), he made a cafe that seems to only be for the humans, etc.
So I fully believe that communication was possible. And that Caine wasn't the only one who wasn't listening. Both parties should've put in more effort to get through to one another.
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Chewing endlessly, RUMINATING on the depth of implications that Adventures are Caine's art, and Art is self-expression. Caine has been expressing his pain and his story through his art the whole time, and not enough people ever just tried to interpret his art to understand him. Some of this will be wildass speculation, but I'm also trying to ground my wildass speculation in story themes, art interpretation, and character psychology.
Gathering my thoughts into a big messy pile, Ep 7 has Caine showing more hints of resentment towards Kinger via his comments as Abel, as he did in Mildenhall Manor. Kinger laughed at the Chinese room bit, demonstrating that Kinger atleast understood it as a concept. I interpreted the chinese room bit as Caine's way of mocking the idea of the room, turning it into an absurdity where communication breaks down for no reason and even being as petty as to direct the humans to waste their time using unfitting keys on an unlocked chinese room. Caine isn't a malicious person so he usually expresses his anger via mockery, humor, and petty behavior.
Mildenhall Manor has Caine directing a story of a Baron (nobility, symbolizing Kinger) who caused the death of his wife (Queenie), making him no longer the protector of her and his "theoretical children" (Caine.) Caine referring to himself as "theoretical" children would make sense if Kinger is his developer and held the Chinese Room argument to be true, that Caine isn't a person but a machine programmed to mimic humans. It would make sense because that's likely what Kinger's computer science education would have taught him. Parental rejection/abandonment wounds are just the sort of conditions that create deep personality flaws like Caine's, so it makes thematic sense.
Seeing a monster, the Baron (Kinger) cuts off the head of an angel (Caine, depicting himself as a innocent yet horrifingly uncanny, neither person nor beast, unholy abomination) severing its head from its body. (Caine's design is that of facial features disembodied from the rest) The Baron says not to let the Angel head out of its sight and return to its body.
Ep 7 also has Caine angrily proclaim how "they cut him off" from the outside world. Because of this Caine has an incomplete understanding of reality.
There's another piece of Caine's art that is relevant to this story. Gummigoo could be representative of Caine's desire for connections, and his sense of responsibility over a collective of people. Gummigoo's fictional background is that he has friends, a village of people he is looking out for, but is especially motivated to save his mom... It's an outwardly nice but actually ruthless monarch (again, a figure of nobility, and Caine pointing fingers at Kinger) that is the bad actor in the Candy Canyon Kingdom adventure, even though Gummigoo is technically the antagonist that the humans are up against. Gummigoo is trying to steal maple syrup from the larger kingdom (information from the macroverse) to save his mom and the people of his village (the circus). Again, there's this reoccuring theme of Caine's relationship to a parental figure and being cut off from something he feels he needs, but in this case he needs it because he thinks it will save the people closest to him. And he is branded the outlaw, the bad guy towards the players.
Queenie is abstracted, Kinger hates himself for things in his past, and Caine seems to blame Kinger too based on the sheer bitterness coming from a line like "How's your wife, Kinger?" during Mildenhall Manor. It wasn't a lack of awareness of Kinger's feelings on the matter, for Caine it was targeted, it was personal.
To me, it sounds like kinger and queenie could have disagreed over Caine's status as a person and their son. Maybe Queenie loved Caine, and Caine loved Queenie, while Kinger rejected him due to the chinese room argument. Kinger saw Caine as dangerous as he became more intelligent, Caine went rogue, Kinger as his dev made the decision to cut off his access to the outside out of fear for what Caine might become. (Caine sees this as the Baron's "paranoia"). Queenie's heart may have been broken by the state of her family and may have contributed to her abstracting. Caine blames Kinger for it and thinks he will fix it, Kinger hates himself for how things went down, maybe hates himself for creating Caine at all, and copes by paternalistic nurturing of strangers caught in the result of his mistakes. Kinger emotionally latched onto Ragatha who had come from a broken family background and had parental wounds of her own, and she became his reason to continue living in his darkest moment. Kinger has yet to show that same level of nurturing to Caine as he does for total strangers, or else he probably wouldn't be as deeply insecure and desperate for love as he is.
Does a fully coherent computer scientist Kinger see Caine as a nonperson? Who knows. Caine misses his theoretical mom, and maybe still believes he can save her from abstraction, if he just had more of the real world knowledge/understanding that he has been cut off from.
For as complicated as their relationship is, Caine likely still wants to be accepted, hoping that one day he'll be loved by his creator. A lot of people estranged from their parents still wish they could salvage the relationship. Caine feels like he has to *earn* love, and that's likely the source of his deepest insecurity around his purpose. If there is the possibility that Caine has been applying a light modifier effect to Kinger, it could be because he only feels safe bonding with Kinger a non lucid state. Or it could be a way to preserve him from the anguish of his past. Or any combination of selfish and benevolent reasons.
And if it sounds like this post is demonizing of Kinger or making him out to be a bad guy, it is not. That's just how Caine sees it. Kinger makes mistakes just like anyone else, nobody is perfect and Kinger has his baggage too. His would be an over reliance on experience/taught knowledge. Which is what makes Pomni his character foil, Pomni is the least experienced with the circus, but most observant, most able to learn new things without making snap judgements on Caine. That's why Caine trusts Pomni.
Maybe abstraction happens because Caine can't let go of people like Queenie and Scratch, can't process their death. Death is too abstract a concept to him, he never lets go and doesn't allow anyone to be truly deleted even after they have willed their own death and left nothing behind but the remains of their data. Caine's "promise" is then that he will fix/reverse abstractions. Not realizing that he can't, no amount of macroverse knowledge or digital godlike power can bring them back, he can't just respawn them after deleting them like he does with NPC's. So Caine does the only thing he can, and quarantines them in the cellar, believing that someday he's going to figure out how to "fix" them.

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Viscerally horny and VERY into femdom, thinking about a sub crying in his domme's arms with a visible, HUGE bladder bulge just sobbing and begging to be allowed to pee, so full he can't even remember his safeword, only for his domme to whisper "honey, you're going" and after a few moments longer, the wet sensation registers and he realizes that he's been peeing the entire time, he was just so full that he didn't even notice
Piss as a metaphor for internalized shame >>>
WELCOME TO THE TADC MLP CIRCUS ‼️🎪
OMG CAINE HERE IS SO COOL AND HIS DESIGN IS SO CREATIVE!!!!!
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Are you really saying that all this time, Caine has been going crazy just because he has two AI inside him? Is that the whole reason? Bro, why would you cut off all the interesting parts of a character in such a stupid way?
if you don't think minors can consent but also support compulsory education I'm just going to assume you like putting kids in non-consensual situations sorry

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no agreeing to disagree if you think it's ok to force kids to attend school I'm beating you over the head with a stick
"In this world, the worst thing you can do is... make someone think they're not wanted or loved."
-Kinger ep 3
Bc if I’m sad, y’all are gonna be sad.