Rafael Martín Sturla
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Rafael Martín Sturla

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This image is a painting titled Lovers of the Sun from 1923 by English painter Henry Scott Tuke, known for his depictions of male bathers
The painting features two adolescent boys in white trunks on a seashore in Cornwall.
Tuke was associated with the Impressionist movement and frequently used nude male figures in his work.
Lovers of the Sun is an oil on canvas painting that exemplifies his focus on youth and the homoerotic gaze.
01-22-26 | Misterlemonztenth.tumblr.com/archive

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The Portrait of an Englishman in His Chateau - Andre Pieyre de Mandiargues
Dedalus Books
When the unnamed narrator crosses the causeway to the Chateau of Gamehuche, he enters a surrealist nightmare of debauchery and violence. The proceedings at the chateau are presided over by the master of Gamehuche, M. de Montcul, formerly the English diplomat, Sir Horatio Mountarse. With a cast of willing and not-so-willing acolytes, he serves up an over-refined cuisine of obscenity, sexual perversion and unspeakable cruelty. The book could be described as a dispatch written from the frontiers of depravity.
Andre Pieyre de Mandiargues was born in Paris in 1909. During the war he retreated to Monaco where in 1943 he published, Dans les annees sordides. He returned to Paris at the end of the war. In 1947 after meeting Andre Breton, he became involved in the activities of the Surrealists. As well as being a poet and novelist, Mandiargues has written plays, essays and art criticism. He won the Prix des Critiques in 1951 for Soleil des Loups and the Prix Goncourt in 1967 for Marge. His work has been featured in The Dedalus Book of Surrealism (Volumes 1 & 2), The Decadent Cookbook and The Decadent Gardener.
The Thief's Journal - Jean Genet
Grove Press
he Thief's Journal by Jean Genet, with an intro by Patti Smith / ISBN 9780802128270 / 272-page paperback from Grove Press
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First published in France in 1949, The Thief’s Journal is Jean Genet’s iconic work of autobiographical fiction. This new edition brings his legendary genius to future generations of readers, with an introduction by Genet’s great admirer, Patti Smith.
From a prison cell, the journal’s narrator recounts his travels across Europe in the 1930s―as a vagabond, pickpocket, and occasional prostitute―in pursuit of spiritual fulfillment through erotic trysts and evil deeds. Worshiping his own holy trinity of homosexuality, theft, and betrayal, he conducts every burglary, and each sexual encounter, with the elaborate, reverent ritual of a religious ceremony. Dressed in rags and stealing for his survival, he must evade the authorities for as long as possible.
A sensuous and philosophical reverie on freedom within confinement, the heroism of the outlaw, and deception as the ultimate act of devotion, The Thief’s Journal exemplifies the exquisitely lyrical combination of fact and fiction that made Genet a major figure in world literature.
Prince Connor
Los Angeles, CA, United States

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Flamingo Estate
Training in Florida, Soldier reading letter - Philip Pearlstein, 1943-44.
American,b.1924-
Watercolour on paper, 16 x 20 cm.
Tiepolo Blue
by James Cahill
Exiled from his university position for an inexcusable blunder, art historian Don Lamb flees to London, a city alive with sex and creativity. There, over the course of a long, hot summer, as he is immersed in the anarchic art and gay scenes of the mid-90s, Don sees his carefully curated life irrevocably changed. But his epiphany is also a reckoning, as his unexamined past is revealed to him in a devastating new light.
Intense and atmospheric, Tiepolo Blue traces Don's turbulent awakening, and his desperate flight from art into life.
Young Mungo
by Douglas Stuart
Douglas Stuart's Young Mungo is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.
Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow's housing estates, where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation.
They should be sworn enemies if they're to be seen as men at all, and yet as they begin to fall in love, they dream of escape, and Mungo must work hard to hide his true self from all those around him.
But the threat of discovery is constant. When Mungo's mother sends him on a fishing trip to a loch in western Scotland with two strange men, he must summon all his inner strength and courage to reach a place of safety, a place where he and James might still have a future.

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Wolfgang Tillmans: “Art doesn’t have a purpose”
The photographer on the decline of the London art scene post-Brexit, coming out at 16, and political responsibility.
By Ellen Peirson-Hagger
(newstatesman)
The Cock’s Kiss, 2002 @ Wolfgang Tillmans