BARBIE 2023, dir. Greta Gerwig
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BARBIE 2023, dir. Greta Gerwig

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“I promise you, dearie, this is gonna hurt”
TWILIGHT (2008) dir. Catherine Hardwicke
sam winchester + nose scrunch (. ❛ ᴗ ❛.)
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𝕷𝖆𝖉𝖞 𝕮𝖍𝖆𝖕𝖕𝖊𝖑𝖑 𝖔𝖋 𝕽𝖔𝖆𝖓 🗡️🔥✨ your favourite minstrel’s favourite minstrel.

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Funny enough, this concept is explored in The Motion Picture novelisation by Gene Roddenberry.
It is very, very rare for Vulcans to have a mind link, or bond, with another individual that can be achieved without some form of physical contact -- thought to be unheard of between a Vulcan and a human.
That is what a lot of Vulcans aspire to achieve in their relationships and connections. Roddenberry coined that as a*T'hy'la* bond in Vulcan culture.
Spock is basically outed as having that type of bond with Jim Kirk in TMP novel when he is attempting to complete Kolinhar. He fails it because when the Vulcan elder melds with Spock's mind, she can actually hear Jim Kirk's worried ruminations in Spock's mind -- on Vulcan -- all the way from Earth.
Anyway, that is particularly scandalous, and largely unheard of, in Vulcan culture. The elder instructs Spock to take leave of Vulcan and answer this call, as "his place is elsewhere".
This post summarizes that moment in the film beautifully while conveying more of the emotion of TMP novel -- that it was the connection to Jim that Spock could not sever or let go of in order to complete Kolinahr.
Shout out to @kristascoffee-blog1 for creating these gorgeous gifs and the OP which articulates this moment so well.
In the movie version, Spock's summoning is depicted as solely being about sensing V'Ger.
In the novel, it is because he is essentially caught having a T'hy'la bond with Jim Kirk that is strong enough for them to hear each other *on other planets*.
In TMP novel, Roddenberry describes Spock and Jim's mind link as a very unique, rare and much sought after type of bond that is revered in Vulcan culture.
Roddenberry wrote: "For Spock, theirs had been the touching of two minds which the old poets of Spock's home planet had proclaimed as superior even to the wild physical love which affected Vulcans every seventh year during pon farr." I mean . . . That's pretty major. LOL
I thought they were intentionally nodding to that quote about poets and the T'hy'la bond from the novel when Pelia referred to Kirk and Spock's connection as "poetic", a reference to how Spock himself thinks of their bond in TMP novel.
I always felt the film version lacked a great deal of that incredible humanity and affection found in the novel because they were so late getting Nimoy involved. They didn't have enough time filming with him to deeply explore some of the more meaningful moments with Spock on screen outside of what we did get.
In the novel you get to hear all of his pained, desperate, and insecure thoughts. How much his heart is bursting when he first comes aboard the Enterprise. But we see little of that inner turmoil displayed in the film, sadly.
I know given the opportunity and time, Nimoy would have done a wonderful job with fleshing out Spock's story, because honestly, TMP is about Spock. V'Ger simply mirrors what he is going through and helps him realize where he belongs.
They just took so long getting Nimoy involved, they barely had time to film with him. So the story feels very cold on screen, and that's too bad, because the book actually made me weep when I read it growing up because it moved me so much. It has so much heart, and it is at its core a beautiful story of self acceptance -- a willingness to be vulnerable and accept love.
Spock starts the book like V'Ger -- cold, broken, and desperately seeking answers to the meaning of his existence.
He attempts Kolinahr and is refused by Vulcan when they realize he has a T'hy'la bond. They tell him to seek out the voice calling him, as that is where he belongs.
He comes full circle in the sickbay scene when he takes Jim's hand and admits that V'Ger is what he had aspired to, and he doesn't like what he sees -- he realizes the incredible value in the simplicity of love, trust, and loyalty.
TMP is actually supposed to be about Spock and how his journey from shame about his connection to Jim to unabashed pride mirrors V'Ger's experience.
V'Ger also goes from being cold and barren to discovering the potential and value of human love. Sadly, they took so long to get Nimoy signed on for TMP that the end result was a story that really wasn't about Spock or his journey, even though the novel almost entirely focuses on what Spock and Jim went through and how that parallels V'Ger.
Spock tries Kolinahr, Jim tries admiralty, and they both end up miserable pursuing what they *think* the next step naturally should be, not what they actually want. The conclusion is them actually accepting that they are far, far better together than they are separate.
Their T'hy'la bond, this form of Vulcan bonding thought to be so rare it is often considered a myth on their planet it is considered so unattainable -- this bond is shared between a human and half-human Vulcan.
It solidifies that Vulcans actually stifle themselves and their potential when they get too hung up on being pragmatic, stop at logic, and don't explore beyond logic as a meaning to life. As Spock says many years later, logic is only the beginning of that exploration, not the end. Spock has grown by not permitting himself to have such limitations.
So in summary, you are absolutely right -- this kind of mental bond or connection is extremely rare in Vulcan culture, and seldom seen without there being a physical connection to establish a link.
The absolute irony is, a rare Vulcan T'hy'la bond is shared between a human and half-human Vulcan, while many full Vulcans will live out their long lifetimes without ever knowing what that is like.
2025 Frankenstein verdict: visually stunning. Thematically shallow. I want the next three GDT monsters to be women in compensation for the absolutely fucking victorian treatment of women, jfc, c'mon now, he didn't even try.
Also, everyone is right, the Creature has amazing Maedhros vibes (visually), and I kinda want post-reimbodiment Maedhros pursusing Feanor across the Hecaraxe, forci g Feanor to confront the violent consequences of the oath both within and upon his eldest while Feanor lives in denial every step of the way.
Kind of funny how when you're obsessed with a certain character their mere presence on your screen can lift your mood. Like yeah I have probably like 10 diagnosed and undiagnosed ways my brain works atypically but one of those quirks makes it possible for The Character to salvage my whole day.
(Not my content)
About 6 years ago, I was in the hospital with awful pain… I was asked where it hit on the 0-10 scale and I said a 9… because I was told “10 is the worst pain you can imagine”.
I have a pretty vivid imagination. I was in the worst pain of my life, but I imagined that having my limbs torn off by a gator would probably hurt more. So I said “9”.
Turned out I had 6 simultaneous kidney stones. As anyone who’s ever had one can tell you, even a single kidney stone is monumentally painful- famously so.
I had 6 at once. 4 in one kidney, and 2 in the other.
When the doctor figured out what was wrong with me, he was floored that I hadn’t said “10”. Floored that I wasn’t screaming.
I told him about my imagination. He asked if I had chronic pain. I told him yeah, and that the reason I waited almost 10hrs to come to the hospital when I started was because “it felt like period cramps”.
His advice? “Any time anyone asks you where you’re at on the 0-10 scale? Add four to account for my chronic pain daily threshold.
This pain scale isn’t as useful, but it’s funny.
I saw it in my orthopedic surgeon’s office.
A useful pain scale:
If you have chronic pain, your baseline may be 6. A good day may be 5.
Don't downplay that for the doctor. If your recent bad day was 8 or 9 - if you regularly have days that hit 8 or 9 - say so.
Part of the problem with doctors ignoring women's pain and people of color's pain, is that people who are disadvantaged are told to "suck it up" a lot, and they downgrade their baseline at 2-4 to zero.
Fuck that.
Describe your pain as if you were an overprivileged white guy who's never actually done 8 hours of manual labor in his life.
Heathers (1988) dir. Michael Lehmann

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Downton Abbey, series 3
watching sinners with an inflation calculator open in a second tab so i can understand just what kinda money the smokestack twins are throwing around. nerdiest possible movie experience i think.
Okay coming out of lurking for this because among the many great features of Sinners is you don't actually have to go outside of the movie to understand what kind of money they're throwing around. The movie tells you itself.
In the scene where Smoke teaches the young girl how to negotiate, they're standing in front of of a cafe. The shot of them negotiating is framed so that you see a sign in the cafe window advertising a Ham and Eggs breakfast - in other words, a full meal - for 25 cents. The editing makes sure to put that sign back into frame whenever the question of the value of money arises in their discussion.
Smoke offers her 10 cents a minute and asks if that works for her. She says yes. He says no, it does not and tells her to negotiate higher. The 25 cent sign is framed in the shot when he tells her no, reminding us *why* it's not a good value.
She comes back with 50 cents - which the sign has informed us is the cost of *two* meals. Smoke tells her that's too much and counters with 20, which is just under a full meal but we now know that's a fairly respectable price because we just got the high/low contrast of 10 being too little and 50 being too much.
The negotiation ends with her getting 20 cents per minute and we now know 1) 25 cents is the cost of a filling meal in this environment 2) This girl only needs to do five minutes of work to be able to feed herself for a over day (20 cents per minute times five is a dollar, which is four meals) 3) Smoke has the kind of money to throw around that over a day's worth of food for someone can be to him - as it is to our modern eyes - mere pocket change and 4) Smoke's the kind of person who can both be a violent gangster but also care about teaching this girl how to look out for herself so that one day maybe she too can throw over a day's worth of food around like pocket change.
Combined with 5) you can now use that 25 cents = a meal to do the math every other time money gets mentioned in the movie to understand just how much cash the Smoke Stack boys are dealing with.
And that's just ONE detail which, thanks to props (Hannah Beachler), editing (Michael P Shawver), and cinematography (Autumn Durald Arkapaw), told you almost everything you needed to know about how finances work in this environment. This movie is unfair to all other films in how fucking good it is.
Barbie (2023) dir. Greta Gerwig
Star Trek: Strange New Worlds 3.06 The Sehlat Who Ate Its Tail

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HEATHERS (1988) dir. Michael Lehmann
Sorry Sam…
Edit: Now available as a print 🐸
And for a multimedia experience (because I’m annoying):