OLIVIA RODRIGO Very British Day Out | Capital FM
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always

pixel skylines
Lint Roller? I Barely Know Her
trying on a metaphor

PR's Tumblrdome
$LAYYYTER


⁂
Claire Keane
occasionally subtle

#extradirty
Mike Driver
Keni
he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ

★
I'd rather be in outer space 🛸
DEAR READER
seen from Iraq

seen from Malaysia

seen from Saudi Arabia
seen from Netherlands
seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
seen from France

seen from Germany
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seen from Australia

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@madnessislike-gravity
OLIVIA RODRIGO Very British Day Out | Capital FM

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JURASSIC PARK 1993 | dir. Steven Spielberg
SIMONE ASHLEY and JONATHAN BAILEY Behind the scenes of Bridgerton season 4
Hayley Williams Glum (In The Park)
Life is too short to be angry at one's sisters.
Little Women (2019) dir. Greta Gerwig

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Stranger Things 5 | Volume 2
Jonathan Bailey and David Corenswet | Actors on Actors
#Please cast them together in something
– There's a line on the title track where you say something like "I'm the most famous girl in this racist country singer's bar." Do you wanna name names? Could be a couple different.
HAYLEY WILLIAMS Popcast, 2025
iconic--
"Find me at the Whole Foods bitch, I don't care."
Tonight all these lives converge here The mosaics of laughter and cocktails of tears Where fraternal souls sing identical things And it’s beautiful It’s rapturous. It is frightening. ____
I can’t tell you how proud I am to share this with you, an album that just feels so right. A forever thank you goes out to my mentors and friends Max and Shellback for helping me paint this self portrait.
If you thought the big show was wild, perhaps you should come and take a look behind the curtain…
The Life of a Showgirl is out now.
https://taylor.lnk.to/TSTheLifeofaShowgirl
Album Producers: Max Martin, Shellback and Taylor Swift
📸: Mert Alas & Marcus Piggott

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*writing in my diary using a glitter gel pen* I'm losing my sense of humanity
realized i have started texting like mr darcy
Pre-order The Life of a Showgirl: “It’s Beautiful” Limited Release Deluxe CD now on my site. Available for 72 hours while supplies last. ❤️🔥
https://taylor.lnk.to/TSTheLifeofaShowgirl
Album Producers: Max Martin, Shellback and Taylor Swift 📸: Mert Alas & Marcus Piggott
And, baby, that’s show business for you. New album The Life of a Showgirl. Out October 3 ❤️🔥
https://taylor.lnk.to/TSTheLifeofaShowgirl
Album Producers: Max Martin, Shellback and Taylor Swift 📸: Mert Alas & Marcus Piggott

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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two birthday snippets
For my dear friend Cat of TMI Source.
Jace& Clary (happy birthday, Jace!) from Better in Black:
“Remove your mind from the gutter for a moment,” said Clary. “We have to find Maryse’s brother, and bring him home.”
To her surprise, Jace looked worried. “There’s the chance he won’t want to come home.”
“Of course he will. Think how you would feel, if you spent decades completely cut off from your family, your friends, everyone and everything you know.”
“I think,” Jace said carefully, “that I would feel extremely angry, if my family and friends and everyone I knew made me choose between them or losing you.”
“All the more reason to find him and tell him things are different now. That Maryse is different.”
“What if he doesn’t care? Just because she wants his forgiveness doesn’t mean he’s ready to forgive. And…” Jace looked away. “Sometimes losing someone hurts less than getting them back.”
And some Kel&Antonetta from Ragpicker King:
Kel turned to Antonetta. “I’m sorry. I shouldn’t have shouted at you. I should have thanked you. You saved our lives.”
She took the front of his jacket in her small hands. The wind off the water bit at them coldly; Antonetta was shivering. Kel wanted more than anything to wrap her up in his cloak. “What happened, Kel?” she whispered. “Who were those people? Why were they chasing you? And the people you’re with—”
“Antonetta.” His throat ached, hard, as it had not in years—not since that first time she had turned away from him, at her debut ball, and he had forced himself to show nothing, to give no sign that it hurt. Antonetta, I can’t tell you. I want to, but I cannot.
“Don’t ask me,” he said. “If you demand an answer, I will lie to you. And I am a very good liar.”
“I know,” she whispered.