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@maarten-van-mieghem
5 posts!
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Got a bit frustrated with this painting today, the colors came out rather muddy and I tried to save it with the orange but it didn't really help. I'll let it rest for a bit now. It's not the worst but I think a lot of nice color interactions went away from layering it too dark. For example the triangles in the middle are way too dark while they should blend in more with the rest of the pig.
I learned an important lesson, stay away from the dark colors for as long as possible, because its very hard to come back from.
My initial idea for the Reds was different, and I think if I executed it that way, it would actually have worked better. The idea was to only make the middle triangle red and fill in the rest with green so the head of the pig becomes one large shape, broken up by the red. I think I will do a layer of gesso (after letting it rest) and then trying this out, because especially for now, this painting is pissing me off 😅
On a better note, I'm successfully recovering another painting I was working on lately, I'm very happy with the orange under layer.
It doesn't capture too well on photograph but in reality it looks quite sharp and I'm excited to get started again on this one!
Here's a new character I'm painting, I was mainly using left over paint on this canvas but I'm quite happy with the result. I'm starting to learn how lines and color interactions can be a life on its own, beyond the painted subject. I mainly feel this understanding in the ear of the character and it's cheek, which are confident, swirly lines that hold a lot of potential connections. They direct the gaze of the viewer, not in a definitive way, but as a suggestion, which I find far more interesting.
For this painting, the color palette was quite straightforward, and I'm thinking to perhaps in the future switch it up a bit. I'm not sure if I'll add layers to it, I'm kind of getting into making things more slick than usual and it's important to create things that are a little rough sometimes. To say something with less, because I think to a large extend that determines your depth as an artist, when with very little, you can do a lot.
Went to get some new Acrylics in the art store close by. Took this photo as a reference to see which one I had and still needed to buy. I was making the rooky mistake of mixing some of my acrylics with gouache, which is removable with water... My bad. But now I have all of the colours I was using gouache for!
I will do one more layer of grey on the purple painting which at the moment is looking in quite desperate condition. I think with the plan I have in mind for it, I can bring it back to life.
The good thing is that I'm growing more and more confident as a painter, which and it's resulting in more "finished looking" works. This is a process I will have to go through to evolve as an artist. It's not been so long since I started painting seriously, and it's nice to see the progress from when I started.
Enjoying the process on this painting, it's acrylic on a wooden panel. I was already quite happy with the underlayer but felt like I could add some more depth to make it pop even more. I decided to not touch the left and right top edges, it seemed to me that this negative space could make the painting more meaningful. The painting depicts a woman laying in a cave, or tunnel. It's inspired on a monument in the center of Brussels that commemorates the covering of the Zenne river, which used to run through the city but is now invisible.
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Today's process on some paintings I've been working on lately. I'm practicing layering and am quite happy with the results so far. The painting with the purple background is a hard one to figure out, somehow the colors don't come to mind like they do for the others. I spent some time in a cafe today planning what possible routes I could take with it. A very nice book on Mamma Anderson became an important source of inspiration for this work, I love how she plays with negative space, and he colors seem so introspective, it's quite inspiring.