âMatadorâ (1986) [dir. Pedro AlmodĂłvar]
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âMatadorâ (1986) [dir. Pedro AlmodĂłvar]

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"I see you so clearly walking toward me
from my previous life into my future
and into my futureâs future
the present is all I have."
This Life [1985] by Chen Kehua
Translated by Simon Patton ____________________________________________ "Unknown Pleasures" ("Rèn xiÄo yĂĄo", 2002), [dir. Jia Zhangke]
"Awakening from a dream [...] Rose-colored rouge, a lipstick in its case Consciousness, defeated, flows somberly by" Rouge and Lips [1934] by Yang Chichang Translated by John Balcom ____________________________________________ âRougeâ (âYÄnzhÄŤ kòuâ, 1987) [dir. Stanley Kwan]
"...that cry which had sounded over the Seine behind me years before had never ceased, carried by the river to the waters of the Channel, to travel throughout the world, across the limitless expanse of the ocean, and that it had waited for me there until the day I had encountered it. I realized likewise that it would continue to await me on seas and rivers, everywhere, in short where lies the bitter water of my baptism. Here, too, by the way, arenât we on the water? On this flat, monotonous, interminable water whose limits are indistinguishable from those of the land? Is it credible that we shall ever reach Amsterdam? We shall never get out of this immense holy-water fount. Listen. Donât you hear the cries of invisible gulls? If they are crying in our direction, to what are they calling us?"
The Fall by Albert Camus
(On the picture: Francine Camus on the balcony of the family apartment in Oran)
"The truth is that I'II go mad..."
"Eskimo Woman Feels Coldâ (âEszkimĂł asszony fĂĄzikâ, 1983) [dir. JĂĄnos Xantus]

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Halina PoĹwiatowska:
(you ask â what camels haul in their saddle-bags...)
you ask â what camels haul in their saddle-bags
they carry my heart
across the desert
since you left me
I remain alone
under the yellow sun
the earth is scorched
and human hearts are hollow
the source of tenderness
beats not for me
sometimes I see you
but with my outstretched arms
touch only
my thought about you
you ask â what camels haul in their saddle-bags
they carry my heart
across the desert
[ Indeed I Love - WĹaĹnie Kocham (Bilingual English-Polish edition) by Halina PoĹwiatowska ]
https://www.babelmatrix.org/works/pl/Po%C5%9Bwiatowska%2C_Halina-1935/%2A%2A%2A%28pytasz_-_co_d%C5%BAwigaj%C4%85_w_jukach...%29
Halina PoĹwiatowska: (on a dust-covered road...)
on a dust-covered road I search for your lips.
I bend over and look under each moss-wrapped stone.
coiled into spirals snails sleep in moist shade.
I wake them and ask where is he? they stretch out their drowsy
horns peek from their shells squint at the sun.
and vanish saying nothing. I ask the stone smooth
its rough surface with my warm hungry hand. it's silent.
I ask the sun. it bends its head to the west and I go after the sun westward to find you.
[ Indeed I Love - WĹaĹnie Kocham (Bilingual English-Polish edition) by Halina PoĹwiatowska ]
https://www.babelmatrix.org/works/pl/Po%C5%9Bwiatowska%2C_Halina-1935/_%2A%2A%2A%28Na_zakurzonej_drodze_szukam_twoich_ust...%29/hu/68576-%2A%2A%2A_%28egy_porlepte_%C3%BAton_kutatom_az_ajkad...%29
"I prefer my primitivism, my childlike faith, my rural ways, my wild tree soul."
Gabriela Mistral's Letters to Doris Dana by Gabriela Mistral
"The day she lives for its night and the night for its miracle."
[El dĂa vive por su noche y la noche por su milagro.]
A Woman (Una Mujer) by Gabriela Mistral
"And so little do the roads know of her that Iâve come to accept, with flowing tears, that sheâs gone to sleep the fabled sleep, a sea without treachery and a peak without slope, no happiness or pain, no more forgetting."
[Y tanto se la ignoran los caminos que suelo comprender, con largo llanto, que ya duerme del sueĂąo fabuloso, mar sin traiciĂłn y monte sin repecho, ni dicha ni dolor, no mĂĄs olvido.]
She Who Walks [La Que Camina] by Gabriela Mistral

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"After that painful night, he only feels resigned. What was done doesnât provoke any conflict in him. It immerses him in an intense calm that he never knew before, distances him and pacifies him. A dignified sadness, without severity, he no longer feels anything but the sweetness of things, he reaps only memoryâs charms."
Pretty Things by Virginie Despentes
"I sometimes think now that Iâm recovering myself, the way I used to be. Iâm all too glad to think about the time when I had everything, when my cheerfulness was truly full of cheer, when I was serious in the good sense of the word. (quasi glissando) Then everything became worse for the wear, damaged, used and used up and ultimately destroyed."
Malina by Ingeborg Bachmann
"Even if Malina is silent, itâs better than being silent alone..."
Malina by Ingeborg Bachmann
"...because Malina is always there for me, steadfast and composed, and even in the darkest hours I am aware that Malina will never be lost to me â even if I were to get lost myself!"
Malina by Ingeborg Bachmann
"I'd drink into myself your melting flesh
As thick and sweet as tropic juices, and
The thrilling magic of the smell of you
Like sage and horsetail of primeval Earth.
And your ethereal soul too I would take
(It flickers lantern-like above your head),
All of you greedily, insatiably"
Thirst (A szomj) by Ăgnes Nemes Nagy

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"And now they fall.
And with a motion white-winged, wide,
the entire flock takes wing as one,
takes wing like an unmoving image
takes wing like the bodily resurrection,
eternity called up
from the water, at the crack of a gun."
Storm (Vihar) by Ăgnes Nemes Nagy
"They had discovered too that the difference between the living and the dead is merely qualitative, that it doesnât count for much. And they had learned that in everyoneâs life there is only one person whose name can be cried out in the moment of death."
Katalin Sreet (Katalin utca) by Magda SzabĂł