Grace Cossington Smith: The reader (the school cape), ca. 1916
Marlon Brando by Cecil Beaton, 1946
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Grace Cossington Smith: The reader (the school cape), ca. 1916
Marlon Brando by Cecil Beaton, 1946

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Godard ¡ John Zorn
Godard/Spillane
â 1999 Tzadik
William Klein: Street Football, Rome, 1956
Silence
Didier Comès
Casterman
Caspar BrĂśtzmann Massaker
All This Violence live in Dresden 25 Jan 2025

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Julie Wolfthorn (1864- Theresienstadt 1944): Miss Johnson, Cabaretsängerin
h.c. artmann - nua ka schmoez how e xogt !
H.C. Artmann liest H.C. Artmann - Juni 1993
med ana schwoazzn dintn - gedichta r aus bradnsee
Irving Penn: Colette 1954
"Einstein on the Beach" has become Glass' most famous work. The composer presented the first performance of the opera (in a concert hall), at his own expense, in the 1960s and 1970s. He earned a living as a taxi driver in New York. At that time, minimalism was not very popular with the general public. Glass described the first performances of his Philip Glass Ensemble like this: "Six people attended our first concert, two of them were friends and one was my mother."
After the premiere of "Einstein," everything changed. Glass was flooded with orders from leading opera houses around the world, including the Metropolitan Opera and La Scala. Soon, he became the most-performed opera composer of the 20th century.
"Einstein on the Beach" is a legendary and iconic piece of innovative theater. It explores scientific research (the theory of relativity and nuclear weapon production), which was an unexpected theme for the theater, allowing the creators to experiment with creating a unique aesthetic experience full of visual and plastic effects. The piece bears little resemblance to traditional opera, as it was composed for The Philip Glass Ensemble without soloists, only a small chorus that sings meaningless syllables to the rhythm of the music. The story is read by a narrator, and the role of Einstein has no words - it was written for a violin. The main themes of the play are a train, a trial, and a spaceship floating above the Earth. Einstein on the Beach is the first opera in Philip Glass' Portraits trilogy, followed by Satyagraha and Akhenaten. These operas are dedicated to Mahatma Gandhi and Akhenaten, respectively, and all three have no plot but rather a symbolic set of episodes that depict a portrait of each historical figure and their ideas that radically changed the world around them.
 David Hockney * 9. Juli 1937 Bradford â  11. Juni 2026 London
Portrait of an Artist (Pool with Two Figures) (1972)

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Another masterpeace from my collection. Traditional Sichuan folk music played by very famous and honourable local musician WANG Hua-de. Play
Traditional Sichuan folk music played by very famous and honourable local musician WANG Hua-de. Played by Qin (Guqin) made by LEI Wei in Tang Dynasty (618-907 A.D.)
Images: Kei Nomiyama/REX Shutterstock
Leonor Fini
Four Prints
Nan Goldin â The Ballad of Sexual Dependency: Photo Icons Explained
There are few photographic works that resonate with so many people for their raw emotional observation and unfiltered immediacy like the Ballad of Sexual Dependency by Nan Goldin. Even 37 years on from the first book publication, the popularity and demand for this highly personal work, which Goldin often described as a visual diary, is unbroken. Peeling away the outer layer of Nan Goldinâs candid snapshot aesthetic, it reveals a deeply honest examination of love, friendship and the complexities of intimacy. For the artist herself, the ballad became a life-defining piece in a career spanning more than 40 years, for the rest of the world it became a timeless and undisputed classic of modern times.
Copyright Credits: All of Nan Goldin's work - Nan Goldin Henri Cartier Bresson - Fondation Henri Cartier-Bresson Edward Weston - Center for Creative Photography Larry Clark - Larry Clark
Gabriel Guerrero Caroca is a highly distinctive contemporary Chilean fine-art and conceptual photographer whose work explores the profound depths of human emotion, psychological landscapes, and surrealist melancholy. Based in Chile, he has carved a unique niche within the international photography community by turning internal struggles into arresting, poetic visual statements.
His artistic identity is defined by a deeply introspective, surreal monochrome style. Operating exclusively in black and white, Guerrero Caroca uses the absence of color to strip away the distractions of reality, diving instead into a dreamlike world governed by shadow, fog, and light. His visual philosophy relies heavily on metaphor and the subversion of everyday environments. His compositions frequently feature lone figures, altered reflections, and natural elementsâsuch as birds, open fields, and waterâto evoke themes of solitude, identity, memory, and the unseen heavy emotional weight of existence. His imagery stands out for its soft, atmospheric tonal gradations and meticulous geometric precision, balance, and quietude.
Significant milestones in his contemporary professional trajectory are highlighted by his conceptual depth and international digital presence:
The Poetics of the Double and Reflection: One of Guerrero Caroca's most celebrated conceptual motifs is his manipulation of reflections and shadows to challenge the viewer's perception of reality. In works that split or alter a subject's reflection, he visually externalizes internal dialogues, grief, or the hidden layers of the self.
Minimalist Melancholia: His portfolios are renowned for their highly curated minimalism. He often utilizes vast, empty landscapes, mist, and heavy skies to emphasize a profound sense of isolation, transforming the Chilean terrain into a universal backdrop for psychological reflection.
Global Community Recognition: His distinct visual voice has garnered widespread admiration across premier online art platforms and curate networks, including international recognition on sites like 100ASA and 1x. com, where his imagery is frequently studied for its masterful digital execution, intentional grain structure, and emotional resonance.
Today, Gabriel Guerrero Caroca is celebrated as a vital contemporary poet of the monochrome frame. His growing body of work remains an essential point of reference for the modern conceptual and fine-art photography communities, continually praised for its rare capacity to translate the invisible complexities of the human psyche into timeless, evocative imagery.
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Information and photographs compiled by photographer Benaissa Ilyes.

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MACHINE HEAD - 'Davidian' (LIVE-IN-THE-STUDIO 2019)
Chiara Samugheo: Sonia Otero, Playmen 1981