luvetlux

0:00 Onstage Stretches 01:11 Angor 07:58 Yor Zarad 15:16 Tamebsz 27:17 Mata Zyklek 35:25 Ababa Hotel 43:49 Sarniezz 49:21 Utzp 59:20 Fabienk 1:08:46 Sherpa

In 2023, Ali was awarded the Henrietta Hustinx prize for her research project ‘The liminal space’, concerned with tracing the Sudanese diaspora’s presence in Limburg through clay. As well as a national award of the Royal Prize for Modern Painting 2025, initiated by the Dutch king, for her Sudanese Hibiscus painting series, which explores themes of identity and material, and migration

Bob Boilen | March 9, 2022 It’s less a concert and more witnessing a master thoughtfully creating an atmosphere, a vibe. And for 13 short minutes, I feel seated in Abdullah Ibrahim’s home in Chiemgau, Germany, witnessing seven decades of experience slowly dripping from his fingers and touching my soul. Abdullah Ibrahim, now 87, has witnessed the horrors of apartheid. He grew up in South Africa and composed what would become known as the “anti-apartheid anthem,” “Mannenberg.” Nelson Mandela called him “our Mozart.” He also successfully made music under the name Dollar Brand, and worked with jazz legends including Duke Ellington, Max Roach, Don Cherry and Archie Shepp. In 1968, he converted to Islam and changed his name from Dollar Brand; more recently, he became an NEA Jazz Master. In my 18 years directing All Things Considered, I’d often reach for his music to play between news stories to give the audience a chance to think and reflect. His music is like that; it’s mind-opening. And here he is seated at his piano, his white hair luminous, his fingers delicate, while he reflects on the past and helps clarify the present. The music is from his newest album Solotude, a recording made to an empty concert hall in southeast Germany during the 2020 lockdown, which for me became a source of calm when it was released toward the end of 2021. To witness this Tiny Desk (home) concert, I suggest you take these next 13 minutes, turn off your distractions and discover the strength in delicate reflection from a gentle man who has some much to share. SET LIST “Blue Bolero” “Signal On The Hill” “Once Upon A Midnight” MUSICIANS Abdullah Ibrahim: piano

JAMES BALDWIN DEBATES WILLIAM F. BUCKLEY AT CAMBRIDGE UNIVERSITY'S UNION HALL. DELIVERED FEBRUARY 18, 1965.

SOFIA ISELLA

Käthe Kollwitz: Losbruch / Outbreak, 1903

Marlon Brando by Cecil Beaton, 1946

℗ 1999 Tzadik

William Klein: Street Football, Rome, 1956

Casterman

All This Violence live in Dresden 25 Jan 2025

Julie Wolfthorn (1864- Theresienstadt 1944): Miss Johnson, Cabaretsängerin

med ana schwoazzn dintn - gedichta r aus bradnsee

Irving Penn: Colette 1954

"Einstein on the Beach" is a legendary and iconic piece of innovative theater. It explores scientific research (the theory of relativity and nuclear weapon production), which was an unexpected theme for the theater, allowing the creators to experiment with creating a unique aesthetic experience full of visual and plastic effects. The piece bears little resemblance to traditional opera, as it was composed for The Philip Glass Ensemble without soloists, only a small chorus that sings meaningless syllables to the rhythm of the music. The story is read by a narrator, and the role of Einstein has no words - it was written for a violin. The main themes of the play are a train, a trial, and a spaceship floating above the Earth. Einstein on the Beach is the first opera in Philip Glass' Portraits trilogy, followed by Satyagraha and Akhenaten. These operas are dedicated to Mahatma Gandhi and Akhenaten, respectively, and all three have no plot but rather a symbolic set of episodes that depict a portrait of each historical figure and their ideas that radically changed the world around them.

Portrait of an Artist (Pool with Two Figures) (1972)