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Moonchild by Santiago Caruso, 2017

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think it's a deep consolation to know that spiders dream, that monkeys tease predators, that dolphins have accents, that lions can be scared silly by a lone mongoose, that otters hold hands, and ants bury their dead. that there isn't their life and our life. nor your life and my life. that it's just one teetering and endless thread and all of us, all of us, are entangled w it as deep as entanglement goes. v neat i think.

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"I Drivhuset" (1980) by Susanne Ussing — Sculpture installed at Ordrupgaardsamlingen

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"I Drivhuset" (1980) by Susanne Ussing — Sculpture installed at Ordrupgaardsamlingen

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Harald Slott-Møller, Nude Girls, c. 1910

Normally I would be side-eyeing this painting so hard - it seems so voyeuristic - except for ONE THING: that woman on the far right. That's not a woman posed for the male gaze. That strikes me as a woman who is full of glee at the absolute freedom she's experiencing in her own body, in her freedom from social constraints, in the glories of nature. Feeling the sunlight and the breeze on her bare skin. That's HER joy, not the male painter's. The woman on the far left might be posed for a male audience, but the woman on the far right is experiencing pure, personal joy.

It's giving Adam Schultz's "Untamed":

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Hydra Brooch, by Lalique

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