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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Working on a new sentence with hypothetical language In Perpetuity. Trying out a more subtle form of the lasercut letters in the studio #language #communication #font #alphabet
Special materials 📀💿📀 #studio #art materials #dichroic https://www.instagram.com/p/Bs-ZeKDnT6G/?utm_source=ig_tumblr_share&igshid=snj24x0avg0p
Only v. few tickets left for the short and light-soaked art event I’m having at the mysterious Moylurg Tower in Lough Key Forest Park this Saturday 26th. It’s part of the Park Project Commission I’ve been doing there with Roscommon Art Centre ✨✨✨Starts at 7pm sharp and you can book via the Eventbrite link in my bio, thanks my lovelies 💥#artevent #lightinstallation #folklore #mysteriousgoingson #dichroic #loughkey #roscommon https://www.instagram.com/p/Bs6MDBvHYRG/?utm_source=ig_tumblr_share&igshid=1e7fz0nz660m3
Light wrangling 💫 #light #artinstallation #artevent #ParkProject #LoughKey #roscommonartscentre #moylurgtower #folklore #mindfulness #commission #brutalist #architecture #thebirds (at Lough Key) https://www.instagram.com/p/BsoVjUYnJCd/?utm_source=ig_tumblr_share&igshid=1mbdkple3o23r

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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New install, almost done 💦💦💦 #plexiglass #acrylic #datavisualisation #artinstallation https://www.instagram.com/p/BsReO6Rnu4q/?utm_source=ig_tumblr_share&igshid=1imchsyop42yn
Information as colour, opacity, texture, size, shape. Installation next week. #artinstallation #datavisualisation #information #transfer #communication #language #synaesthesia https://www.instagram.com/p/BsBp45jn71q/?utm_source=ig_tumblr_share&igshid=1xrb1sobuhje8
I’ve been playing around with a mix of materials recently in tandem with working on data visualisation digitally. Data that is touchable and can interact with its environment and viewers.
In the second half of my residency at ISCP New York I’ve been weaving small objects on a tapestry loom. These are the outcome of some research I’ve been doing into tabulating the qualities of all the known quantum particles. These are experimental at the moment and they primarily work with light. They are a much looser /expressive form of data visualisation than I’ve created previously. These are works in progress but are leading towards a visualisation of quantum mechanics in an attempt on my own part to understand the different particles structures, qualities, and relationships to each other.
Finished works for The Otherworld Hall group exhibition in Solstice Arts Centre, Meath. Show runs from 27th October - 22nd December 2017. The pieces work with light primarily, either the diffusion of light making the communication more elusive or the reflection of light saying more than the pieces could say in themselves. The wall piece ‘A Soft Whistling’ is taking the architectural feature of Newgrange’s lintel into consideration. Light is the primary communication here and the title relates to environmental factors and other sensory ways of understanding Newgrange as a space as well as how language may sound. The plinth pieces are about these megalithic markings being unearthed, and how they somehow become less interesting and more elusive in terms of what they say, the more ‘dug up’ and removed from their environment they are.

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I started a 3 month residency at ISCP New York in September, and started working on new pieces for a group exhibition back in Ireland titled ‘The Otherworld Hall’ in Solstice Arts Centre. This exhibition took the Boyne Valley and megalithic art and architecture as it’s starting point. I made drawings of the megalithic markings and attempted to put some sort of system of meaning on them, not just linguistic but considering other sounds, arial mapping, spiritual systems, astronomical bodies and natural or environmental patterns. The markings could relate to any of these, or none. They are so defined and deliberate but completely impossible to decipher. It is almost like a completely unrelated civilisation created the markings. As modern humans we do not have any of the same instincts or connections to these shapes any more and it is bizarre that even as humans, we cannot grasp the meaning of this system of communication created by other humans. It made me think about how we could possibly hope to recognise or decipher a communication ever received from an alien civilisation. The other thing that struck me about the markings was their certain lack of meaning when removed from their environment, such as some decorated megalithic stones placed in museums. Something that feels certain is that context is essential to these carvings. I began working with new materials; plexiglass and a type of polarised vinyl.
The Crystal World, a paper installation commissioned by Paper Assist in their Dublin showroom. I made this installation with lasercut Fedrigoni papers, and it all hangs with an interlocking system where most of the pieces are supported by each other. The piece is based on the book by J.G. Ballard, The Crystal World: "The long arc of trees hanging over the water seemed to drip and glitter with myriads of prisms, the trunks and branches sheathed by bars of yellow and carmine light that bled away across the surface of the water, as if the whole scene were being reproduced by some over-active technicolor process…" Then the coruscation subsided, and the images of the individual trees reappeared, each sheathed in its armour of light, foliage glowing as if loaded with deliquescing jewels.…" This illuminated forest in some way reflects an earlier period of our lives, perhaps an archaic memory we are born with of some ancestral paradise where the unity of time and space is the signature of every leaf and flower…." Just as a super-saturated solution will discharge itself into a crystalline mass, so the super-saturation of our solar system leads to its appearance in a parallel spatial matrix. As more and more time leaks away, the process of super-saturation continues.. It’s as if a sequence of displaced but identical images of the same object were being produced by refraction through a prism, but with the element of time replacing the role of light.”
I worked with lasercutting paper for a commission for Paper Assist, a paper supply company working with some beautiful Italian Fedrigoni papers. In August the Dublin based office of Paper Assist asked me to develop a paper installation for their showroom just outside of Dublin city. I made vector files and lasercut them based on the J.G.Ballard book The Crystal World. This book brings together nature and science fiction, using concepts from quantum physics to merge the two. The shapes included monstera leaves and other tropical plants and flowers, insects, birds and animals. I devised a self-supporting interlocking hanging mechanism for the paper shapes so that they could ‘hang’ out of each other and I could install it in a naturally growing way.
I was commissioned by Facebook to install In Perpetuity as a permanent large-scale artwork in the Oculus Research and Development office in August. This version of In Perpetuity had the letters in a much larger scale, and formed a flowing data stream across a wall 18 metres long. The letters also overlapped and I used both opaque as well as transparent vinyls.
In Perpetuity, a work-in-progress installed in Temple Bar Gallery + Studios Atrium Space. Show runs there until 17th June. The shapes are cut from various colours and textures of vinyl. This artwork describes a language that could be used to communicate with extraterrestrial civilisations.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I started working on a new project called In Perpetuity; a language that could be used to communicate with extraterrestrial civilizations. It is a work in progress that is inspired partially by quantum physics, also by the Kepler program which discovers habitable planets, and by the idea of an alphabet that could change its appearance. In Perpetuity explores the idea of a method of sending information across vast distances which would enable the information to only come into action once it had arrived at its observer. It takes as its inspiration the behavior of particles at a quantum level - behaving either like waves or particles depending on whether they are being observed or not (or at least this is how the mechanism appears to us). What if information could change it’s form based on whether it was being observed or not? This would enable the data being transferred to be communicated to an alien civilization who may not have eyes, ears, or ways of absorbing information like humans do. I installed the work as vinyl lettering in Temple Bar Gallery + Studios Atrium Space.
Data visualisation wallpaper 'Astronomical Mashup' from my solo show of the same name at The Lab, Dublin until 26th March.