Meals and Thrills
What I’ve been consuming recently
Acquired Stardust
i don't do bad sauce passes
noise dept.
Keni
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
almost home
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Not today Justin

roma★
DEAR READER
Jules of Nature
todays bird

Show & Tell

cherry valley forever

seen from Singapore
seen from United States

seen from Singapore

seen from Türkiye
seen from Italy

seen from Australia
seen from Netherlands

seen from Malaysia
seen from United States
seen from United States
seen from Mexico
seen from United States
seen from Germany

seen from Germany

seen from T1
seen from United States
seen from United States
seen from United States
seen from Malaysia

seen from United States
@loverboyadah
Meals and Thrills
What I’ve been consuming recently

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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they're on a video conference
zoom call w the girls
Ugh I hate when all of my professional friends are busy, like bae wake up, I need you to read this cover letter
“Is not the most erotic portion of the body where the garment gapes? In perversion (which is the realm of textual pleasure) there are no “erogenous zones.” […] It is intermittence, as psychoanalysis has so rightly stated, which is erotic; the intermittence of skin flashing between two articles of clothing (trousers and sweater), between two edges (the open-necked shirt, the glove and the sleeve); it is this flash which seduces, or rather: the staging of an appearance-as-disappearance.”
— Roland Barthes, The Pleasure of the Text

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west virginia
My thing since I was like 7 has been vampires. I have so much to say about them…
rb with your most common recurring theme in your nightmares. mine is pregnancy
Mine is always my teeth falling out and/or me getting chained to the bottom of the pool and I can’t swim to the top
SHAPE HELL
Yup.
SHAPE HELL 2

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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self portrait after 3rd cen. coptic tapestry
They should build a me that doesn’t get so hurt. Who can get pierced and heals over harder at the injury site. Who has thick roots for feet and cooling ice for finger. Who’s shapeless and formless as the sea. Have you dropped a brick into the sea? How far did it go, were you able to watch it? Did it hurt the sea at all? Do you wish it did?
Jennifer Tilly / during production of David Beaird's Scorchers (1991) / photos by Douglas Kirkland.
how it feels to be online these days

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
James Baldwin, A Transition Interview, 1972
"The shift from the Afro-Caribbean zombie to the U.S. zombie is clear: in Caribbean folklore, people are scared of becoming zombies, whereas in U.S. narratives people are scared of zombies. This shift is significant because it maps the movement from the zombie as victim (Caribbean) to the zombie as an aggressive and terrifying monster who consumes human flesh (U.S.). In Haitian folklore, for instance, zombies do not physically threaten people; rather, the threat comes from the voduon practice whereby the sorcerer (master) subjugates the individual by robbing the victim of free will, language and cognition. The zombie is enslaved."
— Justin D. Edwards, "Mapping Tropical Gothic in the Americas" in Tropical Gothic in Literature and Culture.
Follow Diary of a Philosopher for more quotes!
The ultimate horror of the zombie, originally, was that an enslaved person could not escape bondage even in death.