self-portrait with portrait of émile bernard (les misérables) 1888
by paul gauguin
oil on canvas

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self-portrait with portrait of émile bernard (les misérables) 1888
by paul gauguin
oil on canvas

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capri girl on rooftop 1878
by john singer sargent
oil on canvas
Francesco Hayez (Italian, 1791-1882)
Vengeance is Sworn, 1851
Wilhelm List (1864 – 1918)Â
Umarmung, um 1905
Jacqueline Marval (French, 1866-1932)
Les Bavardes, 1916

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bain á la grenouillére by claude monet
1869; oil on canvas
la grenouillére by pierre-auguste renoir
1869; oil on canvas
the burial of atala by reverend ebenezer cobham brewer
1892; lexicography
Art by August Hoffmann Von Vestenhof - Jugend, May, 1897
albaydé by alexandre cabanel
1848; oil on canvas

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Τhe Poet’s Dream by Robert Walter Weir, 1830
the abduction of psyche by william-adolphe bouguereau
1895; oil on canvas
the moorish chief by eduard charlemont
1878; oil on panel
four seasons in one head by giuseppe arcimboldo
1590; oil on canvas
interior of the pantheon, rome by giovanni paulo panini
c. 1734; oil on canvas

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the vision to the youth bartholomew by mikhail nesterov
1889-90; oil on canvas
ivan the terrible and his son ivan on 16 november 1581 by ilya repin
c. 1883-1885; oil on canvas
this work has been called one of russia’s most famous and controversial paintings; it has been vandalized twice. the prince hit his son with his staff, which resulted in a very serious head wound. having injured his son, the father immediately indulged in deep grief. on the fifth day, his son died.
the work does not represent violence but its resolution. ivan the terrible holds his son as his eyes bulge with horror, despair, and madness while making the futile attempt to cover his son’s wound that he inflicted.
1883; oil sketch
1882; pencil sketch
in the earlier sketches, ivan the terrible still clings to his sceptre with more visual bloodstains. the moment in the final painting represents remorse, forgiveness, and love.