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@loupreme

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Fugue (Joseph Bernard, 1981).
by Francis Picabia

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Lesen, sich unterhalten, wohnen, kochen …
– Die Lektüre (von Bildern oder Texten) scheint somit den Höhepunkt von Passivität darzustellen, der für einen Konsumenten charakteristisch wäre, der zum Voyeur (Höhlenmensch oder Nomade) in einer "Gesellschaft des Spektakels" wird.
– Lesen als stille Produktion: Überfliegen einer Seite, Metamorphose des Textes durch das wandernde Auge, Improvisation und Erwarten von Bedeutungen, die von einigen Wörtern ausgelöst werden, das Überspringen von Schrifträumen wie einem flüchtigen Tanz
– An die Stelle des Autors tritt eine völlig andere Welt (die des Lesers).
– „Durch diese Mutation wird der Text bewohnbar wie eine Mietwohnung. Sie verwandelt das Eigentum des Anderen für einen Moment in einem Ort, den sich ein Passant nimmt.“
– Mieter führen eine ähnliche Operation in der Wohnung durch, die sie mit ihren Gesten und ihren Erinnerungen möblieren; Redner machen etwas ähnliches in der Sprache (Akzent, Wendungen, Muttersprache); Fußgänger
– Die Lektüre führt somit zu einer „Kunst“, die nicht passiv ist.
– Es handelt sich nicht mehr um das Buch als Referenzpunkt, sondern die Gesellschaft, die vollständig zu Text geworden ist, bildet die Schrift des anonymen Produktionsgesetzes.
– Kunst des Lesens gleichzusetzen mit der Kunst des Plauderns.
Michel De Certeau
Hanne Darboven's studio, Hamburg.

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david lamelas at dia chelsea
Men in the Cities, Robert Longo
For Men in the Cities, Robert Longo set up his camera on the rooftop of his apartment and threw a variety of objects at his friends, capturing their aggressive reactions in these remarkable photographs, created between 1977 and 1983. The jerks and spasms of Longo's subjects, sharply dressed in business attire, have an elegance and grace that is entirely unexpected; protective reactions and exaggerated gestures have been turned into effortless and authentic choreography, a ballet of falls and stumbles, leaps and trips. The movements are fresh and vital, full of energy and life, even while they portray a sense of agony. They document an essence of human motion, boiled down to pure expression. This work later became the inspiration for his iconic Men in the Cities series of large-scale, monochrome charcoal and graphite drawings.
Ed Ruscha, Says I To Myself Says I, 2025
Nicolas Poillot

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Dan Graham "Rock my Religion" 1984
dance theater of harlem, circa 1970.