/ / THE 1975 / /

Can you believe we pay actual money for a piece of paper to watch humans with talent so we can all scream like a bunch of chickens

Reblog if you are Matty Healy

*sees something pastel pink* is this the 1975 *sees something black* is this the 1975 *sees a rectangle* is this the 1975 *sees something floral* is this th

But do you know what the real special thing about the 1975 is for me? It’s these few so so indescribable samples/loops in their songs, especially on the album. You know what i mean, that sound you can’t put in words that appears very clearly in ‘the 1975’, ‘an encounter’ and ‘robbers’ especially. I feel like my only ambition in life is to find out how these sound were created. Where they came from. I’ll honestly live my life constantly trying to find that out. I’ll try to become someone notable in the music industry so that i can catch up with them and ask or more like beg them to tell me what the fuck these sounds are about. I’m dead serious. It kills me to listen to this and not know how it was created.

this.

“My Nana who I was close to died of cancer this year and it was around about that time that the guitarist’s mum got diagnosed with cancer and it felt like it was a big impact, the fact that something you have no control over can really mess with the dynamics of people’s lives. It’s actually a live guitar take. I was playing the guitar plugged in the computer and George was putting it through every plugin you can imagine. He recorded it without telling me so I was in the zone. This was 2am on a Saturday night so we were under the influence. I recorded the guitar take and we listened to it back hammered and we were like ‘this is really pretty man, nah let’s get some sleep’. We woke up the next day and we just spent like half an hour putting little moments of vocals and synth and that was that. I think ‘Music for Cars’ is the most honest record in regards to things like that.” [x]