Gonna be doing artfight again for the 3rd year in a row :D!!!! Hope to see yall there ima try to do as many as I can but I cant gaurantee a lot ^^"

Kaledo Art

tannertan36

blake kathryn

Discoholic đĒŠ

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if i look back, i am lost

#extradirty
occasionally subtle
taylor price
KIROKAZE
Misplaced Lens Cap
Xuebing Du
Three Goblin Art
Not today Justin

įĨæĨ / Permanent Vacation

@theartofmadeline
dirt enthusiast
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@loopyspacetoons
Gonna be doing artfight again for the 3rd year in a row :D!!!! Hope to see yall there ima try to do as many as I can but I cant gaurantee a lot ^^"

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I always thought the joke of Tweekâs shirt being a mess was that it didnât fit properly because he was a little chunky and because Tweekers notoriously dress a little crazy,,, Tweek for sure is a little pudgy. Heâs no Cartman, but if Clyde wasnât around in âCartmanâs Silly Hate Crime 2000â he would be the boy on the back of their sled!!!
YES. i find this very coincidental because i was literally just talking about how tweek is cubby on my instagram. tweek is definitely on the chubbier side. DEFINITELY no cartman but heâs there with clyde. and yes. if clyde wasnât in that episode and tweek was, (i donât even think heâs in that episode) tweek would definitely be the one getting called a fatass.
itâs fine if people donât think tweek is chubby, believe what you want to believe, but some people in this fandom need to except that he is far from being the skinniest in the show.
The conversation around Brendon Urie has become one of the clearest examples of how internet culture often struggles with nuance, growth, and the complicated reality of fame.
Over the years, Brendon has gone from being the frontman of a relatively niche alternative band to becoming a mainstream celebrity whose music reached massive audiences. And somewhere along the way, the narrative around him shifted from admiration to relentless scrutiny. While criticism of public figures is inevitable, much of the hatred directed toward him feels less rooted in reality and more rooted in resentment toward his success, visibility, and evolution as an artist.
When Panic! at the Disco first emerged in the mid-2000s, they were embraced as outsiders within the alternative scene. Fans connected to the theatrical music, the dramatic lyrics, and the sense that the band existed outside the mainstream.
But as the years passed, the sound evolved. Songs became bigger, more polished, and more commercially successful. Albums produced chart-topping hits, arena tours sold out, and Brendon became the face of the project. Ironically, the very success many artists dream of became one of the reasons some people turned against him.
There is a pattern in music culture where artists are celebrated while they are considered âunderrated," but the moment they achieve widespread popularity, they are accused of selling out or losing authenticity.
Brendon became an easy target for this mentality. To some fans, mainstream success somehow invalidated the emotional connection they once felt with the music. Instead of accepting that an artist can grow and still remain genuine, critics reframed his popularity as evidence that he had become manufactured or insincere.
Yet there is little evidence that Brendon abandoned creativity or passion. If anything, his performances consistently showed intense dedication, vocal talent, and a genuine love for entertaining people.
Another reason the hate surrounding Brendon feels exaggerated is the internet's tendency to flatten people into either heroes or villains. Online discourse rarely leaves room for complexity. Mistakes are treated as permanent definitions of character rather than moments within a larger life story. Brendon has openly apologized for past behavior and comments that offended people, and by many accounts, he changed long before the internet decided to continually revisit those moments.
However, in online culture, apologies are often treated as meaningless regardless of sincerity. For some people, the goal is no longer accountability or growth; it is permanent punishment.
This creates an impossible standard.
Society often claims to value education, personal development, and becoming better over time, yet when someone actually demonstrates change, many refuse to acknowledge it. Instead years-old controversies are recycled repeatedly as though they happened yesterday. The cycle becomes less about justice and more about maintaining outrage.
In Brendon's case, every discussion seems to return to the same handful of moments, stripped of context and repeated endlessly across social media. The result is a distorted public image that ignores years of positive actions, charitable work, advocacy, and the countless people who describe him as kind and supportive behind the scenes.
There is also an uncomfortable reality about fame that people rarely admit: audiences often resent individuals who appear too successful, too talented, or too visible for too long.
Brendon's vocal ability, stage presence, and crossover appeal made him stand out even outside alternative music spaces. He became recognizable beyond the fandom. And with visibility comes backlash. The internet frequently builds people up only to tear them down once they become too prominent.
This pattern can be seen across music, film, sports, and virtually every area of entertainment. Popularity creates overexposure, and overexposure creates a culture where criticism becomes trendy.
What makes the situation especially frustrating for many fans is that the hatred often ignores the positive impact Brendon had on people. His music helped listeners through grief, loneliness, anxiety, and personal struggles.
His openness about self-expression encouraged fans who felt different or out of place. He used his platform to advocate for causes he believed in and donated to organizations supporting marginalized communities.
None of this means he should be viewed as flawless, but it does mean that conversation should be balanced. Reducing a person entirely to their worst moments while erasing everything else is not accountability; it is dehumanization.
The larger issue revealed through the treatment of Brendon Urie is how modern internet culture encourages outrage over understanding.
Algorithms reward conflict, negativity spreads faster than nuance, and people often gain social approval by publicly condemning others. In this environment, complexity disappears. A person is either completely good or completely irredeemable.
But real human beings do not fit into those categories. They evolve, learn, fail, improve, and contradict themselves.
Expecting perfection from artists while denying them the ability to grow creates a culture that is both unrealistic and deeply cynical.
Ultimately, it is completely valid for individuals to dislike Brendon Urie or disconnect from his music if they choose. No artist is universally loved, and criticism is part of being a public figure.
However, the level of hostility directed toward him often feels disproportionate to reality, fueled less by genuine concern and more by internet dogpiling, resentment of mainstream success, and the refusal to let people move forward from past mistakes.
The conversation surrounding Brendon says as much about modern fandom culture as it does about him. It reflects a world where success can breed resentment, nuance is often abandoned, and outrage is sometimes valued more than growth.
At the end of the day, Brendon Urie is not a flawless symbol or a villainous caricature. He is an artist who became extraordinarily successful, made mistakes, apologized, evolved, and continued creating music that meant something to millions of people.
The inability of many online spaces to hold all of those truths at once may be the biggest misunderstanding of all.
finally posting all the pages in one spot, enjoy this leisurely reading of stan got outted
The Episode Where Tweek Becomes a Furry (1/5)
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hello!! as many of you might know, following the murder of the leader of one of the most powerful cartels in mexico, a lot of people are stuck at home due to threats from the cartel (as not only have they established a curfew and warned that even innocent civillians would be targets if seen outside past the established time, but also because there have been multiple shootouts and cases of burning up places and businesses), which means that right now there are so many people unable to work to sustain themselves.
so, I saw on twitter a thread with many mexican artists with open commissions, if you maybe were thinking of commissioning art and wanted to support mexicans in this situation; hereâs the link to it!! (the post isnât mine, but i thought maybe itâd be a good idea to share it here)
UPDATE: hereâs another thread with the same purpose, by a different person! this oneâs open, so if youâre a mexican artist who is in need of support, consider posting there!! ^_^
please share if you can!! thank u!!
When the fat boi wants to swim he shall swim :3
(My first time trying out a trend thingie and idk if it came out right but hopefully it did,been having thr thought of Seby swimming in a pool and this was the perfect way of trying it out :3)
Going down to South Park, gonna have myself a time
...........COLLECTED..............
WARNING â ī¸ There are some "freaky" art without THAT intention, just the joke of the moment. If the fact makes you awkward, proceed with caution... Also there's some robot bloody.
It is hard being bullied by your big sister, but idc cuz I don't have one.
My fave dorky guys đ
This might sound a bit narcissistic, but I've improved a lot O.O
I know I have the same pose in all my drawings T.T
*Playing Awkward laugh.wav*
This redesign is the closest thing to the canon Kenny, but many didn't like it despite I loved it through. What do you guys think?
I DON'T LIKE FORTNITE BUT
Kenny now thinks his mecha is female T.T
"What the f*ck are your robot wearing dude!" -A confused Stan
Vent art idk. Although I don't remember why I did it. Nevermind~
Like father, like son. He looks adorable T.T
I was inspired a little by Cartman from the episode "Tsst". He is now a polite demon until a greater force corrupts him and be the same as always.
Don't get the wrong idea, guys! Anyways, my Damien is asexual and sex-repulsed, he's just an autistic boi who is curious to see a boy like him but ROUND.
I got this idea from the movie The Omen (1976). Apparently the little Damien didn't like wearing shoes, and I took that fact as a headcanon.
Oh yea, they're friends now.
I wanted to unlock Damien in South Park Rally, but playing it is a pain in the a$$, especially with the lag my PC has by default.
And y'up, I ship 'em. What should I call it? Cartmien? Damman... Like saying, DAMNIT!
KAWAII! T.T
Clyde is very attached to his dad, but he is also a mama's boy.
The canon isn't real for me. They would make a cute couple too <3
He said it in /r manner
Two practices o_u
If you guys reached here, thank you! <3 and thanks for the 224 followers ^_^
Christmas anim from last year ;P
Merry Christmas!!

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Me and the drug addict I bagged
so do yall like south park
choose ur fighter!!
"asriel is dead" "asriel is the knight" "asriel is in the bunker" WRONG asriel has a discussion post and two replies due at 11:59 pm
If he anything like me he forgot to turn it in and is rushing to get it done at the last minute,,,,
Hello!! My "first" post here (^_^)

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buttman/cartters but it's tfbw
not the only thing making him look gay đ
idiot