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@loidhne

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Abraham Walkowitz. Abstraction. Ink wash on paper. n.d.
Zabriskie Gallery
Fiestas de amor y poesĂa. 1911.
Internet Archive
Peter Voulkos (American, 1924 - 2002)
plate - 1973
more on abstrakshun

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Paul Maxwell (American, 1925 - 2016)
untitled - c.1974
André Bloc, Habitacle
Laura Grisi, Pebbles, 1970.
Laura Grisi (Rhodes, Greece, 1939 – Rome, Italy, 2017) was an eclectic artist who used various media (painting, photography, sculpture and video). In her work she often addressed the relationship between the reality and its representation, by using the reference to natural elements to create artificial landscapes. The conception of “timeless” is also very present in her practice, and especially in her films which belongs to the experimental spirit of the late Sixties. https://www.instagram.com/p/CEzfyfqAyMu/?igshid=n972fhl555ih
bailey elder, 2020
Juan O'Gorman, Mural de la Biblioteca Central de la Ciudad Universitaria, 1960, México.
“Juan O’Gorman, (born July 6, 1905, Coyoacán, Mex.—found dead Jan. 18, 1982, Mexico City), was a Mexican architect and muralist, known for his mosaic designs that adorned the facades of buildings.
O’Gorman worked as chief draftsman for Carlos Santacilia and other architects in Mexico City until 1932. He founded a study group for workers’ housing and was responsible for the Functionalist design and construction of about 30 schools.
In the mid-1930s O’Gorman began to focus on painting, typically creating historical and nationalistic narratives in both easel paintings and murals. His major works in Mexico City included murals at the Mexico City airport (1937–38), which were removed in 1939 because of their anticlerical and antifascist character.
O’Gorman returned to architecture in the 1950s, adopting a more organic approach. The most elaborate example of his work is the exterior of the Library of the National Autonomous University of Mexico, which he planned and built in the early 1950s.
O’Gorman’s own house outside Mexico City was considered his most extraordinary work. It was in part a natural cave and was designed to harmonize with the lava formations of the landscape. Decorated with mosaic symbols and images from Aztec mythology, it marked his eventual rejection of Functionalism in favour of an approach that united modern structural designs with indigenous Mexican decorative motifs…” https://www.instagram.com/p/CHLpOEigSMl/?igshid=rm3nffnlxoiw

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André de Dienes, Around, 1959.
“Andre de Dienes (1913 - 1985) was a Hungarian photographer. Dienes was born in Torja, Kingdom of Hungary (present-day Turia, Romania), on December 18, 1913, and left home at 15 after the suicide of his mother.
Dienes travelled across Europe mostly on foot, until his arrival in Tunisia. In Tunisia he purchased his first camera, a 35mm Retina. Returning to Europe he arrived in Paris in 1933 to study art, and bought a Rolleiflex shortly after.
When not working as a fashion photographer Dienes travelled the USA photographing Native American culture, including the Apache, Hopi, and Navajo reservations and their inhabitants. Dissatisfied with his life as a fashion photographer in New York, Dienes moved to California in 1944, where he began to specialise in nudes and landscapes.” https://www.instagram.com/p/CHgHjdihwRv/?igshid=r7o6vrt6rczw
Lygia Clark, Nostalgia do Corpo, 1960s [© “The World of Lygia Clark” Cultural Association]
From: Gianpaolo Pagni, Ambienti naturali, 2017
«Studio International» – Journal of modern art, Vol. 172, No. 882, Cory, Adams & Mackay Ltd., London, October 1966 [The Estate of Barry Flanagan, London]. Cover Art: William Turnbull, 3,4,5, 1966 [Tate, London]
allah las by bailey elderberry

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Alexander Calder, Galerie Maeght Pop-up Greeting Card, 1968
hawaii, 1972