blood spray is just another kind of cumshot
Xuebing Du

ellievsbear
we're not kids anymore.

#extradirty

if i look back, i am lost

art blog(derogatory)

shark vs the universe
sheepfilms

❣ Chile in a Photography ❣

JVL

gracie abrams

Love Begins
trying on a metaphor
Keni


bliss lane
Today's Document

tannertan36
I'd rather be in outer space 🛸

seen from Serbia
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seen from United States
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seen from Brazil
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seen from Colombia
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@lobobathory
blood spray is just another kind of cumshot

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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thinking about young nihil
So it is a bit of an older piece now, but I quite enjoy it LOL
Don’t know how tumblr works, so it’ll just be silly art every now and then when I remember :D
6,5k words on It Feeds Good Ending written today!
we have: date drug rape, slight forced feminization and the title is "In which love conquers all", incestous role-play (duh, but also, how Copia, V and Mary still come out with a new ideas about fetishazing their relationship is beyond me)
11k words and we have reverse regressive memory sex therapy and putting ciggies out on someone and I don't know how to tag it anymore. Yes, this is still a happy ending.
𝘐𝘯 𝘎𝘰𝘥 𝘺𝘰𝘶 𝘵𝘳𝘶𝘴𝘵
𝘔𝘺 𝘮𝘶𝘮𝘮𝘺 𝘥𝘶𝘴𝘵
𝘋𝘶𝘴𝘵
𝘔𝘺 𝘮𝘶𝘮𝘮𝘺 𝘥𝘶𝘴𝘵
Can’t wait to see Cirrus on the big screen again💜
I hope you enjoy the process video I recorded! No AI needed just my own imagination, which is sometimes a little messy and that’s perfectly okay🫶🏻
I’ve been drawing for almost 30 years and creating whatever comes into my head is what I love most.
So why would I use AI?? I’d much rather use the skills I’ve spent years developing🫶🏻
Hope you like it💜

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
➡️ Content warnings on fiction are a courtesy.
➡️ Not every medium of fiction and storytelling has or is expected to have content warnings or extensive tagging.
➡️ Print novels do not traditionally warn for content in any way.
➡️ Until AO3 came along, fanfiction did not traditionally warn for content in any significant way.
➡️ An author is only obligated to warn for content to the degree mandated by the format they publish their fiction on.
➡️ Content warnings beyond the minimum are a courtesy, not an obligation.
➡️ 'Creator chose not to warn' is a valid tag that authors are allowed to use on AO3. It means there could be anything in there and you have accepted the risk. 'May contain peanuts!'
➡️ Writers are allowed to use 'Creator chose not to warn' for any reason, including to maintain surprise and avoid spoilers.
➡️ 'Creator chose not to warn' is not the same thing as 'no archive warnings apply'.
➡️ It is your responsibility to protect yourself and close a book, or hit the back button if you find something in fiction that you're reading that upsets you.
➡️ You are responsible for protecting yourself from fiction that causes you discomfort.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Me: waiting for any form of public transport
Rain: starts
Some deep dark part of my brain that never forgot the first night vale episode: 👀🕐🚌🌧🌧🕐🕐🚌🌧

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too big to rig is what i call my strap.
watching interview with the vampire with one hand down my pants, and the other a gun to my head-
Dibujé muy alto a Terzo... Demasiado tal vez

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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still thinking about him guiding your hands around his throat and telling you to squeeze harder while you ride him
╰ ◟ ◞ ͜ ◟ ͜ ◟ ◞ ╯ O o ° 🚶♀️