itâs currently loving peeta mellark hours
Misplaced Lens Cap
RMH
Show & Tell

⣠Chile in a Photography âŁ

shark vs the universe
Stranger Things
Xuebing Du

PR's Tumblrdome
YOU ARE THE REASON

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Noah Kahan
The Stonewall Inn
đ

#extradirty
TVSTRANGERTHINGS
almost home

blake kathryn

if i look back, i am lost
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@lillipod
itâs currently loving peeta mellark hours

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"my child is fine" your child gets this feeling when ever they feel good that it will be the last time
âYou owe yourself the love that you so freely give to other people.â
â

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it's okay to eat.
it's okay to eat if you've already eaten today.
it's okay to eat if you haven't excerised today.
it's okay to eat if you don't feel like you've "earned" it.
it's okay to eat whatever you want. food has no inherent morality attached to it. eat a cookie, a salad, some noodles - whatever you want. we're trained to see food as the enemy, but it should be so much more! food keeps us alive, and allows us to do every wonderful thing we do every day. food should be your friend. you don't have to earn any type of food, or any at all. food is a necessity.
it's okay to eat. period.
âDays I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was.â
â Ocean Vuong, from On Earth Weâre Briefly Gorgeous (Penguin, 2019)
âThe only person who can sympathize with you and understand you is you. So, be good to yourself.
Today, 25 years ago, on March 27, 1996 Neon Genesis Evangelion aired itâs season finale âTake Care of Yourself.â
They are pretty much in love with each other
appreciation post for myself because i have tolerated myself for every second of my existence

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swandive
I love watching my mutuals go on epic reblog sprees for fandoms I know nothing about. like yassss gurl we do be hyperfixating
âYou know that song âIf a body catch a body cominâ through the ryeâ? Iâd like â â
â¨â¨"Itâs 'If a body meet a body coming through the ryeâ!â old Phoebe said.
"I thought it was 'If a body catch a body,ââ I said. âAnyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobodyâs around â nobody big, I mean â except me. And Iâm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff â I mean if theyâre running and they donât look where theyâre going I have to come out from somewhere and catch them. Thatâs all Iâd do all day. Iâd just be the catcher in the rye and all. I know itâs crazy, but thatâs the only thing Iâd really like to be. I know itâs crazy.â
what she says: iâm fine. what she means: the last episode of banana fish is going to be called The Catcher In The Rye, which besides completing the pattern of all previous episodes being named after literature by classic early-to-mid-century american authors, fits alarmingly well from a thematic perspective, seeing as J.D. Salinger also authored the titular book of the first episode and series itself, A Perfect Day For Banana Fish (1948). Just as Holdenâs wish is to protect the children from falling from the precipice of golden innocence into the cold and brutal world of adulthood, Eiji and Ash are respectively each otherâs catcher in the rye. Ash prioritizes protecting Eijiâs physical livelihood and mental sanctitude above all else, including his own survival, determined to preserve Eijiâs pure and benevolent nature in the cruel and abhorrent environment of Ashâs world. Â He keeps Eiji from falling over the cliff. Although Eiji usually has no choice but to accept Ashâs sacrifices and more often than not relies on them, he has been shown repeatedly choosing to jeopardize his own safety in favor of Ashâs physical and emotional wellbeing. Throughout everything, Eiji stays with him because he loves and appreciates Ash for who he is despite everything heâs been through and because he knows Ash needs and deserves love and protection more than anyone, and no one else in his life is going to give it to him. Being with Eiji is the only time he can return to that youthful innocent stasis, the only place Ash can receive the pure uninhibited love and support he needs to heal years of trauma, abuse, and neglect. Eiji is his physical and emotional sanctuary, the one thing in Ashâs life that keeps him sane. When Ash falls too far, Eijiâs there to bring him back to those golden fields of rye.Â
I had this idea on Thursday and wanted to do it for Andrew and Aaronâs birthday but unfortunately couldnât finish it until today. Iâm still terrible at comics so Iâm not sure this makes sense but basically the idea is, this is happening when theyâre in their late thirties/early forties, Andrew and Aaron have a polite but distant relationship - they donât talk much and mostly see each other at family events (With Nicky), but Aaron stopped being a stupid asshole and tries as awkwardly as he can to show he cares for his brother. (Andrew still doesnt like to talk about feelings but hes v happy ok) Or something like that. :)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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what she says: iâm fine. what she means: the last episode of banana fish is going to be called The Catcher In The Rye, which besides completing the pattern of all previous episodes being named after literature by classic early-to-mid-century american authors, fits alarmingly well from a thematic perspective, seeing as J.D. Salinger also authored the titular book of the first episode and series itself, A Perfect Day For Banana Fish (1948). Just as Holdenâs wish is to protect the children from falling from the precipice of golden innocence into the cold and brutal world of adulthood, Eiji and Ash are respectively each otherâs catcher in the rye. Ash prioritizes protecting Eijiâs physical livelihood and mental sanctitude above all else, including his own survival, determined to preserve Eijiâs pure and benevolent nature in the cruel and abhorrent environment of Ashâs world. Â He keeps Eiji from falling over the cliff. Although Eiji usually has no choice but to accept Ashâs sacrifices and more often than not relies on them, he has been shown repeatedly choosing to jeopardize his own safety in favor of Ashâs physical and emotional wellbeing. Throughout everything, Eiji stays with him because he loves and appreciates Ash for who he is despite everything heâs been through and because he knows Ash needs and deserves love and protection more than anyone, and no one else in his life is going to give it to him. Being with Eiji is the only time he can return to that youthful innocent stasis, the only place Ash can receive the pure uninhibited love and support he needs to heal years of trauma, abuse, and neglect. Eiji is his physical and emotional sanctuary, the one thing in Ashâs life that keeps him sane. When Ash falls too far, Eijiâs there to bring him back to those golden fields of rye.Â
when he died , all things soft and beautiful and bright would be buried with him .