Natalia Motuzko - The Voice of Grass (1992)

Nicole Farhi

Walkabout (1971)

Guo Pei Spring 2026

Sire Ginkgo helm by Jean-Michel Bihorel

Mary Oliver, from "Life Story" in A Thousand Mornings

"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker

Han Kang, from We Do Not Part

“Insomnia” by Laurence Sackman (1972)

Pearl, sapphire, aluminum, silver, gold

[text ID: That feverish July, the air tasted of electricity.]

via

me: yep. good point.

me: YES ALRIGHT FINE

John Ashbery, Rivers and Mountains; from ‘The Ecclesiast’