THE VAMPIRE LESTAT | 3.02
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@likehandlingroses
THE VAMPIRE LESTAT | 3.02

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lestat is so kind compilation <3
iwtv continues to be so smart in its portrayal of memories and trauma, the way lestat’s memories of his family are so obnoxiously loud, everyone’s screaming all the time for no reason and everyone’s acting like caricatures, like an actual assault on the senses, as if lestat’s mind is filled with unbearable noise every time he thinks about them. lestat’s memories coming at him all fragmented and loud and violent, attacking him and beating him into submission as he desperately tries to escape them is such an interesting contrast to how louis would carefully weave a thread of his past pretending the glaring holes in it weren’t there
"Do you remember the morning that you went into the chapel," she continued, "and you knelt on the bare marble floor, with your arms out in the form of the cross, and you told God you would do anything if only he would make you good?" "Yes, good…" Now it was my voice that was tinged with bitterness. — The Queen of the Damned, Anne Rice
SAM REID as Lestat de Lioncourt
THE VAMPIRE LESTAT 03.02 | "Toledo"

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I've heard the songs. The songs are not about you.
Interview with the Vampire, 3.02 The Vampire Lestat — "Toledo"
Going back through episode six was sooo. The way Lestat is telling Louis something bad happened to Claudia that has changed her (he does not from what we see attempt to speak to Claudia about it directly until the train scene, which! Accounts vary but it clearly didn’t go well).
Meanwhile Claudia will not allow herself to believe that Lestat’s story about Magnus even happened.
I wanted the wolves to come. Until I didn't.
I was talking about this with a friend but a really interesting cultural shift over the last ohhhhhh ten years maybe is that many people in fandoms view themselves as stakeholders and not audience members. Because of that, they think that the fandom should be running things, or at least have an acknowledged say in how something is run. And every reminder that they are not in control, no matter how small, bothers them.
INTERVIEW WITH THE VAMPIRE 1x06 - Like Angels Put in Hell by God
And I want to tell you something else, now. A secret of all secrets, between you and me. The secret is, Louis: you want to kill him, too. And you will enjoy doing it.

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THE VAMPIRE LESTAT + favorite outfits (3.02 | Toledo)
Mr. An Aloof Poetry Behind the Eyes du Lac
going to start saying "it's ok i have the blood of akasha in me" when faced with any kind of problem at all
THE VAMPIRE LESTAT 3.2

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I only ever saw the aftermath. Your slit throat slow to heal. Your rotting roof and bathrobe stuck to skin.
idk, I kind of like how Louis’s narrative in the first episode includes Lestat talking about the abuse he endured as a child (being specifically triggered into doing so at a family dining table which is a really interesting parallel), in this unflinching detail. We know right away that this is clearly something that’s affected this character: his father and brothers’ violence, his lack of education, the humiliation of being a product of those things…we feel that almost at once with Lestat, and it carries through the first season
Lestat goes back to the past with an aim to justify why he’s sleeping with his mom. He emphasizes how ridiculous his father and brothers were. It was him and his mother who were real, and they weren’t. That’s the story he’s told himself and tells us. But is it true?
It kind of reminds me of the books, where Louis talks a lot early on about Lestat and his father and how complicated and overwhelming their relationship is as Lestat cares for him and resents him and does not want to listen to his advice…Louis really sees it as significant and it defines the early part of the book.
And Lestat’s narrative really barely talks about his father, even though in the books he would not have been New Orleans without going to take care of him. And that dynamic is explored almost not at all, in any real depth. It’s all about his mother who shaped him! But of course that’s not telling us everything; we already know it’s not.
And the same thing is true here! Why do we need Lestat to tell us something, right now, that we already know from another character? I think that distinction might be the point.