Fortesa Latifi, from The Truth About Grief.

❣ Chile in a Photography ❣

★
sheepfilms

#extradirty
dirt enthusiast
cherry valley forever
Sweet Seals For You, Always
trying on a metaphor
i don't do bad sauce passes

roma★

KIROKAZE
occasionally subtle
Show & Tell
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER
Game of Thrones Daily
Mike Driver
Not today Justin

seen from Australia
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seen from Mexico
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@lightfloat
Fortesa Latifi, from The Truth About Grief.

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‘Love is the one thing that we’re capable of perceiving that transcends dimensions of time and space.’
instagram | prints
something I very much needed to read today

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ANIS MOJGANI x ALEXANDER HARDING
‘For Those Who Can Still Ride In An Airplane For The First Time’, spoken word, uploaded on Youtube on 20 Apr. 2009;
Visible Light series (2010), photography
https://www.instagram.com/cozyvu/?hl=en
wishbone, richard siken

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hazel by emily ashcroft, makeup + hair by amy powell
the longevity of life and love
power
George Littlechild is a Maskwacis Plains Cree & Mi’kmaq artist born August 16th, 1958 and raised in Edmonton, Alberta, Canada by foster parents. His great-grandfather was chief Francis Bull; his great-great-grandfathers are Louis Bull and Louis Natuasis. George also has relations to Chiefs Erminskin and Bobtail.
His artwork is known for its bold colours, abstract images with political undertones. His mixed media paintings are often socially charged in response to political movements, societal concerns such as reconciliation and reclamation, as well as personal history. Littlechild has said; "I am committed to righting the wrongs that First Nations peoples have endured by creating art that focuses on cultural, social and political injustices. As an artist, educator and cultural worker, my goal is a better world. It is my job to show the pride, strength and beauty of First Nations people and cultures, and contribute to the betterment of mankind."
I am a servant for my mothers unhappiness. I can make myself smaller, mother, I can become quieter. I am a wound that you can’t stop picking. I take scraps from dinner as little parts of love. I know that I am not easy to love. I know I wear my sadness so visibly that you’ve become ashamed of me. Make me small, crush me up in the palms of your hands. Destroy me for breakfast and devour me for lunch, leave nothing left of me, not even for the birds. Eat me. Eat me up. It’s too late to apologise now, sorry means nothing when you’re choking on my leftovers.
— Hannah Green, from “Are you still hungry, Mother?”

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Valarie Kaur, Sikh activist, civil rights attorney, and author
Margaret Atwood, The Penelopiad