started this blog just to rant but in the event that @aaronburrssexdungeon gets nuked (verdict still pending) i'll be here. anyway hello to any newcomers i write hamburr fics like i have a gun to my head

oozey mess

titsay
noise dept.

gracie abrams
occasionally subtle

blake kathryn
official daine visual archive
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me

romaβ
π
YOU ARE THE REASON
NASA
RMH
Cosimo Galluzzi
cherry valley forever
πͺΌ

β£ Chile in a Photography β£
Cosmic Funnies

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@lesgrandsames
started this blog just to rant but in the event that @aaronburrssexdungeon gets nuked (verdict still pending) i'll be here. anyway hello to any newcomers i write hamburr fics like i have a gun to my head

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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1980s hamburr vampire au update: well i've written myself into a corner again
a summary of wandering strangers as best i can manage while no one is looking
the premise is genuinely really simple - it's a decades-long love/hate story of hamilton and burr as they crossed paths over the span of 30 - 35 years. it is told in alternating perspectives from both men (third person limited), starting in about 1770 and stretching until about 1804. (for the impatient and curious, they finally meet in person in chapter nine). i've done my best to make it as easily navigable as possible (years in the chapters so you have SOME idea of what to expect), but it's long, i know.
having known each other for the majority of their adult lives, and potentially even as youths, pre revolutionary war, makes theirs SUCH an interesting dynamic in the myth of the founding to me, and imo provides excellent interpersonal drama and conflict to push forward a love/hate narrative about a relationship that extended beyond "normalcy" - ie, there were both ideological and psychosexual components to it that neither of them really knew what to do with, but at the same time, couldn't shrug off or ignore. [there is also, eventually, a physical element to their relationship in this story that is a narrative invention - obviously (...?unless...?)] anyway, that they were equally ambitious and charismatic, oftentimes in completely opposite ways that go beyond just politics, during a moment in history that was pivotal and paradigm shifting, and regularly in close contact with one another whether socially or professionally or otherwise just endlessly fascinates me so that's what the fic is mostly focused on. the internal, psychonanlytical potential is huge as well. i want to understand why hamilton acted the way he did about burr, and i want to understand why burr allowed it for so long.
as far as characters go, you can expect all the usual suspects. there will of course be elements of different important relationships that each of them had, but this is at its core a story about them as a unit, and their relationship will take priority. i tried to tag ships as honestly as possible. as stated, there will be narrative inventions for the sake of a good story and to fill in gaps in my knowledge, and there will probably be a few anachronistic mistakes due to human error (which i'll do my best to correct as i go along) - but this will basically follow the timeline of irl history and is going to end exactly how you think it will. the best part is getting there.
what ships exactly, i'm scared. romantically: lams, hamliza, burr/theo p (whatever we're calling that), but mostly hamburr. infidelity abounds and none of them have any kind of happy ending. only one is cosmically linked as punishment.
you messed up [historical event]. i'm sorry :( if it makes you feel any better i plan on working on this for one million years and i'll probably fix it at some point.
why didn't you just post this in the summary box for the fic? if i saw someone waffling like this on ao3 i'd steal their lunch money.
what are the smut chapters please. as of now the madness begins to consume them in chapter forty-seven.
did you make a spotify playlist like a little wiener. yeah >:^) i like to choose songs that correspond to the years i'm writing, but 200 years later. so, 1976 for 1776, 1985 for 1785, 1990 for 1790, and so on. it's here, already in chronological order for the most part, but no where near finished
i only read finished fics. see you in another 10 years!
chapter 99: aw they're both writing their big boy reports, one of which is an exercise in futility tht will be completely lost to the sands of time and the other which will irrevocably shatter the unity of the US government into warring political factions for the rest of eternity
chapter 98: we are fucking up in ways previously unknown to man. we are hiring dipshit law clerks and pestering congress. we are having dinner with the governor.

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hi! i'm a stranger online challenging a history shitpost you made. can you please explain your logic to me, again, a stranger, in explicit detail? with bullet points and examples to back up your reasoning. i don't know you and you don't know me but this is extremely important. again i'm a complete stranger who has never spoken to you before and i don't know your depth of knowledge around the subject and you don't know mine i cannot stress this enough. please answer me it's very urgent.
they're both terminally ill with moronitis
okay for real no WS chapter this week the well is completely empty. #cholera #deadbody #chasebank
i have this modern au thing I've been poking at for a few weeks maybe i'll finish that
okay for real no WS chapter this week the well is completely empty. #cholera #deadbody #chasebank
the kind of breakup where one of them cries so much he dry heaves and the other angrily busts into a used shirt

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no one asked but i think one of the trickiest things about writing historical fic is trying to marry these two completely opposite concepts of "historical accuracy" with well-developed characters and narrative interest. when you think about it those two are complete anathema to one another because history is explicitly not a narrative but it needs to be if you're trying to tell a story. when you get too deep into facts and and accuracy you absolutely sacrifice good themes and characterization because real life humans don't act in a way that is narratively convenient. and on the other hand when you veer too far toward creative liberties you get something that's very obviously projection and a sounding board for the author's preconceived notions/kinks/biases etc which is also pretty painful to read in it's own way. and of course everyone has their own threshold for these two things so the line is constantly moving depending on who you talk to which muddies the water even more. i think the most important thing to keep in the back of your mind when writing historical fic is what new lens am i trying to look at this through? like what novel idea is your story bringing to the table, and are you able to balance it with enough historical grounding and verisimilitude so that people buy what you're selling?
good evening historical fiction writer. before you is a blank document. you can either pedantically obsess over every potential inaccuracy that might appear in your story to the exclusion of an engaging narrative and interesting characters and even sitting down to actually write the thing or you can live comfortably with the understanding that you'll never have 100% of the facts and you'll have to eventually fill in the blanks with your own creativity and just have your protagonist do the 18th century equivalent of flushing his meds down the toilet
big sloppy mess
i rallied on my death bed to get this posted
next chapter of ws probably won't be out tomorrow :(

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can i be so fucking for real
continuing the running theme of hamilton angrily injuring himself in stupid ways and burr doing something impulsive thinking he's helping but actually making the situation 100x worse