French Disko - Stereolab (1995)
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French Disko - Stereolab (1995)

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“We choose to believe in the flotsam, the light glance passing and innocent because unpriced.”
— J.H Prynne, from “Sketch for a Financial Theory of the Self” (Kitchen Poems, 1968)
“[T]he present—in this society, and in the physical and psychic dissociation of the human subjects who inhabit it—is inaccessible directly, is numb, habituated, empty of affect. Elaborate strategies of indirection are therefore necessary if we are somehow to break through our monadic insulation and to “experience,” for some first and real time, this “present,” which is after all all we have.”
— Fredric Jameson, “Progress versus Utopia, or, Can We Imagine the Future,” Science-Fiction Studies, vol. 9, no. 2 (1982)
“London“ (1994), Dir. Patrick Keiller.
Colette Peignot more commonly known as Laure (and ‘friend’ of Georges Bataille…)

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John Hilliard Distorted Vision 1991
Lillian Bassman
Raoul Ubac, Agui au miroir au tain endommagé, 1933
Fernand Léger, Ballet Mécanique (1923-4)
Stretta - Calculus, dir. by Franck Trebillac (produced by Franck Trebillac & Marc Broussely; director of photography Marc Broussely; art director Franck Trebillac; Camera Marc Broussely; Editor & post-production Franck Trebillac; Executive producer Crashburn media).
More here: francktrebillac.com

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René Descartes, Traité de l'homme or Treatise of man (1648)
Descartes compared the process of remembering, and memory, to the traces needles would leave when pressed into a fabric. In human terms, memory was the pattern left by the holes of ‘events’ imprinted in a person’s 'vital spirit’ (or consciousness). Recollection occurred by recalling the pattern, which obviously became stronger when the original pattern was repeated many times.
Pipilotti Rist, I’m Not The Girl Who Misses Much (1986)
Steven Arnold, Memories (n.d)
Visionary film maker Steven Arnold
Albrecht Dürer, Nemesis’ wing (c.1501)
Owen Land (formerly known as George Landow), Remedial Reading Comprehension (1970)

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Sidney Peterson, The Cage (1947)
Paul Nash, Steps in a field near Swanage (1935)