my friend is showing me fate and we just finished zero
TVSTRANGERTHINGS

#extradirty
Cosimo Galluzzi

JBB: An Artblog!

Kiana Khansmith
he wasn't even looking at me and he found me
wallacepolsom
sheepfilms
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"
Jules of Nature

styofa doing anything

shark vs the universe
Acquired Stardust

blake kathryn
🪼
ojovivo
One Nice Bug Per Day
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@lemonjamdraws
my friend is showing me fate and we just finished zero

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K so not to be dramatic or anything, but there's a free vintage French pattern book available on antiquepatternlibrary so if you like to crochet/weave/make pixel art/tie epic friendship bracelets don't walk- RUN.
It has scenes from aesop's fables! Cherubs doing things! Beheadings! Greek muses! Little farm people! Intricate floral pattern! Goth stained-glass window like patterns! Fun little corner pieces! Eeeeeeeeeeeeee
https://www.antiquepatternlibrary.org/html/warm/C-TT008-180.htm
@vinceaddams ?
@knottybliss patterns!
Oooooh I gotta check this site out
I can't believe more people don't know about the antique pattern library! All those public domain, vintage handiwork books and magazines are scanned in pdf format, and FREE TO DOWNLOAD! Languages include French, Italian, German, and English. It just does need to be mentioned that most of the earlier English publications are British, so American users need to make sure to convert the instructions as necessary. Especially crochet instructions, where a British double crochet is an American single. No, I don't know why 🤣
Publications include (for those who can't see the picture) :
Battenberg Lace, Beading, BerlinWork, Bobbin lace, Bookbinding (yes, bookbinding!!!)
Calligraphy, Carpentry, Crochet, Cross Stitch, Cutwork
Drawing, Dressmaking
Embroidered Net, Embroidery
Filet, Filet Crochet, Flower Arranging
Glass
Hardanger
Irish Crochet
Knitting, Knotting
Lace (soooo many forms of lace making)
Macrame
Paper, Point Lace
Quilting
Ribbonwork
Sewing
Tatting, Tulle Embroidery
Various
Waxwork, Woodworking
Workbasket Magazine -- a publication that usually posted multiple different crafts in each issue.
It's a wonderful site, and I've loved it for nearly 20 years!
Antiquepatternlibrary.org
THE SITE
Me when I wasn't saying anything: anyway-
My little baby sister Maryam may not survive if the war or famine returns again. Her tiny body can no longer endure all this exhaustion, hunger, and fear.
I can't sleep because of the overwhelming fear and dark thoughts haunting me. I keep imagining what could happen to Maryam if we are forced to go through all of this again.
💳 Please donate - ✅️ Vetted # 15
Maryam deserves safety, warmth, food, and the chance to live like any other child. Instead, she wakes up every day surrounded by fear and uncertainty. Please do not look away from Maryam and help her have the chance in a safe and peaceful life.
Please help Maryam and her family.
Maryam is an innocent child who was once full of life and energy, until the war in Gaza changed everything.
If Maryam is not worthy of help, then who is?
Please everyone, ACT NOW and help Maryam!
She needs nutritional food, medicine, clean water, and proper.
She deserves safety, health, and happiness, just as any child around the world deserves.
Please help Maryam and her family!!
DONATE as much as you can, SHARE their story as widely as possible, and REBLOG with tags to keep Maryam's story in circulation!!
BOOST!
MARYAM AND HER FAMILY DESERVES A LIFE, HELP IN ANYWAY YOU CAN
A weird discourse all over my timeline now is if referencing, 3D models, and "tracing" still counts as art or if it's cheating and lemme tell you, you people would hate art school
One time I told my professor I didn't use a leaf reference for a tree I was drawing and he made me scrap the entire project. I can't tell you how many times a professor has told me to stop trying to "figure out" a pose and just trace a photo. This is just how it's done guys.

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oh yea just throwing it out there but. if u are a beginning digital artist PLEASE i am BEGGING you to experiment with different methods of making your drawings because i see so many of yall suffering for no reason using what you’re taught because you don’t know to try a different way. like SO MANY PEOPLE people make jokes about how much worse their lineart looks from their sketch and how much of a pain it is to do lineart… if that’s you, then, don’t do lineart! just clean up your sketch a bit, or keep the bits from the sketch that you like the most and only do a separate layer for the things that really need fixing, or just paint right onto it!! endless possibilities. if u keep having trouble with layers? u don’t need them, just merge them and keep going. better at sketching traditionally than digitally? take a picture of ur sketch and draw on top of it. there is no One Right Way to do anything in art except what’s fun and satisfying for you. be free
THERE ARE MAGICAL BOY TRANSFORMATIONS UP IN HERE
another redraw hello xDD
a collection of Very Important Images now that the latest pillar has come
wow throwback to. Erm. Ten Years ago. thank fucking god miraculous isnt the only art i did back then

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i just finished showing @mochasucculent Makai Ouji anime i could have sworn they kissed in the end of the manga but they super didnt BOOOOOOOOOOOOOOOOOOOOOOO
it’s hard to give jewelry as gifts sometimes
ok but
First week of #PleinAirpril over! I'm trying to figure out how to cut back on the time these take without rushing it. Very tricky.
I am reading an interview with a historian that set out to weave the type of textiles that was sold to plantations for use by enslaved people using period appropriate looms.
But because I knew nothing about weaving, everything had to be explained to me, down to the most basic tacit knowledge: things that an eight-year-old girl in 1828 would have known, because when she was not winding yarn around a quill to help her mother, she was working on the family’s loom herself...
The great challenge of our work as scholars—at least, those who are interested in historical reconstruction or the histories of any craft tradition—is that almost none of what we want to know is written down—because it didn’t have to be and it didn’t need to be articulated. So to be in a situation where expert weavers had to talk to me like I was a child was one of the best things that happened to me in the course of my research for this book.
“But I had found a set of instructions in the archives of one of New England's leading manufacturers of low-end woollen cloth for enslaved w
For my textile, weaving, historic textile, history enthusiasts
The interviewer is also a weaver!
SW: ... That’s really awesome. You’ve taught this class now for two semesters. What have you learned from your students?
SR: Their expertise as makers has clued me into historical experiences most scholars have glossed right over. A 1930s Federal Writers Project interview with a formerly enslaved octogenarian might reference a grandmother’s sewing prowess, but then a student will say, No, you can’t just skim over by that! Do you know how many hand stitches it takes to do the seam of a dress? If you’ve never handsewn a skirt (and I haven’t), you might need to be reminded of the labor involved. One student reproduced a 19th-century skirt as her final project, and it was all about the stitches. Their reading of primary sources picked up on things that I missed.
And this took me in new directions in my own research. You might remember a discussion of sewing labor in the final chapter of Plantation Goods and the implication of a cloth’s width for a woman’s work routine. If you know how to cut the pieces for a shirt from a 32-inch-wide piece of fabric, it is going to mess everything up when you’re given a bolt of 28-inch-wide cloth. I had seen letters from slaveholders in the 1830s and 1840s complaining about the narrowness of the cloth and how enslaved women didn’t “understand” these fabrics. This wasn’t transparent to me as a historian. Only with students talking about the expertise involved in cutting cloth into the components of a garment did I realize what a difference it made when, say, a New England weaver was haphazard and turned out fabric four inches narrower than the usual variety. That error would reverberate in the lives of people 1,000 miles away who might face extreme forms of violence because they couldn’t meet their daily production quotas. Or they might experience other kinds of privation—a lack of rags for postpartum women, for example—because a wider fabric left scraps while a narrower one did not.
The conversation that happens in this relatively short interview about all the processes and choices in textile production (then and now) are really important.
From the arguments made and lengths slave holders went to to acquire the worst wool, to under appreciated labor of textile and clothing production.
Fun Story to Share.
I got my (now 18-year-old) daughter into Ao3 back in 2021. I taught her she should always comment - even if the fic looks old or abandoned or whatever. She did.
Well - she got this email this morning:
The fic was written in 2014 and essentially abandoned.
Bethy read and reviewed in 2021 (and was actually the only person who had commented at all).
Today in 2025 - the final chapter was posted by the author and this was her reply to Bethy’s comment.
———
Never question whether a fic is too old to comment on.

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tramsgemndrers
updates his pixel art