Journey through Time: William Morris’s Day and Night, a Tale of 1860s
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Journey through Time: William Morris’s Day and Night, a Tale of 1860s

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you don’t realize how important lunch is until you’re wandering around thinking about how unloveable and untalented and uniquely cursed you are and then it’s 4pm and you finally eat lunch and you go Oh. oh right.
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
marvel comics like villains and anti-hero types are so easy to root for coz the regular heroes and status quo kinda piss u off and i think this is a feature not a bug

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If I had the power to teleport I would be so irresponsible about using it. What're they gonna do, corner me?
no literally when you can’t even blog about it
A baby cousin is a kind of creature that can be met organically through your aunts and uncles. You can befriend such creatures with video game facts, middle school memes, fast food, and quiet time in your room.

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sources are saying ohhhhhhhhh brother
Sunrise at the lake 5 years ago

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I think those fancomics where Calvin from Calvin and Hobbes is transgender are cute and fun but I also think it's a deep misunderstanding of Calvin's character to think he would transition into a heterosexual normie who goes to her high school reunion. That girl would have neopronouns and fang implants
Adult Calvin is a tattoo artist named Panthera who is the bassist in a terrible metal band called Captain Napalm and Hobbes helps do faer E injections
I know it's like 2 weeks too late to change it but I'm so mad I didn't realize that the band would obviously be called "Get Rid Of Slimy GirlS". I walk the road of shame
The entire Europe conspired and cooperated to colonize North America.
Say this to Norwegians and Swedes, they'd get mad and act as if they have nothing to do with it
This belief is tied to the misconception that colonization was undertaken by states, and thus that only countries whose states had colonies were involved. The importance of companies and venture capital in colonization is vastly unknown and frequently underestimated. When you look into it, you'll see that even some European countries without colonies had colonial companies. And even when that wasn't the case, the states themselves or large part of their capitalist class could own stakes in foreign colonial companies.
And even more indirectly, they could have stakes in trades that were fed by colonialism, like industry developing thanks to cheaper material from the colonies, which fueled the industrial revolution