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@lauraruedamdx
This is the animatic with all the rough animation I’ve made so far. I don’t feel safe anymore going to uni so I will quarentine myself at home. I don’t know when I’ll be able to keep working but we gotta keep everyone safe.
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These are the new storyboard pages for the intro. Having them in storyboard and not only in animatic helps me clear it out and number them for planning purposes.
The last picture is the sketch to design the shots before making them more detailed.
This is my final version of the animatic for Naranja y Azul! I changed most of the intro to make it clearer and more dynamic, as the montage works better to show the passing of time and gets rid of some of the stillness that really wasn’t working on my favor.
Here is the first shot I’ve made! I decided to clean it up to get a sense of what the film will look like and to trick my brain into making more work!
Here’s my new version of Ada when she’s a child.
As she is a ballerina I decided to make her outfit more obvious and the picture more significant as it’d be after an dance recital. I chose the last outfit for its simplicity as well as the shape, since the second one (the most stereotypical) broke the shape too much and it wouldn’t serve my film as well.
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This is the second version of the animatic! I made a first scene so the character has more contact with the reflection since the beggining and the situation is more stablished from the beggining. That way the rest of the film feels more grounded and it’s easier to understand.
This is the first animatic for Naranja y Azul, susceptible to changes.
These are some of my style frames for my two minute film, that’s at the moment under the provisional name of “Naranja y Azul“. The watercolor has been done traditionally and the lineart is made in digital. The one thing that I could not replicate is the echo of the movements made before.
This is the renewed version of the character sheet for Ada and her poses. The changes are a little logo in her shirt to make it feel more like a uniform and the poses include her new outfit for the last scene.
This is the character sheet for when she’s a kid and the picture prop for my two minute film!
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This is my storyboard!
There were some scenes that were harder to picture for me than others, but overall I’m happy with the result.
This is my final colour script, which I did before the storyboard because since in my film colour is very important I thought it would help me visualize it more.
It definitely helped me clear my mind and have a stronger and more united vision of the whole project.
The only scene that is lacking in this script is an after credits one that I planned recently, where the character leaves the house ready to go somewhere she wants and her reflection is full of colour.
This is some Concept Art of the key moments that I did on traditional technique (watercolor and ink) to get close to the feel I want to give to my film.
The first two represent the flashback, when the character was a child and her inner self run free, and the last two are when she creates her new colours and gets in touch with herself again.
I knew how the watercolor looked on white/cream paper but I was unsure of how it would look when inverted on photoshop. Turns out the color is stil vibrant and gives out a very neon aesthetic, which I’m very pleased with.
To explore the design a little bit more I practiced some poses and different expressions. I focused on creating dynamic poses and variated angles and expressions to give her more dimension.
In the end I chose this character and expanded it, so here’s the character sheet full body and for the face!
It was a good balance between someone one could know and a distinctive shape.
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First take of the script
FIRST TAKE 2 MIN. FILM
INT. HOUSE ENTRANCE - BLUE HOUR
The CHARACTER enters her house, exhausted from a day of work. She leaves her keys and walks through the corridor, directed to an unknown room. When she passes in front of the mirror the reflection is seen in watercolors, colored. She barely glances at it and exits the corridor.Â
A door closing is heard, the CHARACTER stretches, back again from another day of work. She looks sleepy and serious. The routine repeats itself, she leaves her keys in the same place and walks through the corridor, barely glancing at the mirror, where the reflection can be seen with slightly paler colours.Â
The routine repeats a few times more until when the CHARACTER passes in front of the mirror the reflection is completely blank. She stops dead on her tracks and faces the mirror, staring with eyes open wide. She puts a hand in the mirror, realizing that she has lost all the colour she used to have. She lets her hand fall and sees a picture of her at a foreshore when she was little. It is colored.
EXT. FLASHBACK, RIVER/LAKE FORESHORE - MIDDAY
KID CHARACTER is looking at their reflection in the water, dancing and moving around carelessly. She starts running along the foreshore, and her reflection takes wild shapes and movements, as free and careless as she is. A PARENTAL FIGURE with a small and controlled reflection stops her, fixes her clothes and makes her walk besides them. Her reflection grows controlled.
INT. CORRIDOR - BLUE HOUR
The CHARACTER touches the picture and gets a little colour on her fingers. She tries to put them on her now blank reflection, but the paint does not stick, and it falls down. She grows desperate and tries it again; the result is the same. Putting down the frame, defeated, she takes a few steps back and stares at her blank reflection. When she is about to lose hope she sees a note of pale colour. She steps closer while the furniture and the world around her disappears, leaving her alone with her reflection.Â
INT. THE VOID - TIMELESS
The CHARACTER stands in front of her reflection, and touches the bit with colour, creating a drop, which she is able to move around and create a pattern. She starts putting the white aside and finding colours, and when the white doesn’t have a colour below it she puts her hand on it until colours flow.Â
This exploration becomes more abstract and the CHARACTER has a little dance with her reflection, smiling broadly. She starts running, her reflection dances around her and goes to her feet, in parallel with the flashback. The reflection goes around her again and juxtaposes her. She laughs; she is in touch with herself again.
This is one of the character explorations, to test the movement and personality. I still have to test a few more before deciding anything.