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@lagosbratzdoll
Gentle reminder that my pronouns are THEY/THEM.
They're in my bio right above the ask button.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nettles
Looked up the numbers for House of the Dragon and smiled so wide my cheeks hurt.
There are so many choices on House of the Dragon that are outright baffling to me and for the most part, I've gotten really good at ignoring it but making Ormund the richest man in Westeros and a Tywin Lannister clone is just genuinely mindboggling.
It's actively doing my head in. Does it not seem strange to anyone else that Ryan is coming up with these complex backstories and character arcs for interchangeable white rapist #456 and #334 but we couldn't get Nettles?
Alyn and Addam living like beggars in the shipyard when their mother owned seven ships. Rhaena and Nettles combined to make room for Gwayne who literally only existed to die. Laena reduced to make room for Alicent. I feel like I'm losing my mind.
House Velaryon in their prime dressed like beggars off the street. Rhaena has three lines per season. Baela does stuff sometimes. Alyn has angst. Addam? Well, he's handsome. Gwayne though, we're getting monologue after monologue about what it means to be a knight.
Also random nitpick, it's been three (thoroughly mediocre) seasons, when is Rhaenyra going to take center stage in the posters about her story?
Opened Libby and got irritated again. Corlys and Baela are relegated to tiny little squares at the bottom of the page while white characters we've not even met yet get centre stage. Mind you, they're the only Black characters who appear in this multipage spread.
Westeros doesn't have a standing army, you stupid slut. That's why they call the banners.
If I say it's weird that it's only boring white rapists that Ryan seems interested in expanding on, they'll say I'm seeing things and "pulling the race card" so I'll just 🤫
Loving fantasy as a Black person feels like getting punched in the face a million times.
It's genuinely so exhausting and so very annoying to turn on the TV to watch dragons fight each other and vampires fly and still not be able to escape antiBlackness.
And you can't even complain about it because the white fans will swarm you to defend the show's honour. "Be grateful they even cast Black people" is a common refrain. "You're not giving these writers any grace after they went out of their way to cast ni-I mean Black people" is a super popular one.
And the thing is, I don't need fantasy to be an escape. I don't even mind racism and other heavy topics in my stories. I just wish the writers had more interesting things to say about it. And that's without confronting the way that Black characters are written with significantly less care than their white counterparts and how studio investment only seems to go in one direction. And as sad as it is, I could ignore or at least tolerate behind the scenes racism if the final product was well crafted. But it isn't.
From isn't perfect with their handling of characters of colour and the fact that the lead of the show is a dark skin Black man doesn't absolve them of that. However, the final product is genuinely engaging TV so I try my best to keep my criticisms of their mishandling of these characters to my group chats.
With House of the Dragon, it's harder to ignore because I'm reading the interviews where the white showrunner pontificates about how boring/uninteresting/uninspiring he finds the Black teenage girl who claims a dragon on her own merit which you know, whatever. But then in the next paragraph he's waxing poetic about how compelling he finds one note white male rapists.
Or with The Vampire Lestat, I'm reading the powers that be talk openly about how they're courting a racist audience now that the protagonist is white. Or the white showrunner brag about how this is the best writing for the Black woman character and the writing in question is riddled with micro aggressions and vitriolic racism.

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Loving fantasy as a Black person feels like getting punched in the face a million times.
It's genuinely so exhausting and so very annoying to turn on the TV to watch dragons fight each other and vampires fly and still not be able to escape antiBlackness.
And you can't even complain about it because the white fans will swarm you to defend the show's honour. "Be grateful they even cast Black people" is a common refrain. "You're not giving these writers any grace after they went out of their way to cast ni-I mean Black people" is a super popular one.
And the thing is, I don't need fantasy to be an escape. I don't even mind racism and other heavy topics in my stories. I just wish the writers had more interesting things to say about it. And that's without confronting the way that Black characters are written with significantly less care than their white counterparts and how studio investment only seems to go in one direction. And as sad as it is, I could ignore or at least tolerate behind the scenes racism if the final product was well crafted. But it isn't.
Loving fantasy as a Black person feels like getting punched in the face a million times.
It's genuinely so exhausting and so very annoying to turn on the TV to watch dragons fight each other and vampires fly and still not be able to escape antiBlackness.
And you can't even complain about it because the white fans will swarm you to defend the show's honour. "Be grateful they even cast Black people" is a common refrain. "You're not giving these writers any grace after they went out of their way to cast ni-I mean Black people" is a super popular one.
Loving fantasy as a Black person feels like getting punched in the face a million times.
It's genuinely so exhausting and so very annoying to turn on the TV to watch dragons fight each other and vampires fly and still not be able to escape antiBlackness.
Loving fantasy as a Black person feels like getting punched in the face a million times.
im honestly still not over this like a room full of nonblack people wrote claudia calling louis nappy-headed and telling him that etched in his ribs was the proof that he's a slave. something so horrifically anti-black because of its implications that louis being a slave is genetic and interwoven with his dna. that's literally a white supremacist talking point. they had claudia, a black person with a white lover, mock louis for being a black person with a white lover, and say that lestat was her actual blood relative after rejecting his blood in s2, acknowledging that it wasn't good enough for madeleine.
rolin truly said this and believed it to be true, and that should be enough for everyone to know what kind of person he is:
they had claudia refer to her life as not only bleak, but specifically bleak and black. a character who was never ashamed of her blackness. they had her say that she hates louis more than her rapist, abuser, and the people that orchestrated her lynching and burned her lover alive. they completely destroyed her character and killed two birds with one stone, butchering who claudia always was/how she saw louis and lestat, and throwing in more insults and hate at louis while mostly ignoring lestat.
and making it so that claudia is suffering endlessly, even in death, felt like another purposeful story choice. not to make claudia's character even more heartbreaking, either. it was pointless no matter how you look at it. this just felt like yet another way to torture a black character, and a black character that has been repeatedly exploited all season for everyone else's feelings. furthermore, summoning claudia had no effect on louis and lestat at all, as they were immediately over it by the next scene.
none of the heavy storybeats can have any emotional impact because both us and the characters are never given time to absorb them. they're just checking boxes with these heavy moments and moving onto the next scene. and all of this is, again, so we can absolve lestat of his wrongdoings and ensure no blame falls on him. his trauma is the only important thing in the show and the only thing worth discussing/unpacking. it's just antiblack, misogynistic writing again and again every week and rehashing it feels pointless but i can't help myself.
aside from the blatant racism and misogynoir, i also get the impression that these writers are just trying to get their quoteable, hashtag-able, gif-worthy scenes each episode. who needs a cohesive plot when you can have lestat say "serving cunt has its consequences" or give the viewers an iconic shot of their favorite ship that feels entirely unearned—one of my examples of this being the fact that devils minion feels like they just put together a bunch of shots that they thought people would love, without actually telling a story with these two characters. everything we learn of their history and relationship is given to us through exposition. and because assad is such a fantastic actor, he's making these scraps into something interesting.
the showrunners are no longer pretending to be subtle with their sloppy writing, poor pacing, and hatred towards louis and claudia. they're just writing the racism right into the script and think that, because a black character says it, they're free from all criticism. and a majority of their nonblack fans are jumping to defend them by saying that claudia's rage is justified and if you claim otherwise (even if you're not saying that) then you can't accept black characters being cruel and/or evil. which isn't true at all.
claudia's rage is entirely justified, her berating the two people that were supposed to love her and put her first but instead used both her life and death for their own gain is not the issue here. she could've been as cruel as she wanted—but having her say a slew of horribly racist things to louis and direct most of her ire towards him as opposed to lestat or the both of them equally was nothing more than these antiblack writers once again degrading louis for their own enjoyment because they hate his character and know they can get away with dragging him through the mud. especially if they hide behind another black character.
even the decapitation at the end felt like a quick moment of shock to the viewer that turned comical immediately after. the abysmal pacing of this show makes it so that loustat being beheaded has no actual weight because we know they're fine and we're given no opportunity to sit with this moment. there are no stakes and there was no real buildup to it. nor to armand and daniel coming up with this plan and suddenly working together the way they are. in fact after the dust settled, id say the scene was borderline cartoonishly evil.
these writers will never face the backlash that they deserve for this joke of a season. not only does this show not deserve to be renewed, but i sincerely hope that jacob, delainey and assad are (aside from being able to talk about it privately in some way) one day able to publicly talk about the racist/misogynistic bullshit that they had to endure this season all in the name of propping up a white character and furthering a bullshit narrative.
For anyone who thinks Rolin still isn’t in on it, you are naive and you are blind.
It’s seriously time to write a collective letter to the production team.

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I think I speak for everyone in this fandom when I say that we need Black writers back in the writer’s room.
The Black writers for seasons 1-2 of IWTV were Ben Philippe, David B Harris, and A. Zell Williams.
These are the men responsible for providing substance and depth to the Black characters in the first two seasons, mainly Louis and Claudia. They knew how to tackle struggle, injustices, history, rage, pain, and the ugly truth of American and European Black history. They didn’t pull punches with the hard stuff and they knew how to work with the soft stuff.
Season 3 tried to create edgy content and humor without these men and absolutely failed at it in every way possible. And they have failed both Louis and Claudia.
The Black jokes about Louis being “Louisiana Fried Chicken”, Louis continuing to be the pimp and needing his White savior that is Lestat, Claudia’s entire monologue about Louis being a literal slave to Lestat in that old Louisiana accent. And not to mention the complete erasure of Lemuel after only a couple episodes.
It’s not working.
If there’s gonna be Black actors on screen, there needs to be Black writers in the writer’s room.
Xavier Dolls Per Episode ┖ KEEP THE HOME FIRES BURNING
make me choose: heylittlewildgirl asked ≡ wynonna/dolls or wynonna/doc
Barristan Selmy 🤝🏾 Daenerys Targaryen
The Velaryons deserve better than this.

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If the rumours about Nettles are true then the House of the Dragon showrunners/producers continue to prove that they hate black women with a fervour only matched by Alan Ball and Julie Plec.
I was so young and naive. Ryan said you thought that was bad, watch this. Have Baela and Daemon said more than two words to each other in this entire show? Does Daemon know Rhaena's name? Does Daemon remember that he has two daughters? I'm actually in awe. How do you take the faction renowned for their love for one another and make it so that they barely speak to one another? We've got multiple scenes of parent-child incest but Daemon can't comfort his daughters after their mother's unnecessarily gruesome death. Their grandmother died and he couldn't be arsed to say at the very least, "there, there".
I love House of the Dragon, the feminist, antiracist, and true-telling of the Dance.
If the rumours about Nettles are true then the House of the Dragon showrunners/producers continue to prove that they hate black women with a fervour only matched by Alan Ball and Julie Plec.
I was so young and naive. Ryan said you thought that was bad, watch this. Have Baela and Daemon said more than two words to each other in this entire show? Does Daemon know Rhaena's name? Does Daemon remember that he has two daughters? I'm actually in awe. How do you take the faction renowned for their love for one another and make it so that they barely speak to one another? We've got multiple scenes of parent-child incest but Daemon can't comfort his daughters after their mother's unnecessarily gruesome death. Their grandmother died and he couldn't be arsed to say at the very least, "there, there".